Photography

Since childhood I have been interested in how light and shadow interact and how they can be captured on film. Sometimes it manifests itself in the dramatic—such as hanging from the bowsprit of the Clearwater—or the simple. Black-and-white photography is a very different creature from color. I do both, but color can be too real and therefore solely representational; black-and-white lends itself to seeing form rather than function—and that without creating something that isn't there. The very depiction of reality makes it abstract.


The Clearwater under sail on the Hudson River:

Bow of Clearwater taken while hanging from the bowsprit

A quiet evening on the same river, near Beacon, N.Y.:

Three silhouettes against twilight

A piece of reality which becomes pure form when viewed in isolation:

A harbor pylon cropped to isolate it