A. Books

1. Hegel, Nietzsche and Danto:  The End of Art or the End of Communication? under review with Penn State Press' series on Literature and Philosophy.

B. Refereed Articles

 

1. “Habermas on the Incomplete Project of Modernity: Turkish Language Reform and Islamic Political Identity,” in the edited collection Transformation and the Dynamics of Change (publlisher pending).

2. “A Habermasian Critique of Danto in Defense of Gombrich’s Theory of Visual Communication,” Revisiones 4 (2010).

3. “False Negation or Critique of Modernism: Turkish Language Reform and the Rise of Islamic Political Identity,” The International Journal of the Humanities 6, 10 (2009), 115-24.

4. "Truth and Illusion in 24," in 24 and Philosophy, ed. Jennifer Weed, Ronald Weed, Richard Brian Davis (New York: Blackwell Publishing, 2008), 43-54.

5. “The End of Art: The Consequence of Hegel’s Appropriation of Aristotle’s Nous,” The Modern Schoolman LXXXIV, 4 (2006): 301-16.

6. Review of Iconoclasm in Aesthetics, by Michael Kelly, The Modern Schoolman LXXXIII, 3 (2006): 249-54.

C. Translations

 

7. Shun’ichi Takayanagi, “Hans Urs von Balthasar and Aesthetics,” The Modern Schoolman LXXXI, 2 (2004): 121-134.  Texts translated from German by Stephen Snyder.

8. Karl-Otto Apel, “Kant’s ‘Toward Perpetual Peace’ as Historical Prognosis from the Point of View of Moral Duty,” trans. Stephen Snyder in Perpetual Peace: Essays on Kant’s Cosmopolitan Ideal, ed. James Bohman and Matthias Lutz-Bachman (Cambridge: MIT Press, 1997), 79-110.

D. Other

 

9. “Dialogue in Art: Gombrich’s History of Pictorial Representation and the End of Art,” in Visual Literacy, ed. Phil Fitzsimmons (Oxford: Inter-Disciplinary Press, forthcoming), http://www.inter-disciplinary.net/publishing/idp/ebooks.htm

10. Associate editor, The International Journal of the Humanities 6, 10 (2009).

11. Abstract of “The End of Art: The Consequence of Hegel’s Appropriation of Aristotle’s Nous,”  Hegel-Studien  43 (2008).978-1-904710-51-6).

12. “Gombrich’s History of Representation and the Breakdown of Visual Communication,” in The Gombrich Archive, ed. Richard Woodfield (July 2007), http://www.gombrich.co.uk/commentary.php.

E. Published Photography

 

1. Three Youth in the Citadel, Cairo, Egypt, 52^nd City April (2008).

2. Lance Blomgren, “Interview with Simparch,” Matrix 63 (2003): 45-55.  Documenta 11 photographs by Stephen Snyder.

3. Lance Blomgren, “Art of Engagement,” Ascent 16 (2002): 50.  Free Basin photograph by Stephen Snyder.

4. Simparch, Installations, photographic contributions to artist’s web site for Free Basin, (Hyde Park Art Center, Documenta 11, Deitch Projects) and El Tubo Completo (Whitney Museum of American Art) made by Stephen Snyder, www.simparch.org.