INDIA
For the book, "Tourist
Volume One"
The Place:
India is the place that prepared my
wife for marrying me. She lived there by herself for three years, and as a
woman alone in this great land, she experienced daily the many challenges
and frustrations that shorten the trips of many unprepared visitors to this
country. Susie and I met soon after she had returned. Certainly, when
compared to all the senseless bureaucracies she endured and the all the
street hustlers; all the taxi cab rip-offs, and the overnight train rides
with eight people and their animals packed into a compartment built for four,
I may have appeared to be a better catch than I was.
My own experience
with the country came about quicker than I had expected. A few years after
we were married, Susie returned to the town that had almost killed her in a
hundred different ways –Hyderabad. Her job required her to set
up a meeting that was to take place there.
Shortly after she arrived, she called me to complain of stomach
problems, which is not a terribly unusual occurrence when one travels to a
developing country, but still, somewhat odd for my wife who never feels
pain or complains about anything. Her next call was to tell me that the
hotel doctor said she had appendicitis and was taking her to the hospital.
Fortunately, I was in
Washington D.C. at the time and I was able to
secure an emergency visa at the Indian Embassy. Attempts to medic-vac Susie
out of the country were unsuccessful, because as it turned out, the problem
was her gall bladder, which had become the size of a softball, and was
about to rupture at any moment. By the time I made the two-day, three-plane
journey, the surgery was completed, and fortunately Susie was under the
competent watchful eye of her good friend Padma, who she had known while
living in India.
We stayed at the Hotel Viceroy for about a week while waiting for
her to heal sufficiently to travel. In Indian, I was amazed at the
adventure that awaited even a simple trip to the corner store. As a
foreigner, you are a target for the men with bears on a leash that will do
a dance for money or the ones who will make a cobra rise with the
enchanting sounds of flute-like instrument. Beggars will try to steal your
heart with their very own rendition of "Jingle Bells," and
everywhere, everybody is selling anything and everything for, ‘Best price!
No, really –best price!'
I don't think I have
ever seen a country that works so hard at maximizing such little
opportunity. The cities are overwhelmingly crowded, and there simply does
not seem to be enough space or enough resources to go around. Yet, if it
were possible to bottle the degree of effort a taxi-driver at the airport
will exert to get you into his cab, or the indefatigable persistence of the
young man outside of the Taj Mahal hell-bent on making sure that you buy
his Coca-cola, it seems there would be enough energy to take over all the
world economies and then some. If the government can ever level the playing
field so that these efforts are channeled in more productive directions, India will be one of the great
economies of the 21st century.
The
Process:
I thought about the
different types of people I had worked with in the theater. Generally
speaking, directors have this unique opportunity to act as Zen-masters of
the play -telling who to go where and under what light and how to speak the
lines that had been given to them. Most
every director I have worked with has contributed significantly to my work
and I consider my collaborations with directors like Eddie Levi Lee,
Charlie Otte, Don Baker and Geoffrey Hitch to have been among my most
satisfying intellectual experiences. However, there are the few who are
drawn to the profession for the control it offers. Theirs is less about
entering into the exciting give and take that is the collaborative process
of theater, and more about exercising dominion over it: When all is said
and done, in order for the process to work, the director has to have the
final word.
Taking a personality
type such as this and sticking it in an environment that never lets you get
a moment of control was the process that created "One Day in
Mumbai"
The Book:
"Tourist Volume One" (Working Title)
-A collection of short stories from throughout the world
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