Wayne Roberts is available as a solo artist or with his sextet for concerts, clubs, private events and clinics.
Promotional materials and CD are available upon request.
The boys and I believe that the only way
we can gain distinction, apart from our
ability to improvise, is to develop a
dinstinguishing ensemble style and to
prove by arrangements and our ability to
execute them that the band is musicianly
I believe that symphonic pieces can be
handled by a jazz combination in such a
way the serious music lovers won’t throw
up their hands in despair.
John Kirby, “Down Beat” Interview
No other band of the period, large or small
was playing such intricate, tightly woven
arrangements as John Kirby.
Alyn Shipton, “A New History of Jazz”
Foreshadowing bebop, avant garde and
erudite ensembles like the Modern Jazz
Quartet, the sextet went for cool in an age
when most jazz was still hot.
David Hinkley, “Man Out of Time”
The John Kirby Sextet was one of the
most advanced bands of the Swing era.
The group featured rapid unisons, unusual
material, virtuoso horn players and soft
tones. Although it was a swing band,
many of its musical qualities put it closer
to Bebop and Cool Jazz.
Scott Yanow, “Bebop”
Today, John Kirby's music is brought back to life with bassist Wayne Roberts, transcribing 55 arrangements and assembling his own roster of all-stars to create fresh and authentic interpretations of Kirby's swinging, intricate, and entertaining repertoire.
The roster includes Jon-Erik Kellso, Randy Sandke, Charlie Caranicas, Will and Peter Anderson, Dan Block, Scott Robinson, Andy Farber, Ken Peplowski, Ehud Asherie, Rossano Sportiello, Ray Gallon, Ben Aronov, Bill Mays, Willard Dyson, Arnie Kinsella, Dennis Mackrell and Joe Ascione.
The Wayne Roberts Sextet, formerly known as the Onyx Club Sextet has appeared for long-term engagements in NYC's Sardi's and the Firebird Cafe as well as concerts and private engagements. Recent performances include Smalls Jazz Club, the Traditional Jazz Series, University of New Hampshire, Durham, NH, Radegast Hall and Biergarten, the IAJE Conference, NYC, Midsummer Night Swing at Lincoln Center, NYC, the Shenandoah Apple Blossom Festival, Winchester, VA (birthplace of John Kirby), Forum Tertianum, Berlin, Germany (two consecutive years), The Smith Theatre, Columbia, MD (two consecutive years), the Aldrich Museum, Ridgefield, CT, New Jersey Jazz Society's "Pee Wee Russell Memorial Stomp" (two consecutive years) and a benefit concert for the Alzheimer's Association at the Brooklyn Barge.
Mr. Roberts captures the super-concentrated energy of the Kirby repertory...
Ben Ratliff, New York Times
I found I was sitting with a constant smile as the music of the John Kirby Sextet was brought to life.
Ken Gallacher, The Herald Glasgow
While the ensemble sounds exactly like the John Kirby Sextet, the musicians are allowed to show some individuality during their concise solos...
...quite fun and easily recommended.
Scott Yanow, Jazz Critic
After successfully establishing himself as a sideman with such notable bandleaders as Fletcher Henderson and Chick Webb, in 1937 bassist John Kirby turned his attention to leading his own all-star sextet at the renowned Onyx Club on 52nd Street, for a two and a half year engagement.
Kirby's fresh, innovative approach to small band jazz soon became one of the hottest draws on the jazz scene, catching the attention of critics, musicians as well the general public. No other small band of this era was playing music with such variety, charm, intricacy and precision, and for this reason was soon known as “the Biggest Little Big Band in the Land”.
The band’s wide appeal was due in part to the tightly constructed arrangements (mostly by Charlie Shavers), which maintained a delicate balance between written and improvised sections, and in part to the broadness of the repertoire (original compositions by Charlie Shavers, jazz standards, and jazzy arrangements of classical pieces by such composers as Beethoven, Schubert, Dvorak, Tchaikovsky and Chopin).
The John Kirby Sextet was one of the more influential groups of their day, breaking new ground and paving the way for new generations of “jazz schools” to follow, including be-bop, cool jazz and third stream. Included among the long list of jazz legends who followed John Kirby’s path were Dizzy Gillespie, Thelonious Monk and Bud Powell.