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following was a 'crash course' written for a 'Hollywood Type' who
was mounting a Roman Production. It's a good primer for the material
and of course doesn't include any developments since it was written
in 1996. |
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of the illustrations contained herein were taken from THE ARMIES AND
ENEMIES OF IMPERIAL ROME by Phil Barker. They were selected for their
accuracy, and their suitability for electronic transmittal. Permission
for commercial use must be obtained from that author.
FLAGS
Let
me begin with a word about "flags". A flag is a specific
type of standard made by attaching a decorated piece of cloth by
its side to a vertical pole. American Civil War battle standards
are flags. The U.S. flag is a "flag".
Recent archaeology
has uncovered a Samnite mosaic with a 'flag-like standard' on it.
But the Samnites weren't Roman. (They were a large tribe from southern
Italy who almost absorbed Rome in 321 BC) And to me the 'flag-like
standard' looks a lot like a dishrag tied to a stick. Some Roman
standards did incorporate decorated cloth, but Romans didn't use
"flags". Perhaps this is because they considered it an
invention of the hated Samnites?
The
EAGLE
The
best known of all Roman standards is the "eagle", consisting
of a gold (later silver) eagle, on top of a flag pole, without the
flag. Only the Roman Legions carried eagles, and each legion was
only allowed to have one. They were religious as well as military
symbols and incredibly important. The "Aquilifer" (Eagle
Bearer) was an officer in the legion. He was also the legion's banker,
on the theory that since he left the strong box in the presence
of the eagle every night
any one who wanted to commit burglary would have to commit sacrilege
too.
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Figure #50
is the Aquilifer of the Legio XIV Gemina. (approx. 150-200 AD) He
wears a short sleeve shirt that reaches his mid thigh. Over that
he wears the "Lorica Hamata", a chain mail shirt much
like the ones worn by the Vikings - except that it reaches farther
down the thigh. Over that he wears a soft leather jerkin, which
was probably dyed. The stripes at his shoulders and waist are "Pteruges"
a protective/decorative device made from leather straps overlapping
like roof shingles.
On funereal
plaques (Roman headstones) all aquilifers of this period are depicted
bare headed, not in the helmet plus animal skin hood worn by other
standard bearers (see below). My personal opinion is that this merely
reflects the artist's desire to show his subject's face; 1.) because
equestrian statues of many emperors in full armor depict them bare
headed, and 2.) because it would be nuts to go into something as
dangerous as an ancient battle without a helmet. You'd get yourself
killed, drop the eagle, the legion would take it as a bad omen and
run for the hills!
Figure #50a
is an average eagle of the period. The only difference being
it lacks the decorative wreath wrapped around the wings of #50.
We may
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therefore
assume that the wreath is some kind of battle honor. Figure #50b
is an eagle of the late Roman Republic. It is unusual in that the
bird is portrayed full face rather than profile. The disks lower
on the pole are probably another form of battle honor.
The SIGNUM:
A
lesser-known, but far more common standard of the Roman army was
the "signum". Each legion was subdivided into 10 "cohorts"
(the Roman version of a battalion) and there were 10 cohorts in
a legion. Each cohort was divided into 6 "centuries",
commanded by a "centurion". The centuries were grouped
in pairs called a "manipulus", so 3 manipulus to a cohort.
The junior, or rear, century carried a signum like that of figure
#53. The senior, or front, century carried a signum like that of
figure #52. Centuries were supposed to contain 100 men, but might
have as few as 80. This means that a Roman cohort could have anywhere
from 480 to 600 men, but it's commander probably considered himself
lucky to have 500 men. "Manus" is the Latin word for "hand"
so we may assume that a hand at the top of a pole is a "Manipular
Signum" and a decorative spearpoint with wreath an "Ordinary
Signum".
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Figure #52
is a legionary "Signifer" (signum bearer). He wears the
lorica hamata and a standard helmet with a bearskin hood tied over
it. The aquilifer in figure #50 would wear the same kind of headgear
into combat, but with a lionskin hood.
Compare figures
52 & 53. They are very similar, but #53 is not a legionarius,
he is a signifer of an auxiliary cohort. This can be determined
by the fact that his animal skin hood does not have a face on it.
Auxiliaries started out as light infantry designed to screen the
legions. Gradually they were issued obsolete legionary helmets and
lorica hamata so that they eventually became faster-moving, rough-terrain
legionarii. Auxiliaries were organized into centuries and cohorts,
but their cohorts were not grouped into anything bigger. There was
no such thing as an "Auxiliary Legion", although there
could be just as many auxiliaries in a Roman field army as there
were legionarii. When a Roman army is described as having 3 legions
it doesn't mean that it has approximately 15,000 men (1 cohort of
500 X 10 cohorts X 3 Legions).
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The army has
around twice that many infantry, because it contains as many "auxilia"
as legionarii. Then, if you add in the small number of cavalry usually
attached to each an field army, your force of 3 legions finishes
up much closer to 32,000 fighting men, without counting the slaves,
servants and camp followers.
Note all the
extra ribbons, disks, wreaths, etc. on the standards in figures
52 - 53. These are probably battle honors. Since every century in
the Roman army would have a different history, every signum would
look different. Compare the look of a signum with that of the eagles
in figures 50a - 50c. There are few, if any, battle honors on the
eagles. This is probably because the eagle stays next to the "Legate",
the legion's commander, and he's usually safely at the back. A signum
is up front with the centurions where the actual dying takes place.
A word about
standards as communication devices. Every army in the ancient world,
no matter how barbaric and disorganized, used its standards as a
sort of primitive field radio. Even the Gauls knew that; 1.) the
army standard is moving forward = everybody charge! and 2.) the
army standard is moving back = everybody run away! The Romans were
far more sophisticated than this.
As a hypothetical
example let's say that Lawrence Olivier has been chasing Spartacus
around Italy for the whole movie. In the climactic battle he lures
Kirk Douglas, Tony Curtis, and all their extras into a trap. But
to make his plan work he must get his legions to encircle the rebel
army. Olivier, in the back of the legion where he can't get hurt,
leans down from his horse and says, 'Extend the right flank!' (Or
something like that.) The legion's aquilifer picks up the eagle,
waves it about in a recognizable pattern, and probably starts shouting,
'Extend the right flank.' Around him are drummers and horn players
who start beating out a tune that might mean 'extend the right flank',
or just 'incoming message look at the eagle'. Centurions throughout
the legion look back over their shoulders and then start repeating,
'Extend the right flank'. Signifers, standing next to the centurions,
begin imitating the aquilifer's motions with the signum and the
musicians around them strike up the appropriate tune. Soon every
legionnaire is close enough to the eagle or a signum to get the
idea. They begin marching around the right flank, and poor Kirk
Douglas is doomed.
This might
also explain why there was so little cloth on Roman standards. If
the Roman signals were as numerous, and complex, as we suspect then
sheets of flapping cloth would only serve to confuse things.
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IMAGES:
Figures
56a - 56f show a series of nonmilitary standards. These were the
sort of things that might be carried in religious or civic ceremonies
and processions, although the Roman concept of religion was such
that all ceremonies and processions were to some extent religious
ones. These standards could be astrological, mythological, or portraits.
Figures 56d - 56f are images of the reigning emperor. None of these
standards have attached honors, because they are not the sort of
thing taken into combat.
The VEXILLUM:
The
closest thing the Romans had to a modern flag was the "Vexillum".
It was made from painted or embroidered cloth suspended from a crossbar
attached to a pole. To get a better idea look at figures 56g - 56l
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When a vexillum was big enough and important enough to become a
field army's standard it became a "Labarum." Figure #56j
is the most famous of all labarum, that of the emperor Constantine
I. It was very large, perhaps too big to be carried by cavalrymen.
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Each troop
of cavalry, a "turma", had a vexillum. Cavalry turma,
10 men, were grouped into "ala" (30 men), which may have
had a vexillum or a signum. ALA were grouped into cavalry regiments
(300 men) which must have carried a vexillum because a Roman cavalry
regiment was called a "vexillum".
Under special
circumstances legionarii might find themselves carrying a vexillum.
When facing manpower shortages and in desperate situations the imperial
administration would "borrow" a few cohorts from several
different legions, lump them together, and send them off to fight
the barbarians. Naturally
an ad hoc army wouldn't be allowed to take any eagles with it, so
each group from each legion would be issued a special vexillum.
When the emergency was past the legionarii were supposed to return
to their legions, but this didn't always happen. Frontier governors
didn't want to give up extra troops. So these groups of several
cohorts might become a sort of semi-permanent formation with a name
describing their origin, "The Gallic-Illyrian Vexillum from
the Danube Frontier" or some such nonsense.
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We don't know
why the Romans preferred a Vexillum over a flag, but we can hypothesize;
1.) The Romans were very conservative and didn't want to introduce
the flag because it was a new idea. 2.) The crossbar held the vexillum
in place so that it didn't flap around as much as a flag, and therefore
interfered less with complex signals. 3.) The crossbar held the
vexillum out flat, so that its image was always visible, unlike
a draped flag.
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Legionarii
Costume
The following
is a crash course on legionarii wardrobe. I have excluded information
on auxiliaries, cavalry, allies, or barbarians and have described
only the appearance of the fighting men of the legions.
Figure #1 is
a late republican legionarius. This is what the guys who beat Hannibal
dressed like. He wears a short sleeve shirt that comes to mid thigh.
Over that he wears a "lorica hamata", or chain mail shirt.
This is the same sort of protection that Vikings might wear, except
it's longer in the waist. Over his shoulders is a second layer of
chain mail to add extra protection from downward blows. He carries
the "Pilum", a specially designed type of short range,
heavy javelin. His helmet is bronze Montefortino style (copied from
the Gauls). The large shield is made from layers of plywood and
covered with painted leather.
Figure #2 is
from just before the reign of Augustus, the first emperor. This
is what a legionarius who invaded Gaul under Julius Caesar dressed
like. The helmet design is the same, but it now covers more of the
neck and cheeks. The shield has been shortened to make in more maneuverable.
The stripes at his sleeves are "pteruges"; protective
strips of leather that overlapped like roof shingles.
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Figure #3 is from the early empire. The chaps massacred at the Teutoberger
Wald looked like this. The helmet now covers even more of the neck
and cheeks, and has evolved into the 'Imperial-Gallic' helmet. There
are pteruges at the waist and more at the sleeves. The shield is
smaller, lighter, and wraps around the body giving even more protection.
Figure #4 is
from around 50 AD to 100 AD. He has the costume most familiar to
film audiences. It is from SPARTACUS, CLEOPATRA, and THE FALL OF
THE ROMAN EMPIRE. He is a 'Hollywood Roman'. The pilum has received
an added weight, just above the handgrip, to make it even more dangerous.
The shield has been fine-tuned to perfection, and the helmet crest
has been trimmed to a more manageable length. However the big change
is the breastplate. This figure is no longer wearing the lorica
hamata (chain mail shirt), but rather the "lorica segmentata"
(segmented breastplate) made of iron bands linked together with
leather straps and brass hinges.
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Why the legions switched to the lorica segmentata is officially a
mystery. It offers much better protection to vital areas of the torso,
but covers less of the arms and legs than the lorica hamata. It was
never issued to legions serving in the east, but the western legions
all changed over early in the first century AD. My opinion is that
the lorica segmentata is a response to the fighting style of the German
barbarians in general and the disaster in the Teutoberger Wald in
particular. German armies were ponderous, but determined. They would
lumber up to you and then stand very close, beating you about the
head and shoulders with swords and axes, refusing to go away. Think
of a bunch (a very big bunch) of slow moving Vikings, not wearing
any armor, grinding towards you like a big meat steamroller. The lorica
segmentata was just the sort of thing to offer a bit more protection
from the 'German' style of fighting. In the east, where people stayed
at a respectable distance shooting arrows at you, it wasn't needed.
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| Topics
Roman I |
|
Latest
Game: Links:
Photo
Gallery: TBC
Group: Research: |
Main
Menu: |
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