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Title
Preface
Introduction
Early America
European Elements
African Attributes
Instruments
MusicSamples-Folk
MusicSamples-Sacred
MusicSamples-Blues
Conclusion


Instruments

Goje The following list of musical instruments is not exhaustive, but only seeks to cover the primary instruments used in the featured recordings. First are the uillean pipes. Described in the Harvard Dictionary of Music as Irish bagpipes, uillean pipes are mellower in sound than the Scottish bagpipe. (10) (See also "Scottish Pipers" on the "European Elements" page.) At the time that the first British colonies were being established, the use of all such pipes in Great Britain was waning, having been displaced in popularity by the fiddle. (11) The Fiddle, a.k.a. Violin, is very much an archetypal instrument that is wide spread throughout the world. While the violin was probably brought to America by Europeans, one notable player being Thomas Jefferson, it is likely that the instrument was quickly adopted by African immigrants because of their familiarity with similar African instruments (such as the "Goje" pictured on this page). The Guitar, originally from the Near East, was probably brought to the new world by the Spanish. (12) Although it was known in the southern region in the 19th century, its use was not widespread until the early 20th century when it was used by popular professional musicians like the Carter Family and Jimmie Rodgers. (13) Therefore, the use of the guitar in the recorded selections was probably a relatively recent innovation. The Banjo was brought to the new world by Africans. It is not likely that any were carried as luggage on the middle passage, so presumably new facsimiles approximating the original were built by enslaved Africans after their arrival in America. Eileen Southern quotes an Englishman named Cresswell, writing in 1774, and apparently describing an African-American banjo.

This instrument (if it may be so called) is made of a Gourd something in the imitation of a Guitar, with only four strings and played with the fingers in the same manner. (14)
It is interesting that the instrument is described as having four strings. The banjo typically used in southern mountain music has five strings, with the added fifth string unfretted and functioning as a high pitched drone. The five-string banjo has been described as the only truly American musical instrument. Could this truly American instrument be a four-string African banjo with a fifth string added to provide a bagpipe-inspired drone? Finally, the Harmonica, the only wind instrument in the group, appears, like the fiddle, also to have broad world origins.

Several recorded songs appear on the following pages to illustrate the blending of African and Scots-Irish musical traditions in early North America. It should be noted that, as alluded to previously, all of the recordings were made in the late 1950s or later and, therefore, do not represent actual examples of the music from the period being discussed. Since actual recordings from the 18th and 19th century are hard to come by, 20th century recordings will have to suffice. It must be assumed that the recordings chosen represent at least the progeny of that earlier musical tradition and, as such, are adequate sources for analysis. Many, but not all, of the selections were recorded in the field by Alan Lomax and are included in the multi-volume Southern Journey collection.

Next: Music Samples - Folk

[Preface]   [Introduction]   [Life in EarlyAmerica]   [EuropeanElements]   [AfricanAttributes]   [Instruments]   [MusicSamples-Folk]   [MusicSamples-Sacred]   [MusicSamples-Blues]   [Conclusion]