| - una pavana all'Italiana *
(opening section of Pavana Matthei) - una gagliarda (galliard) * |
Fabrito Caroso Il Ballarino 1581 (Italy)
|
| - Gioioso in tre |
Guglielmo Ebreo c. 1463 (Italy)
|
| - Branle Des Lavandieres | Thoinot Arbeau Orchesography 1589 (France) |
| - Leoncello Vecchio | Domenico da Piacenza/ Ebreo c. 1463 (Italy) |
| Anello | Domenico da Piacenza c. 1450 (Italy) |
| - Ballo del Fiore in terzo * | Fabrito Caroso Il Ballarino 1581 (Italy) |
| - Casulle la Nouele
& Tourdion |
Toulouze c. 1498 (Burgundy) |
| - Contrapasso Nuovo * |
Fabrito Caroso Il Ballarino 1581 (Italy)
|
| Rostiboli Gioioso |
Domenico da Piacenza c. 1450 (Italy)
|
| Mixed Branle Suitte:
- Branle Cassandre - Branle Pinagay - Branle Charlotte - Branle de Guerre - Branle Aridan |
Thoinot Arbeau Orchesography 1589 (France)
|
| Mercanzia | Domenico da Piacenza c. 1450 (Italy) |
| - una caccia da farsi in routa **
(from La Caccia d`Amore) |
Cesare Negri Le Gratie D’amore 1602 (Italy) |
| Goioso Spangnuolo
& Saltarello ** |
Guglielmo Ebreo c. 1470 (Italy) |
| - Villanella * | Fabrito Caroso Il Ballarino 1581 (Italy) |
| Verçeppe | Domenico da Piacenza c. 1450 (Italy) |
| Branle Des Pois | Thoinot Arbeau Orchesography 1589 (France) |
| - Amoroso | Guglielmo Ebreo c. 1470 (Italy) |
| - una caccia da farsi in due **
(from La Caccia d`Amore) |
Cesare Negri Le Gratie D’amore 1602 (Italy) |
| Blacke Allemaine | Old Measure c. 1570 (England) |
| - Dolce Amoroso Fuoco * | Fabrito Caroso Il Ballarino 1581 (Italy) |
| - Petit Vriens | Guglielmo Ebreo c. 1470 (Italy) |
| Lauro
& Saltarello ** |
Lorenzo de Medici/ Ebreo c. 1510 (Italy) |
| Geolosia | Domenico da Piacenza c. 1450 (Italy) |
| - Il Piantone * | Fabrito Caroso Il Ballarino 1581 (Italy) |
These are the dances were planned for the ball Saturday night, June 22, after the Caroso Dance Workshop in the Barony of Caerthe.
Dances marked with "*" were taught in the workshop and dances marked "**" were taught at the ball (because they are so easy). The rest of the dances are part of our regular repertoir and were not taught at this event (except B. Lavandieres for some new dancers). Visit our web page for more information about regular Caerthen Dance Practice.
As were were all very hot and tired after the workshop, we ended up starting the ball late. Only dances marked with a "-" actually happened.
Note that Guillaume has labeled the mostly Italian sets in the French style: 1er (Premier) = 1st, 2me (Deuxieme) = 2nd, etc.
Go to Caroso Dance Workshop.
Go to Caerthen Dance Practice.