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1979 -1984
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Fractured Glass.gif

Vince Tari 1983
vince.jpg
Vocals, Guitar, Octave synth & Electronics

J.J Johnstone 1983
JJ.jpg
Bass guitar / Touch tone Synth

Profile
Name:
FRACTURED GLASS
History:
Label:
1979 - 1984
OMNI records
Members:

Vince Tari
JJ. Johstone

Official releases:
Land of Make belive
Push Up-Push Down

Originally "Fractured Glass" came together by way of former band mates as a full band unit rather then the duo which it has 'over the years' become most recognized. Although the original intention for the line up would be more operational as a live act, its most creative and positive juncture was the scaled down size of only two individuals. The saga of "Fractured Glass" had many issues and because of no other recourse, faded silently. I never sought closure for "Fractured Glass" in fact, I felt a reverence in its silence which somehow generated a longevity for its music. From its very first conception, colleagues would often ask about the meaning behind the name and its visual presents as since, it shared a somewhat 'Darkish' atmosphere incomparable to what others were doing back then `especially hailing from central Jersey. Truthfully there had been no hard planned thought process behind "Fractured Glass" except to make obscure music which people needed to think about rather then just hear. I find it interesting when younger people today see the pictures or hear the music and remark on its resemblance with 'Gothic' music. Ironically, I never flew that type of banner over "Fractured Glass". I simply created music I felt close to. Likewise, after some 20 years later and listening to the first single, 'Land of Make Believe' does give hints of a 'Gothic' sound scape. Amazingly, 'Gothic' music did not have its trend setting poise until the mid 1980's. 'Land of Make Believe' was written in 1979 and recorded in 1980. For the second single 'Push Up, Push Down' I wanted a biting electronic back beat within a synthesized groove after which, proved to be the groundwork for what "Fractured Glass" hoped to become. Unfortunately, the next few recordings; 'Doomsday House' and 'Can We connect' had never been officially released or made available. The influences behind "Fractured Glass" were varied and ranged from groups like; 'Theater of Hate','DAF' to Visual musicians 'Japan' and 'Human League' as well as several commercial artists of the times including both rock and etc. As mentioned above 'Gothic' music really had no forethought within the band. During it's prime "Fractured Glass" opened for many past era bands as well as headlining in prior legendary venues along the east coast New York and New Jersey. It was not until a few years back that I started to learn of the interest from past listeners whom I had 'no-idea' existed. However, I am extremely honored to have left such an impression on fans around the world whether or not "Fractured Glass" had been considered 'Gothic' or otherwise - Cheers !

Unreleased down loads coming soon.

rogervtari@earthlink.net

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