Eve Andree Laramee
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E x h i b i t i o n   C a t a l o g u e s   a n d   B o o k s

Armleder, John and Team 404, Record 404/Lovely Shanghai Music, book published by Ecart Publications, recording issued by the Villa Magica Label, Geneva, Switzerland, 2005

Armleder, John, and Ecart Editions, 404 Yellow Pages, Ecart Publications, Geneva, Switzerland, 2004

Ball, Phillip, forthcoming book: Chemical Aesthetics, UK Royal Society of Chemistry, 2005

Weintraub, Linda, In the Making: Creative Options for Artists, New York, NY: DAP Press, 2003

Museum of Art and Design, New York, Klingspor Museum Offenback, Germany, and the Museum für Angewandte Kunst, Frankfurt, Germany; Corporal Identity: Body Language, 9th Triennial for Form and Content, 2003

Joe Thompson, Virginia Shore, Anne Johnson, MASS MoCA - The Arts Revitalize a City/ MASS MoCA - Les Arts Revitalisent Une Ville, United States Embassy Ottawa, Art in Embassies Program, U.S. Department of State, Washington DC, 2003

Gerz, Jochen, Anthology of Art, DuMont Publishers, Germany and Actes Sud Pub., France, 2003/2004

Kimball, Roger, Art’s Prospect, Blackstone Audiobooks, narrated by Christopher Lane

Gamwell, Lynn, Exploring the Invisible: Art, Science and the Spiritual, Princeton, NJ: Princeton University Press, 2002

Gerz, Jochen, Anthologie der Kunst/Anthology of Art, DuMont Verlag, Nürnberg and Köln, Germany, 2004

Krannert Art Museum, Drawings of Choice from a New York Collection, University of Wash. Press, 2002

Armleder, John. 404: Yellow Pages, Ecart Publication and JRP Editions, Geneva, Switzerland, 2003

Crandall, Jordan and Scholder, Amy, Editors.  Interaction: Artistic Practice in the Network, , Eyebeam Atelier and D.A.P. Inc., New York, 2001

Steve Wilson; Information Arts: Intersections of Art, Science and Technology, MIT Press, Cambridge,  MA. book, 2001

Barbara Maria Stafford and Frances Terpak, Devices of Wonder: From the World in a Box to Images on a Screen, Getty Research Institute, Los Angeles, 2001

Hanjo Berressem and Uwe Schwagmeier, editors. “The Illustrated Biography: The Fissiaultian Paradigm”, CD-ROM in conjunction with the book, From Mercator Projection to Freudian Phantasm: The Myth of the Hollow Earth in Literature, Science and Culture.  Amsterdam / New York:  Rodopi (forthcoming)

Heon, Laura and Ackerman, John, Unnatural Science, MASS MoCA, North Adams, MA, catalog, 2000

Richard Yelle, Glass Art from UrbanGlass, Schiffer Publishing, book, 2000

Marianne Bernstein and Thomas Duffy, Foreign Bodies: Art, Medicine, Technology, Untitled (Space), New Haven, CT 2000

Reynolds, Ann, “Histories of Science, Histories of Art”, Austin Museum of Art exhibition brochure, 1999

Jonathan Crary, Barbara Maria Stafford, Jennifer Riddell, Jessica Riskin, MIT List Center for Visual Art, Eve Andrée Laramée: A Permutational Unfolding, Cambridge, MA. catalog 1999

Peter Spooner, Botanica: Contemporary Art and the World of Plants, Tweed Museum of Art, cat. 1999

Heike Strelow, Ludwig Forum für Internationale Kunst, Natural Reality: Artistic Positions Between Nature and Culture, Aachen, Germany. catalog 1999

Carmello Strano, Europe - U.S.A. and the Epoch of Unimplosive Art, published by the Sicilian  Government - Tourism Department, Italy, book 1998

Mel Watkin, “Eve Andrée Laramée: Apparatus for the Distillation of Vague Intuitions” Forum for Contemporary Art, Saint Louis, MO, brochure 1998

Carmello Strano, Unimplosive Art, Venice Biennale XLVII, Venice (Giudecca), Italy catalog 1997

Adrienne Klein and Joachim Frank, Mandeville Gallery, Union College, Into Focus / Art on Science, Schenectady, NY catalog 1998

Ryszard Wasko, et al, editors, The Artists Museum: International Provisional Artists CommunityThe Artists Museum, Lodz, Poland, 1997

Jane Hart, Domestic Setting Gallery, Los Angeles, CA. A Vital Matrix, Los Angeles, catalog 1995

Patricia C. Phillips, Katonah Museum, Making Sense: Five Installations on Sensation, New York, 1996

Carrie Pryzbilla, The High Museum of Art,    Metaphysical Metaphors, Atlanta, exhibit brochure, 1994

Nicholas Oliveria, Nicola Oxley, Michael Petry, Installation Art, book  Smithsonian Institution Press, Wash. DC and Thames & Hudson, London, book 1994           

Ingrid Schnaffner, Charles Simic, Mary Ann caws, The Drawing Center, New York, NY.  The Return of the Cadavre Exquis, exhibition catalog, 1993

Susan Condé, Fractalis: La complexité fractale dans l'art, La Diffárence, Paris, book1993

Ann Rorimer, Beryl Wright, Museum of Contemporary Art, Chicago, IL, Art at the Armory: Occupied Territory exhibition catalog, 1991

Briggs, John, Fractals: the Patterns of Chaos, Simon and Schuster, New York, book 1992

Diane Armitage, Center for Contemporary Arts, Santa Fe, NM,    Revered Earth,    catalog 1990

Barbara Bloemink, The Hudson River Museum, Yonkers, NY,    A Natural Order.  catalog 1990

Klaus Ottmann, Wesleyan University, Middletown, CT,  The Eroded Terrain of Memory, cat. 1990

Boston University Art Gallery, Terra Firma: Earth Watch, Earth Sense, Earth Sites, catalog 1989

Elizabeth Ferrer, Muffett Jones, Columbia University, Wallach Art Gallery, New York, NY, Terra Firma: Land and Landscape in Art of the 80's, catalog, 1989

Klaus Ottmann, KAOS Inc., Chicago, IL, Strange Attractors: The Spectacle of Chaos, catalog 1989

Real Art Ways, Hartford, CT,  Eve Andrée Laramée, exhibit brochure, 1989

Laura Trippi, The New Museum of Contemporary Art, New York, Strange Attractors: Signs of Chaos catalog, 1989

Institute for Contemporary Art - P.S. 1, Long Island City, NY. National and International Studio Programs 1987-1988, catalog, 1988

Klaus Ottmann, Stux Gallery, New York, NY, Fatal Strategies, exhibit brochure, 1988

Squibb Gallery, Princeton, NJ, Interaction: Science and Art, catalog, 1988

White Columns, New York, NY    Update 1986-87, catalog. 1987

Museum of Fine Arts, Santa Fe, Personal Environments, catalog. 1986

The Albuquerque Museum, New Mexico, Eve Laramée, catalog, 1983

 

B I B L I O G R A P H Y

A r t i c l e s   a n d   R e v i e w s   ( s e l e c t e d )

Albright, Thomas, "Eve Laramée: Better Art Through Chemistry?," San Francisco Chronicle, 9- 6-80

Anker, Suzanne, “Gene Culture: Molecular Metaphor in Visual Art”, Leonardo, v. 33 no. 5, 2000

Askey, Ruth, "The Mailbox as Museum," Artweek, March 18, 1978

Baker, Kenneth, "Military Armory Undergoes Art Exorcism"    San Francisco Chronicle, Nov.  8, 1992

Broadrup, Elizabeth, "Commissions," Sculpture, January-February, 1991

Ball, Edward, "The Greening of Art," Village Voice, July 31, 1990

Boyce, Roger, “UnNatural Science”, New Art Examiner, Dec/Jan 2000/2001

Bless, Nancy, “Signs and Wonders”, Sculpture, December, 1999, Vol. 10 No. 10

Burns, David, Eve Andree Laramee – Topophilia: Research as Genesis of Love of the EnvironmentArt Journal (CAA), Spring, 2006

Condé, Susan, "Les Methodes et Techniques du Fractal,"  Ligeia  #9-10, 4/1991

Durfee, Roy, "ART/MEDIA," Artspace, Vol. 10 No. 3, Summer, 1986

Durland, Steven, "ART/MEDIA Offers an Alternative to the Status Quo in New Mexico," High Performance, Issue 33, 1986

Dyson, Freeman J., “Miracles of Rare Device”, The Sciences, March/April 1999

Fehrenkamp, Ariane, “Eve Andrée Laramée: 100 Years, 100 Stones”, Sculpture, October, 1998

Flusser, Villem, "Environment," Artforum, April, 1989

Friere, Emerson, Pedro Peixoto Ferreira, Cecilia Diaz-Isenrath;  “Code et Création:  En distillant des intuitions” Multi Ciencia… Revista Interdisciplinar dos Centros e Nucleos da Unicamp, A Mente Humana #3, outubro de 2004 also published as: “Código e Criação: Destilando Intuiçoes” in NADA #3, Sept. 2004, presented at “Challenges for a Ubiquitous Identity” Ciber Art Bilbao Conference, Bilbao, Spain

Gamble, Allison, "Strategic occupation", New Art Examiner, Jan. 1993

Gerz, Jochen. Anthology of Art, School of Visual Arts of Braunschweig, Germany and the University of Rennes, France. (forthcoming in 2002)

Goodeve, Thryza Nichols, “Eve Andrée Laramée: MIT List Visual Art Center”, ARTBYTE, Nov. 1999

Gutterman, Scott, "Review: The Fifth Essence," Art International, Fall, 1990

GLASS Magazine, #87: Twenty-fifth Anniversary Issue, Summer, 2002. pp. 25, 37, 47.

Hagen, Charles, "Eve Andrée Laramée", John Gibson Gallery, The New York TimesOctober 11, 1991

Haithman, Diane, “U.S. Diplomacy Gets a Little Help from Artists”, Los Angeles Times, Sept. 13, 2002

Harrison, Helen A.  “Works of Curious, Conflicting Directions: Yves Fissiault: Artist of the Cold War Era”,  New York Times, Long Island Edition, April 13, 1997

Hart,  Jane “Eve Andrée Laramée at San Diego State University”,  Zing magazine, Winter 96/Spring 97

Heartney, Eleanor, "Eve Laramée at John Gibson", ARTnews October,1991

Holst, Lise, "Terra Firma: Land and Landscape in Art of the 1980's," ARTnews January, 1990

Honigman, Ana, “Questioning Authority, A Conversation with Eve Andrée Laramée”, Sculpture MagazineVol. 21 No. 6, July/August 2002

Hunter, Allison, “Unfolding Laramée” review in Electronic Book Review, ebr11: WebArts,  http://www.altx.com/ebr/ebr11/laramee.htm

Jones, Muffet, "Fetish, Process and the Waste Stream: Artists' Anxieties and  Contemporary Art," New Observations   , #81, Spring, 1991

Kimball, Roger, The New Criterion, “The Museum as Fun House”, Volume 19  Sept 2000 – June 2001

Kimmelman, Michael, "Searching for Order in a Show Based on Chaos,", The New York TimesSeptember 15, 1989

Kimmelman, Michael, “Natural History, The Early Version”, The New York Times, Nov. 24, 2000

Knight, Christopher, "A Parting Shot for Chicago's Armory",    Los Angeles Times,  September 30, 1992

Kramer, Hilton, “Greatest Generation? Not By a Long Shot, But Interesting Show: Laramée, Johns and Kelly Travel,” New York Observer, May 19, 2003

Kurt, Hildegard, “Wo ist die Natur? Natural Reality. Künstler Positionen zwischen Natur und Kultur”, http://www.hildegard-kurt.de/publi09.htm

Kurt, Hildegart, “Kultur und Kunst in der Agenda 21: Anmerkungen zu einem schwierigen Verhältnis”, lecture during the conference, “Nature, Art, Aesthetics, Ecology”, Munich, Germany, 1999

Levin, Kim, "Choices: Eve Andrée Laramée," Village Voice, October 1, 1991

Levin, Kim, "Choices: New York Diary," Village Voice, April 30. 1991

Levy, Ellen K., "Natural History Re-Created," Center Quarterly, Vol II, No. 4 1990

MacDonal, Christine, “CyberArts: Shaping the Imagination”, Art New England, April/May, 1999

McCraken, David, "Bringing Order to the 'Spectacle of Chaos," Chicago Tribune,  September 8, 1989

McQuaid, Cate “Exploring the nexus of art, science and history, The Boston Globe, June 8, 1999

Mahoney, Robert, "Fatal Strategies," ARTS, May, 1988

Melrod, George, "Natural Science", ARTnews, January, 1993

Melrod, George, "Eve Andrée Laramée at TZ'Art & Co."  Art In America, July 1994

Miles, Malcolm, Urban Design Quarterly The Quarterly Journal of the Urban Design Group,  “Public art, Urban Space and Democracy”,   October 2000 / Issue  76

Morgan, Cynthia., “Residue” New Art Examiner, v. 23, September, 1995

Morgan, Robert C.  “Shelagh Keeley, Samm Kunce and Eve Andrée Laramée, Review, May 15, 1997

Morgan, Robert C., "Regaining the Rights of Reproduction: Artists Who Look Back on the Natural," Center  Quarterly, Vol. II, Number 4, 1990

Morgan, Robert C., "Fatal Strategies," CEPA Quarterly, Vol 3, Issue 2/3, 1988

Morgan, Robert C., "New York Diary, P.S. 1 Museum", ARTS, October, 1991

Myers, Terry R., "Construction in Process", FLASH ART, Jan./Feb. 1994

Nelson, Gayle, “Art Seen New York: Eve Andrée Laramée”, SIREN, Premiere Issue, Summer 1997. p. 22

Nereim, Anders, "Whose Muse? The Spectacle of Chaos," Inland Architect, Jan,1990

Nickard, Gary, "Eve Laramée," CEPA Quarterly, Vol. 2, Issue 1, Fall, 1986

Oldknow, Tina, Corning Museum of Glass, “Jurors Choice”, New Glass Review 23, 2002. pp. 28-30, 39

Oliveira, Nicolas, Oxley, Nikola and Petry, Michael, "On Installation", A/D (Art & Design  Magazine), #30

Ottmann, Klaus, "L'activite Fractaliste," Art Press, February, 1990

Ottmann, Klaus, "The Spectacle of Chaos," Flash Art, Vol 62, #9, Summer 1987

Phillips, Patricia C., "Eve Andrée Laramée" Review, ARTFORUM, December, 1993

Phillips, Patricia C.,  “Sculptor's Drawings: Marking Time and Space”, Sculpture, Jan-Feb 1995

Phillips, Patricia C., "Faith and Reason, Function and Fiction: On the Work of Eve Andrée Laramée",             GLASS, Number 54, Winter,1993

Phillips, Patricia C. , “UrbanGlass”, Sculpture, Vol. 16, No.8, October, 1997

Pincus, Robert, “For role in centennial, SDSU casts ‘100 Stones’”, San Diego Union-Tribune, May 301997

Pincus, Robert, “Blood and Salt and Soul” San Diego Union-Tribune, May 2, 1996

Rothstein, Edward, “Hear the One About the Goofy Robot?, New York Times, September 30, 2000

Sculpture Magazine, News: New Sculpture Chair for MICA, October, 2004, page 12

SIAM News, the news journal of the Society for Industrial and Applied Mathematics, review of: ”Exploring the Invisible” (Princeton University Press), April, 2003

Smith, Roberta, "In Installation Art, A Bit of the Spoiled Brat", The New York Times, Jan. 3, 1993

Smith, Roberta, “In Their Own Worlds: Giant Hybrids of Fact and Fantasy”, N.Y. Times, Aug. 11, 2000

Sureck, Suzy, editor, "Construction in Process", New Observations #102  

Temin, Christine 'Unnatural' selection at MASS MoCA, The Boston Globe, July 28, 2000

Wei, Lilly, “Wunderkammer: Wonderworks”, Art News, vol. 99 no. 1, October, 2000

Yood, James, "Art at the Armory: Occupied Territory", ARTFORUM,1992

 

P u b l i s h e d   W r i t i n g s   b y   E v e   A n d r é e   L a r a m é e

“Ann Reynolds and Eve Andrée Laramée in Conversation with Joan Waltemath on Smithson at the Whitney Museum,” Brooklyn Rail, October 2005

“Netherzone: A Psychogeographical Farce”. CAA Art Journal, Fall 2004, (issue on art and risk)

“Sugar Mud”, Chain (magazine) #12 , “Facts” issue, 2005

“ONLY QUESTIONS”, in the book, Interaction: Artistic Practice in the Network, Eyebeam/D.A.P., New York, 2001

“Netherzone”, New Observations, Cultural Travelers Guide, Spring-Summer 2001

“A Permutational Unfolding: Art and the Culture of Science”, ANPAP Congress (Brazilian                                          National Association for Researchers in  the Visual Arts), Sao Paulo, Brazil, Conf. papers 1999

“Wandering” (with Lewis DeSoto) in Innerscapes: An Anthology of Artists’ Writings, Maurizio                                     Pelligrin, editor, Trieste Contemporanea, Trieste, Italy, 1998

“A Permutational Unfolding” , New Observations, issue on Net Culture guest edited by Alan                                     Sondheim, Winter, 1998

"No Vacancy", Artist Project, Journal of Contemporary Art, Spring 1992, Vol 5 #1

"The Messenger", New Observations #82, Fall, 1991

"Inventing Wilderness: The National Parks",  New Observations  #81, Spring, 1991

"The Eroded Terrain of Memory", catalog essay, Zilkha Gallery, Wesleyan Univ, Middletown,  1990

"The effects of forces upon matter...", brochure, Real Art Ways, Hartford, 1989

“Belle Notorious”, High Performance Magazine, v. 5 no. 1, 1986

"Process and Natural Phenomena as Conceptual Points of  Departure in Extended Format Sculpture,"    LEONARDO, Journal for the Arts, Sciences and Technology,  Vol. 18, Issue 1, 1985

"Notes on Sculpture," catalog essay, The Albuquerque Museum, Albuquerque., NM, 1983

"One Becomes the Table,"   Artproof, Volume 1, Number 2  1978 

 

 


































































































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