Sage Sweetwater's autographed curly maple
wooden oar featured in THE BUCKSKIN SKIRT OAR TRAVELER, when canoes were the vessels of commerce. A narrow
54" handcrafted oar paddle patterned after the Ojibwa hunting paddle just perfect for wall hanging from your favorite
firebrand lesbian novelist. Please allow 6 weeks for delivery
Bringing You The Upper Tier
in Lesbian Pulp Fiction
SAGE SWEETWATER FEATURED CELEBRITY LESBIAN NOVELIST at Authorsden,
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and
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characters FROM THE CONVENT TO THE RAWHIDE: THE SAGA OF SADIE CADE AND VI MONTANA and the behind-the-scenes which inspired
the novel.
Thank you to all of my
fans and friends out there.
I appreciate you all!
Join the Amazon Affiliate Program and sell Sage Sweetwater lesbian pulp fiction novels on your website! THE BUCKSKIN SKIRT OAR
TRAVELER and FROM THE CONVENT TO THE RAWHIDE: THE SAGA OF SADIE CADE AND VI MONTANA
"It's time to get back to the size of the dime store novel..." (Sage Sweetwater).
In the 40s, 50s, and 60s, the purpose of dime store novels were to lure working-class
audiences. They were distributed at newsstands, dry goods stores, drug stores, and bus depots.
Dime store novels typified Wild West stories, urban outlaws, detective stories, working-girl
chronicles, and romances.
When you pair dime store novels with lesbian pulp fiction of that same era, both
having lurid cover illustrations, Sage Sweetwater novels have a recurring formula that fits the size of the dime store novel
she applies to modern-day lesbian fiction set in more positive times.
Unlike the yesteryear lesbian pulp fiction, imagery is not directed in the bedroom
in Sage Sweetwater novels. Sage Sweetwater taps into the cultural pulse and weaves lesbian fiction from social, political,
environmental, and religious themes with carefully chosen uncensored lesbian sex scenes hot enough that no more than a few
are needed.
There have been films based on lesbian pulps as well as dime store western novels
by Louis L'Amour.
The most well-known vintage lesbian pulp fiction writers are Ann Bannon and Vin Packer.
In their time, publishers insisted on moral endings to punish lesbian sexuality and at the same time, exploited it.
Lesbian characters did not fare well in these novels and normally had to suffer downfalls to make up for being lesbian, a
biased form of social punishment because lesbianism had no place in society. An example of this on a vintage lesbian
novel cover reads "What unholy bonds held two beautiful actresses in a drama that had no part for male actors? NEVER
BEFORE PUBLISHED! A BRILLIANT NOVEL ABOUT THE LOVE SOCIETY RECOGNIZES BUT CANNOT FORGIVE!"
Many of the lesbian pulp novels were written by men to stimulate other men.
Lesbian characters were "saved by a man" and turned straight, ended up in institutions, became alcoholics, or committed suicide.
Lesbianism could not be condoned in the pulp fiction novels in this era because it violated postal obscenity codes.
Lesbian pulp fiction novels of yesteryear are hot collectibles with the cover
art bringing thousands of dollars.
Always with positive endings, Sage Sweetwater novels are based on a much deeper
level than the dime store novels or yesteryear lesbian pulp fiction novels. This can be said because we live in a different
time and place.
Sage Sweetwater novels are a lesbian encyclopedia to the contribution of the
lesbian world. She strongly urges any woman to buy her books.
Sage Sweetwater Learns From Louis L'Amour's
Paperback Heroes
Like so many of his characters, L'Amour had to find ways to survive
as does Sweetwater...
A bawdy honky tonk song beats up from the Diamond Belle Saloon into room 222 at the Strater
Hotel in Durango, Colorado.
Louis L'Amour, master storyteller of the American frontier and writer of over a hundred
western novels clicked his typewriter at the Strater, the beat of the Sackett's.
A witch pagan song Circle of Stone
echoes on her eleven acres of ritual smoking wild sage in the Wet Mountains of Colorado.
Sage Sweetwater, firebrand
lesbian storyteller of the modern-day Colorado, Arizona, Utah, and New Mexico frontier and writer of six lesbian pulp
fiction dime store novels, taps her keyboard, the beat of THE BUCKSKIN SKIRT OAR TRAVELER, and THE FOUR CORNERS SERIES; FROM
THE CONVENT TO THE RAWHIDE: THE SAGA OF SADIE CADE AND VI MONTANA, BLUE CORN WOMAN, LORAINE LEATHERBOW: THE HOUSE OF SPLEEN,
and STONE CREEK WOMAN.
Like so many of his characters, L'Amour had to find ways to survive as does Sweetwater.
During
all of his travels, L'Amour stayed true to his passion---storytelling, talking to old-timers to hear first-hand experiences,
writing poetry and short stories as does Sweetwater.
In 1935, L'Amour sold his first short story for cash. It
was a gangster story. It fetched $6.54.
In 1985, Sweetwater sold her first short story to the world's largest
selling men's motorcycle magazine. It was a biker story. It sold for $100.00 after it won first place in the magazine
short story contest. Sweetwater was contacted by the editor of the motorcycle magazine who informed her she won...BUT...it
would only be published as the winner if she chose a man's byline. "No, I won't do it, I write under a female byline
and that's how it is, Mr...." The editor then told her she could accept second place and $100 and the biker story would
be published under her female byline. Sweetwater accepted that deal, knowing very well about a man's world. It
was good enough for her, and she took that story along with seven others to the recording studio and recorded THE BIKER CHRONICLES
which is geared for future release on CD.
"To write, of course, I've got to make a living," L'Amour told a colleague.
So does Sweetwater, to write, of course, she has to make a living.
The colleague told L'Amour, "You know the West,
write some westerns and I'll buy them." And that's what Louis L'Amour did. He tramped the Four Corners of Colorado,
New Mexico, Arizona, and Utah and put accurate details of the land in his stories as does Sage Sweetwater. He researched
his own historical material and read diaries and journals. He listened to the stories of old gun-slingers, prospectors,
law men, and Native Americans as does Sage Sweetwater who also has the stories in her head like L'Amour for years before they
ended up on paper.
L'Amour's Sackett stories were born from a long encounter when he wandered into a small town in
New Mexico crowded with ranch hands. Sweetwater's stories are the flagship of STONE CREEK WOMAN, where she enlisted
in a medicine camp on Colorado's western slope. Many of Sweetwater's fans think she is Stone Creek Woman and have told
her so, only Sweetwater knows and she's not telling. It adds to her mystique, a woman who leads other women across Colorado's
western frontier to get themselves back into the primal element of life in an undiluted, natural environment.
L'Amour's
stories played well in the movies. Sweetwater stories are intentionally written for the movies, making sure her characters
and plots are visual and translate well on screen. THE GIFT OF COCHISE, L'Amour's short story became the movie
HONDO in 1953, 5 years before Sweetwater's birth, starring John Wayne, Ward Bond, and James Arness. The demand for Western
movies and western television shows created a huge market. 45 of his books were made into movies and television shows. Soon
his novels hit the marketplace at 3 a year. JUBAL SACKETT was on the New York Bestsellers list for 19 weeks, THE
WALKING DRUM for 16 weeks. L'Amour just finished working on THE SACKETT COMPANION, THE FACTS BEHIND THE FICTION
a few months before his death in 1988. His wife, Kathy, and his daughter, Angelique and son Beau, still work hard to
bring his books out.
The West, L'Amour loved as does Sweetwater. In THE DAYBREAKERS, L'Amour wrote, "Sometimes
I wonder if anything is ever ended. The words a man speaks today live on in his thoughts or the memories of others,
and the shot fired, the blow struck, the thing done today is like a stone tossed into a pool and the ripples keep widening
out until they touch lives far from ours." Sweetwater wrote in FROM THE CONVENT TO THE RAWHIDE: THE SAGA OF SADIE CADE
AND VI MONTANA, "Mormon Crossing, St. Michaels Indian Mission School, The Pish Convent, The Orchard of Retreat; at first,
they may have been historical toil for survival, random kindness, a 3,250 pipe-organ dream and meditative contemplation that
all grew out of great-hearted decisions that made positive differences in lives. It's the kind of thing that inspires
authors to write books."
Sage Sweetwater is an A-list celebrity
lesbian novelist. Her mission is to preserve and make available interpretation of the lesbian lifestyle.
For Professional Consideration
of Novel/s
OPTION/PURCHASE
Please contact: Sage Sweetwater represented in Entertainment
Law by Andrew J. Contiguglia Esquire, Entertaiment Law 44 Cook Street, Suite 100 Denver, Colorado 80206 Phone:
303-780-7333 Fax: 303-780-7337 Email: ajc@ajcpc.com
Last updated on
THE THREE RAVENS
THE THREE RAVENS
MEDITATION: Erogenous zones, arousing sexual desire through playful sting. Acupuncture.
BEWARE: Beware of the queen bee when she is not locked in tweezers. She fights
when another queen is born.
HIDDEN STRENGTH: Capable of submitting through a wellness approach.
HIDDEN WEAKNESS: Fear of bees, needles, and pins. Whip up on alternative medicine.
SLANT: This card pinpoints just how far a woman will go for wellness, pleasure, and
pain.
POWER: Bee venom, Apitherapy (through bee-sting therapy applied
to acupuncture points) honey, and wax, the nectars of seduction, rewarded with intense orgasm.
{EXCERPTFROMBLUECORNWOMAN}
"The heat waves serve up bewitching hallucinations of those
lesbian avatars the desert lesbians chase with raw fury. It is worth an enormous amount to watch The Three Ravens
snap their whips out the Jeep windows, and swear at the mirages sidetracking the bee hustlers. The trio of dominatrix
lesbians excite fearful imaginings, and they represent the mix of desert lesbians. These aggressive girls are lovers
of sweet-sting therapy and erotic language who are quite artistic with whip, wax, and bee-stingers.
"Lesbian acupuncturists, The Three Ravens stir up
the "velvet revolution" here at LADYHAWK, which is incited by their attire, being black velvet vintage opera coats
from the thirties, which hang just far enough below their manicured cunts to evoke such fantasies of peeking at their curly
trim lines nicely accessorized underneath with a sexy artistry of another age, black fishnet stockings of the sixties.
"The Three Ravens bark out orders to those who are
bold enough to enter their RV to be numbed by a frozen steel rod, awaiting the stinger to detach itself from the bee locked
in tweezers. The effect is said to last for days, and the throes of passion can be heard by the "queens" who can sting
more than once, because once is not enough!"