Up and coming tabloid reporter Maxwell Parker is off investigating what he thinks will be his latest Enquirer-esque story - already working out how he can "juice it up" (and dumb it down) to be more palatable to his audience. Seems Barrington Boles - comfortably well off part-time inventor - has been working on a device to breach the walls between parallel worlds. Surprisingly (especially to Maxwell, who isn't used to any of the things he "reports" on being real
), this machine actually works...
...Unfortunately, it looks like Maxwell Parker is the breach.
Now alternates - "paras" - of different people (and animals!) are dropping in all around Maxwell. And after meeting a couple of alternate versions of himself - and a whole troop of identical chimpanzees - things get even worse as Maxwell
starts doing the dropping. Now he's drifting from alternate world to increasingly bizarre alternate world.
And all Max wants is for it to stop.
Boles said he's working on the problem and should have a solution by "Tuesday" - but now Max has another problem: How will he even find
the right Boles when he keeps jumping across the parallelities?
I really wanted to like this book - I've always been a fan of Alan Dean Foster (Yeah, Flinx!
) - but by the end of it all I could do was shrug and say "eh."
The central idea is interesting, if a bit over done. We've seen the "man torn from his own world, just trying to survive and get home" plotline thousands of times - dozens, even if we just count the AH versions. But there are few new plotlines, what counts is what you do with it.
And in my opinion, Foster doesn't do very much at all with this one.
To begin with, Maxwell Parker is not what you'd call a sympathetic character. Being a tabloid reporter, he's more than a little bit of a sleaze. Self-centered, egotistical, in love with himself, he's not someone you'd hang around with if you have a choice. And while this changes a little
during the course of the book (nothing like meeting dozens of copies of yourself to give you a good feel for your weak points), in the end, all Max really
wants to do is go right back to the life he had before this all started - and in the meantime, all he's really
doing is moping a lot. Self-centered depression is not what I
call an ideal character development.
In fact, if I had to sum up what Max learns through all this it's "There's no place like home," a lesson The Wizard of Oz
taught with much nicer characters - and which I have reservations about as a lesson even there.
Foster introduces entirely too many characters that do a brief walk-on, set up themselves somewhat, and then are never seen again. I understand that most of these characters are "paras" that will vanish before the end of the chapter (by the very nature of the story), but it still feels
like Foster is setting up someone to use and then just discarding them.
The whole book, in fact, is (over) loaded with long, winding, witty descriptives. It looks like Foster was trying to do the type of writing Terry Pratchett does in his Diskworld series (and other places). But Foster just doesn't quite
Mind you. This isn't a horrible
book, nor one you'll read halfway through and then toss across the room in disgust. It's just a bland, rather pointless meander that probably could have been done better as a short story or novella. Still, it's worth a read if you're a little bored and can find it at the library.