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I'm a fan of Dr. Susan Jeffers, the self-help writer. Her books Feel the Fear and Do It Anyway and End the
Struggle and Dance with Life have helped me through some rough times in my life. One of the ideas unique to
her is an old one, but one that she puts into compelling form. Instead of worrying about what we don't have,
appreciate what we do have.
We often fret about the things we lack, so much so that we ignore or forget that we've been blessed with a
lot. This can increase the fear in our life and make us profoundly unhappy. Jeffers recommends that you should
keep a journal, and every day write down fifty - that's right, five-zero - things to be grateful for each day. Think
about it before you go to the next paragraph. Stop now, and think of those fifty things.
Did you think of any? How about these for examples? I'm alive. I have good food in my refrigerator. The
sun is shining. It snowed last night, and it's beautiful outside. I walked by Victoria's Secret in the mall
yesterday and the poutpourri smelled delightful. My Windows computer started without crashing. Howard Stern
was funny this morning. I got aroused watching Halle Berry in that new James Bond movie. My friend at work
laughed at my joke. Gee, my hair smells terrific.
They don't have to be big things, just things that are good. Think about these and you will come to a greater
appreciation of life.
Perhaps with animation, we should think the same way. Here are some things we don't really appreciate
about animation that we really should.
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Osmosis
Jones, abandoning the
disaster of Bill Murray's
body, helps a young
kid survive disease
in the Ozzy and Drix
series. Copyright ©
Warner Brothers.
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Ozzy
and Drix turned out to be fun. Think about the lame way most of Disney's adaptations of their
theatrical features turned out. There were plenty of opportunities for them to do fun things with Aladdin and
Hercules, which they avoided. But Ozzy and Drix got rid of the sad, hideous appearance of Bill Murray, the
film's worst aspect. Instead, the street-smart white blood cell and his pill buddy help a preteen kid named
Hector. A future episode will even have Tim Curry playing Nicotine, and tempts Hector into smoking with a
song!
Disney's got some good animated series at last. Kim Possible could have been pretty bad - a duded-up
version of the terrible Mary Kate and Ashley in Action! series. But Kim is not always super-confident; she's got
her doubts, she's vulnerable, and she doesn't always win. She is a very approachable role model. If it isn't a
realistic action-adventure story (which Disney needs to do badly) it's still fun. And even though The Proud
Family should have been a live-action sitcom, not an animated show, it's still reasonably fun. Seeing it buried
and unwatched on The Disney Channel would be a shame; it's really helping the ABC Saturday morning
schedule.
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Static
Shock is off the
air until 2003, but
it will have all-new
episodes. Copyright
© Warner Brothers.
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Static Shock shows real-world problems. The justification for all the Kids In School cartoon shows is that
they show kids how to handle real-life problems. It all falls apart because the shows are too timid to do that. The
kids on Recess never dealt a racist parent who embarrassed them in front of their multiracial friends. Hey,
Arnold! didn't have a disturbed, frightened kid bringing a gun to school. Rugrats never faced their kids with a
parent dying as a result of random violence. Static Shock did all that. Virgil Hawkins discovered that having
static electricity powers didn't protect him from the horrors of regular life. And he didn't have all the answers;
he needed the help of his father and his counselors to make it through, although it was up to him to make the
tough decisions. The New York Times and USA Today even noted the seriousness of Static Shock!, which has
helped the series to a new season this spring.
Small-budget animated films are doing well. The Wild Thornberries Movie is generating some buzz. I'll
admit I don't really like the Clasky-Csupo form of animation, but the series about a girl with Doctor Doolittle's
superpower is remarkably charming - and true to nature. They didn't spend a fortune on the movie, which means
they should make money on it. The Powerpuff Girls Movie and Nick's Hey, Arnold! weren't expensive, either -
and their comparative failures didn't destroy Cartoon Network or Nickelodeon. When you spend a fortune, as
Disney did with Treasure Planet (to take an appropriate example) you can lose a fortune. Keep the costs
modest, don't worry about making An Artistic Statement, and animated features can continue, no matter how
well or poorly they do individually.
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Spike
Siegel, beginning as
a typical anime hero,
slowly revealed his
tragic noir story as
Cowboy Bebop
continued. Copyright
© Pioneer, Inc.
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The public is starting to love anime, and
because of Cartoon Network, not otaku. There may be lots of
people in anime rooms at science fiction cons. But there are even more watching Cartoon Network's Adult
Swim. It wouldn't have happened if, in 2001, CN hadn't taken a risk with Tenchi Muyo - in the kiddie Toonami
block! The science fiction film noir series Cowboy Bebop has risen from nowhere to the top of the anime crowd.
If the series hadn't ended with all the characters separated and/or dead, it would continue to be a success. A show as
weird as the Topper-like Yu Yu Hakusho (whose name I had to look up on the Adult Swim web site), or
the feudal-Japan demon story
Inuyasha (same thing)
wouldn't have a chance anywhere else. While the internet otaku keep wasting
time complaining about what
Disney stole from their favorite
anime obscession, the rest of the
world has moved on, and anime is
now beloved by people who take baths,
date, and enjoy full and rich
lives. And who aren't bothered at
all that the dialog is in English.
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