SUSAN SPRINGER ANDERSON
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sculpture
Armature Assemblage Sculpture
Paper Dolls, Torsos, and Nostalgia 


Paper Dolls
This is a series of sculptures in which I sought to utilize materials in a manner that would deviate from their expected purpose, in order to reclaim them from their destined disposal. I took common items from our daily lives and wove and stitched them into a new and surprising fabric, holding in tension the concepts of disposability and longevity, leaving in question which will win out in the end.

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Dress made from the NY Times and NY Times Magazine, velcro and ribbon, 2008
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What a Beautiful Bride, Paper towels, beads and chicken wire, 2007
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Cut along the dotted line, wire, pattern paper, interfacing and muslin, 2009
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Baby Doll, Tissue paper, embellishments & chicken wire, 2007
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Flamenco Filters, Coffee filters & chicken wire, 2006

Torsos
These are a collection of portraits that expose and feature, thoughts, feelings, roles and identities by isolating them one by one. What lies guarded just beneath the surface is out in the open. Unlike people-watching, they give you the opportunity to look close and long enough to reveal the hope, pain, or reminiscence they embody. From plaster bandages to strings of pearls, the materials used for each piece are familiar in their presence and yet evocative in their new context.

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The Winter Queen, Strands of pearls and chicken wire, 2007

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Coming into Being/Coming Undone II, Natural fibers and chicken wire, 2008

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Torso .09, Ornamental grass and chicken wire, 2003
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Torso .04, Maple leaves and chicken wire, 2003

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Backyard Beauty, wire, found sticks and grapevine, 2006


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Torso .01, Plaster bandages, fabric and chicken wire
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Torso .02, Plaster cast and chicken wire
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Torso .08, Locust seed pods and chicken wire, 2003
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Torso .07, Hydrangeas and chicken wire
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Just Wipe Clean, wire, vinyl table cloth, and apron, 2009

Nostalgia, an installation

Memory, with time, can fade, distort and decompose if there is no attempt at preservation. Moments of life become blurred. Sometimes they are reconstructed adding in a higher emotional degree as we attempt to recall. Perhaps we might call this nostalgia.


This installation was created from white pine branches originally intended to be a Christmas bough of greenery. It was deconstructed and rebuilt into a living holiday party dress. No preservation attempts were made to save this piece from withering after the holidays were through. Instead the process of its decline and decomposition were documented here.

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SLS DESIGN PROV. 3:5-6