Mr. Bill's Biography From
his humble Super 8 beginnings that smashed him upon TV
screeens nationwide, to the unique spot he now occupies
in the nation's consciousness, Mr. Bill has, in 20 short
years, become a legend. Like other great entertainers of
the modern age, he's done it all: network, cable, movies,
home videos, music videos, nightclubs, a best selling
book -- even lectures on the college circuit and a
tribute at the Smithsonian.
Was it really 20 years ago that Mr. Bill was born?
Oh, Nooooooo! Fresh from the can, he got his big break
via "Saturday Night Live's" home movie contest.
Submitted as a parody of bad animation, he took the prize
and, with creator Walter Williams, went on to spend five
years at SNL, a period in which his role on the show grew
to 10 appearances a season. A USA Today
survey found his popularity among SNL's characters
excelled only by the late John Belushi and Gilda Radner.
Like them, Mr. Bill left in 1980 with creator Lorne
Michaels and the original cast.
But he hasn't spent the last 15 years in the
freezer. Mr. Bill has amassed a body of work and honors
any thespian would be proud to call his own. Most
important, the Mr. Bill Collection video sold more than
100,000 copies. His book, "The Mr. Bill Show,"
instantly rose to number one on the New York
Times bestseller list.
He's starred in TV specials with Dick Clark and Bob
Hope, appeared on "Late Night with David
Letterman," and worked with Shelly Duvall in
Showtime's "Mr. Bill's Real Life Adventures."
He was a regular host on USA-TV's "Night
Flight" show, a guest correspondent on "Not
Necessarily the News," and cut a comedy album with
Rich Little. He starred in a music video for critics'
faves the dB's and more recently, did promos for Comedy
Central and anti-substance abouse spots for
Knight-Ridder. Mr. Bill even had his own line of cards
and gifts in Hallmark stores.
Last year he visited our nation's capitol to film
"Mr. Bill Goes To Washington," a short subject
that screened with"Ernest Rides Again." Not bad
for a star who's never even actually moved on screen.
Some say Mr. Bill's cousin, Pizza Head, has stolen
his act, but Mr. Bill reveals no bitterness. Nor does
Williams, whose commercials for Pizza Hut have made him a
successful commercial director and created a new young
audience for Mr. Bill.
Now, in the Mr. Bill 20th Anniversary
special (Anchor Bay Entertainment), the world's best
loved Play-Doh presence reveals his career and other
important events of the last twenty years with the help
of his friends and co-stars. You'll see his faithful dog
Spot, Ms. Sally, his "friend" Mr. Hands, and
some surprise guests, all of whose finest moments of the
past 20 years blend together in a dizzying montage of
memories. More dizzying to Mr. Bill is his discovery --
too late -- that not only is his old nemesis Sluggo
directing the show, but the cameraman is also Sluggo, as
is everybody in the audience. Looking back on the show's
footage (85% of which is post SNL), Williams says
"Mr. Bill appears in nearly every format: Super 8,
16 mm, Panavision, video and computer animation. I'm sure
we'll have Mr. Bill in virtual reality any day now. Oh,
Noooooo!
Walter Williams' Biography
Innovations in comedy and technology have been the
hallmarks of Walter Williams career. That' s as true of
his first Mr. Bill short (made for under $20 in 1975) as
it is of the digital desktop studio he's now using to
create the Mr. Bill 20th Anniversary
special. "It's so cutting-edge I'm bleeding,"
he laughed.
Williams, a New Orleans native, was 18 when he
discovered Super 8 film. "I had no aptitude for
anything, but I started working on a friend's low budget
film, and it got me totally excited." He started
making his own movies and showing them in clubs and bars,
which led to his own UHF TV show in New Orleans. When
"Saturday Night Live" in '75, still in its
incandescent infancy, put out a call for home movies, he
submitted his reel and launched Mr. Bill on national TV.
Williams followed his mutilated little creation to
New York, where he made more films for SNL and did
stand-up at the Improv. After three seasons, Lorne
Michaels hired him as a fulltime staff writer,
responsible not only for the 20-plus Mr. Bill skits he
did in 1978- 79, but for other sketches as well,
including the well-known "Elvis Presley's
Coat." Williams left when Michaels and the rest of
the cast exited in 1980.
Since then, he's continued to build his own career
and Mr. Bill's, working with live actors whenever
possible to establish himself as something other than our
premier Play-Doh director. He's written screenplays and
directed hundreds of shorts and shows for television. He
also directed the pilot of "TV," a show
conceived by fellow SNL alum Michael O'Donoghue starring
Brian Keith and Rutger Hauer.
In the last 10 years, Williams has built a fully
computerized video and animation studio in his home.
Taking advantage of the dramatic advances in consumer
computers, he can now create all digital,
broadcast-quality shows entirely on-line, doing the
editing, video, audio sound mix, music, animation,
titles, graphics -- even "Forrest Gump"-style
digital composing effects -- all on his desktop. The
finished product emerges directly onto one- inch
videotape.
This system has allowed Williams to create work
that would ordinarily be impossible without significant
funding, from segments he's created for "The Tonight
Show with Jay Leno," FOX's "House of
Buggin'," and ABC's "Into the Night," to
projects closer to his heart such as programs for the
National Audubon Society and the Philadelphia Museum of
Art.
Building on Mr. Bill's success, Williams has
launched a successful commercial career with the
"Pizza Head" character he invented for a
national and ongoing Pizza Hut TV campaign. They've been
so successful, in fact, that Williams recently sent a Mr.
Bill tape to a friend whose son claimed it to be "a
Pizza Head take-off."
William's next goal is to write and direct
live-action feature comedies starting with the screenplay
he's now finishing. Says Williams, "My career of the
last 20 years has been learning all the different skills
involved in making films -- and preparing for the next
stage --feature films."
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