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| "In Varying Hues" |
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| E.A. Hanninen - 2008 |
Lana Hechtman Ayers
Red Riding Hood Paints While the Wolf Sleeps
Shot with innumerable hues. ~ Sappho (Mary Barnard translation)
The way he's curled and faintly snoring
makes him seem more like an adorable cub
than a big bad Wolf.
I try not to make any noise
so as not to wake him as I move
to the easel,
take up a brush and start to paint
on the stretched canvas onto which
he's sketched
an image of me, lying naked in bed.
I start at the head and slowly
dot my hair with cobalt sky
with low-lying Payne’s gray clouds,
the Latin name for which he taught
me is nimbostratus.
For my eyes, I choose Hansa yellow opaque
to suggest willow leaves late, late spring
just before they weep.
On the flesh of my face and neck I streak
cadmium red, cinnabar, crimson, and position
a burnt sienna sunrise over my right cheek.
My breasts receive ultramarine violet,
my chest wall a chromium green,
my ribs the manganese of rivers and streams.
From my navel to pubis, I spread burnt umber,
Van Dyke brown, Venetian red, hues
of topsoil, humus, worm-deep earth.
My thighs to the curving length of my legs,
become a sea of Phthalo blue, cerulean, viridian,
every shade from calm to storm.
The bed itself, I swathe in carbon black, daub in
the silvery stars. I finish with ochre for the moon
lying on his back, snoozing next to the woman.
Setting aside the paintbrush, I step back to admire
how the renewed nude seems
to spring forth from the canvas, singing.
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