Helen A. Harrison, The New York Times, Sunday, March 30, 2003

"Perhaps the most ambitious example [of collaboration] is Toxic Vernacular, a project of Ann Rosenthal, Steffi Domike and Suzy Meyer, whose installation documents their travels to various environmentally challenged sites. A picture-postcard view of each locale records its history, and a cloth dipped in water shows the pollution that now fouls it. The pece shows how artists can team up to produce work that is more than self-expression."

Mary Thomas, Pittsburgh Post-Gazette, October 1, 2002

“It’s fitting that ‘CARE vs. CURE: Healing the Environment,’ an ecoart exhibition, is at the Homestead Pump House, the site of the 1892 confrontation between locked-out steelworkers and Pinkerton guards. This is activist art but not showy street activism. Rather, these women artists are confronting established ways of thinking through works that have emotional resonance and are often visually stunning. … 'Cultural ecology' is addressed, as in Steffi Domike's revealing The River's Edge ... (The artists) engage, inform and stimulate progressive ways of thinking about our history as it relates to our future.”

Kurt Shaw , "Nature of the beast," Tribune-Review, November 16, 2001

"Steffi Domike ... and Ann Rosenthal ... arranged the exhibits to highlight how artists motivate and inform the public on environmental issues through their art. ... (They) collaborated with artist Suzanne Meyer on 'Toxic Vernacular,' (that) might well be the most important work in the exhibition. A site-specific installation, it focuses on toxicity in streams throughout the region ..."