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"The Devotion I," 2001, photograph of performance
Leung Po Shan holds master's degrees from the Chinese University of Hong Kong and Leeds University. In her early career,
she was involved in the experimental theater group & The 20 Beans Show. Since 1997, she has concentrated on her own artistic
development. Major works include: Love the Fucking Country (1997, Hong Kong Cultural Festival, Germany, Munich and 2000, Jazz
Club, Macau); The Sun Never Goes Down on the British Empire (1999, Perth, Australia); The Devotion (2001, Para/Site Art Space,
Hong Kong); and Flower Inscription (2001, Gwanju Biennale, Korea). In 1998, she joined the Para/Site Art Space, where her
efforts are focused on gallery publications and art criticism workshops. Her art criticism has been published in the Hong
Kong Economic Journal and Ming Pao Daily. Her most recent publication is From Transition to Handover: An Anthology of Seven
Visual Critics (co-editied with Edwin Lai Kin Keung).
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