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Runes are the
mighty magical sigils of the North, won by Óðinn
in the dawn-time through His self-imposed hanging sacrifice on the world
tree Yggdrasil. They represent all the forces of creation, and are used
for magic, divination, and meditation. Study and use of the runes over
time is an ancient Heathen method for connecting to the primal forces
of nature, and with the deepest levels of your Self. Great wisdom can
be won in the process of such studies.
If you want to make a set of runes in the traditional way, you must
first learn the runes. You must meditate on them and study all the Historic
Rune Poems. Delve into the Eddas and Norse
Sagas and discover the clues hidden there that indicate how runes were
made and used. Draw or scratch the runes on something, (paper sheets,
the ground, snow, etc.) and stare at one rune at a time until you get
a vision or strong impression. These temporary runes should be unmade
after you use them: burn them, or wipe them out when you are finished.
This also can be practised without props, and it is good to be able
to see and hold the form of a rune in your mind's eye without getting
distracted. It is helpful to develop a way of saying the entire FUTHARK
to yourself, in a song of some kind, so that you can remember their
order and names. Chanting this rune-row to yourself while walking is
a very good way to ingrain the runes in your psyche. This can (and should)
take some time. However, the runes do speak to our minds and souls directly,
and to the dedicated and worthy student they will reveal their nature.
While concentrating on a rune, you might find yourself "entering
into it" or travelling into a sort of runic landscape or world.
If this happens, take careful note of what you see and perceive with
all your senses. You may also have insights into a rune that just "pop"
into your head. Write down all your impressions in a notebook. Over
time, this will grow into your own personal runic key. The insights
into the runes gained in meditation and shamanic journeying are why
reading a modern book is not only unnecessary to learning the runes,
it can sometimes be deleterious. Some authors of rune books have made
up their own system, and some put forward bad research and personal
speculation as the definitive rune meanings. The runes will reveal themselves
to you in a unique way that suits you as an individual. Beware those
books that claim to have the "be all and end all" runic answers,
or that promote rigid or costly training programs to gain runic knowledge.
These are pure bunk. Even though there is some information of value
in a few rune books, the runes are a mystery that you must work to discover.
There are no short-cuts to runic wisdom, and you must of necessity blaze
your own trail into the runic worlds.
One need not purchase ready-made runes either, and I know of no serious
rune vitki who uses anything but runes they have made themselves. If
you choose to use wood, a fruit tree is traditional. A tree that appeals
to you especially is good. Make an offering to the tree, and ask it
for some wood for your runes, telling the tree the purpose for which
you will use the wood . An appropriate offering is mead, beer, bread,
or whole milk. A good tree fertiliser is also a nice gift to the tree.
You are asking the tree to give a bit of its life-force in the branch
that will be cut off, so you should show gratitude to the tree-spirit
by offering something of good quality. You should only cut the tree
if you really feel that it agrees to give you a branch. You might want
to cut a branch bending to the North, or perhaps another direction that
appeals to you. When you cut the limb, you should do this in a sacred
manner, with a special knife, if you have one. It is, after all, a very
holy thing to make runes out of the limb. I usually rub saliva on the
cut I make on any plant I'm harvesting for ritual use. It aids in the
healing of the cut, and again, is an offering of a bit of myself for
the gift the plant has given me. It is also appropriate to use a drop
of your own blood as an offering to the plant, which will bleed sap
for your runes. (I would like to say that it is not appropriate
to use anyone else's blood for these rituals--animal or human).
Once you have your limb, you cut disks out of it, all of uniform size.
Use a vice to hold the limb steady. Mark the limb with evenly spaced
lines before you cut. A hacksaw works well for this. You can sand the
resulting lots if you want, or remove the bark or not. Then you prepare
to cut the runes. Be in a quite, safe place where you will not be disturbed.
Use your altar, if you have one, as a table for your work. You should
call on Odin, God of the Runes to aid you, and on any other Deities
you want to help you. Thor is good to call on for protection while you
work. Freya, Frigg, and Jörd, are Goddesses who can be helpful
also. It is good to have a candle lit, and to have a horn of mead to
offer the Gods and Goddesses, either at the beginning or the end of
the work. Making runes takes a lot of energy. It is best to start and
finish your set of runes all at once, to retain focus and intensity.
Start with Fehu and proceed in order through the whole FUTHARK. You
should sing each rune's name as you firmly cut the rune into the flat
face of the disks of wood. There are special blessed knives for this
cutting (risting or carving) called Seax knives. Any knife you use,
however, should be cleansed and blessed first. You breathe your breath
and life-force into the wood as you cut and as you sing. Then you blood
the rune, continuing to sing the rune's name and sound. Using your own
blood to colour the runes is the most powerful way to imbue them with
might, as well as the best way to bond them to you. Your blood is literally
a part of your self, freely offered to sanctify the runes. I use a yew-twig
to apply the blood, and you must do so quickly, before the fluid coagulates.
A wedge shaped stylus, quill, or knife blade works just as well for
colouring. Obviously, care should be taken in drawing the blood. An
extremely sharp knife drawn across the ring finger of the left hand
is my usual method. As I said, I use a yew twig to dip into the blood,
which is contained in a dished-out stone. Then I lay the blood into
the cut lines of the rune with the yew twig, singing its name/sound
all the while. Also, you must hold in your mind an image of the rune,
glowing with might, and all of its meanings and associations. You must
try to feel the specific rune on all its levels as you carve it. Strive
to both connect with each rune's central mystery and to pour your own
energy into it as you colour the stave. When you finish making your
runes, you might lay them out in order, in a circle in the sun (or moon)
to dry. Be sure to thank the Deities for helping.
Your set of runes is a living thing, with life force and spirit of its
own, and should always be treated with great respect. Most vitkar have
a special bag that contains their runes. Pure silk or linen especially
are good choices for this bag. I would say black, white, red or cobalt
blue are good colours for the pouch. Sometimes a symbol such as the
valknot is embroidered onto the rune bag for protection. This bag may
then be placed within an outer bag made of something tougher, such as
leather.
I do not let other people touch my runes. If I read for them, I alone
handle the runes. This seems to work best for me. If you colour your
runes with blood not letting others touch your runes is something you
should definitely consider. On porous wood blood soaks in and stains.
However, on stone runes the blood does eventually flake off a bit. Because
of this I periodically restain my runes. It empowers them more every
time I do it. I gathered the rune stones I have used for the past fifteen
years from the foam of the surf on a glacial island in the Atlantic,
during waxing moon phase only. It took me three months to find enough
flat oval stones of the same size. These stones have always suited me,
and if you work with Jörd (Goddess of Earth) you might bond well
with stones also. I like the way a stone rune feels, as it both Earth
and Mind/Spirit (the stone and the rune carved onto it, or Jörd
and Odin). I pray to both Earth Goddess and Allfather when I prepare
to cast the runes, asking for guidance.Since the object of using runes
for divination is to reveal objective truth, and to transcend the limits
of normal human perception, one does well to ask for the Gods to help
interpret the staves aright.
It is true that the more research, effort, thought, and intensity of
emotion you put into the making of a magical tool, the more powerful
it will be. This is not merely a matter of belief, but of awakening
yourself to a recognition of the inherent power in the object, the energy
you have poured into it, and to your soul connection to it. The aim
is to align yourself with your runes and the cosmic forces they represent,
and with the Gods , Who teach us understanding. Care and impeccability
in making the runes is a good technique for achieving this goal. The
subconscious mind will respond to a work of art made to the best of
one's knowledge and ability more so than to an impersonal, mass-produced
item acquired with little effort. The offering of one's time, energy,
thought, and even one's own blood is the gift that truly brings the
runes -- or any magical tool -- to life. Taking the time and energy
to find and make your own rune stones or staves is not only worth the
effort, it is a process that in itself is transformative.
Runes are used for divination; they are an oracle, and in the hands
of an adept seer act as a template that reveals hidden patterns of Wyrd.
Working with runes daily can help you develop latent psychic abilities.
Although this is the runes' best known function, they have many other
uses: carved onto objects they are employed in the making of talismans,
amulets, and charms. Runes are useful in faring forth (spirit travel)
and psychic protection. Certainly, the staves lend themselves to all
kinds of magical work--including the bending of Wyrd. It is wise to
remember, however, that we do not escape the consequences of our actions,
whether in Midgard or the runic realms, and what goes around comes around.
True runecraft, like any ethical magical art, has at its core the work
of transforming and perfecting one's Self in the pursuit of wisdom.
Although the runes are keys to the deepest layers of our psyches and
the vast mysteries of universe, they are impersonal forces and will
propagate through the worlds just as they are sent forth. This means
that if you put out blessings, you draw blessings to you, and if you
put out curses, you draw curses to you--in abundance. You should take
great care when using the runes, lest by accident you cause harm to
yourself or others. This is why it is best to educate yourself as deeply
as possible, and ask the Gods' guidance, before undertaking rune magic.
(The above rune-making ritual is for those who are very serious about
using the runes, and who have already studied them for a while. I would
not suggest a dabbler attempt it).
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Runic
and Related Links:
Historic Rune Poems
Yggdrasil Diagrams with
Runic Correspondences
Runes and the Nine Worlds
24 Rune Poems by Óðindís
Containing Runic Lore
Norse Mythology Source Texts:
the Eddas
Essays by Óðindís
Page background adapted from the Rök rune
stone, Sweden.
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