Books:

Of People and Places:  The Floyd and Josephine Segel Collection of Photography (The Milwaukee Art Museum, Milwaukee, WI:  1987).  Author.

1888:  Frederick Layton and His World (The Milwaukee Art Museum, Milwaukee, WI:  1988.)  Editor.

Delights for the Senses:  Dutch and Flemish Still-Life Paintings from Budapest (Museum of Fine Arts, Budapest, and Leigh Yawkey Woodson Art Museum, Wausau, WI:  1989.)  Editor.

The Ruth and John D. West Collection (The Rahr-West Art Museum, Manitowoc, WI:  1990).  Author.

American Horizons:  The Photographs of Art Sinsabaugh (Hudson Hills Press in association with University of Indiana Art Museum, 2004).  Proofreader.

Marks of Distinction:  Two Hundred Years of American Drawings and Watercolors from the Hood Museum of Art 1769-1969 (Hudson Hills Press in association with the Hood Museum of Art, 2005). Proofreader

Moving Pictures:  American Art and Early Film, 1880-1910 (Hudson Hills Press in association with The Williams College Museum of Art, 2005).

Small Catalogues and Ephemera:

Selections from the Frito-Lay Collection (Frito-Lay, Inc., Dallas, TX:  1987) (Author, various catalogue entries, not credited, for T. A. Neff Associates).

The Nathan Manilow Sculpture Park (Governor’s State University Foundation, University Park, IL:  1987)(Author, biographical entries, not credited, for T. A. Neff Associates).

All Creatures Great and Small (University of Michigan Museum of Art, Ann Arbor, MI:  1989.)  Editor.

Articles, Reviews, And Poetry:

 “Habana, U.S.A./Catherine Edelman Gallery.”  Review (Dialogue, Columbus, OH:  Vol. 12, no. 1 (1988), p. 18.)

“Ed Ruscha/Rhona Hoffman Gallery.”  Review ((Dialogue, Columbus, OH:  Vol. 12, no. 4 (1988), p. 18.)

“Chuck Close/The Art Institute of Chicago.”  Review (Dialogue, Columbus, OH:  Vol. 12, no. 4 (1988), p. 18.)

“Joe Ziolkowski/N.A.M.E. Gallery.” Review (New Art Examiner, Chicago:  March 1989, p. 46.)

“John Broenen/Perimeter Gallery.” Review (New Art Examiner, Chicago:  April, 1989, p. 49.)

“Robert Mapplethorpe, 1946-1989.” Obituary (New Art Examiner, Chicago:  May, 1989, p. 11.)

“Silent Dramas:  The Landscape/Catherine Edelman Gallery.”  Review (New Art Examiner, Chicago:  June, 1989, p. 46.)

“Decisive Monuments/Ehlers-Caudill Gallery.”  Review (New At Examiner, Chicago:  October, 1989, p.  .)

“Choices/Catherine Edelman Gallery.”  Review  (New Art Examiner, Chicago:  November, 1989, p. 43.)

“Lynn Geesaman/Center for Contemporary Art.”  Review (New Art Examiner, Chicago:  May, 1990, p. 55.)

“Ralph Eugene Meatyard & Ruth Thorne-Thomsen/Ehlers-Caudill Gallery.”  Review (Dialogue, Columbus, OH:  May/Jun. 1990, p. 25.)

“Elizabeth Newman/Compass Rose.” Review (Dialogue, Columbus, OH:  Jan./Feb. 1991, p. 18.)

“David Snyder/Dart Gallery.” Review (New Art Examiner, Chicago:  February, 1991, p. 40.)

“Objects of Terror and Delight:  The Male Nude in Photography.”  Article, commissioned by Dialogue (Columbus, OH) for publication in early 1991, not published.

“Douglas Johnson Recent Work/Perimeter Gallery.”  Review (Dialogue, Columbus, OH:  Sept./Oct. 1991, p. 13.)

“David Eckard/Roger Ramsay Gallery.” Review (Diaologue, Columbus, OH:  Nov/Dec. 1991, p. 15.)

“On Looking Through Old Photographs,” in Private Arts 8 & 9.  Poetry  (Private Arts Press, Chicago:  1994).

There are several books in which I participated in various capacities, mostly text-jockey, proofreader, and back-up editor, for which I may have been included in the acknowledgments but was not formally credited, including:

Universal Limited Art Editions: A History and Catalogue: The First Twenty Five Years (Harry N. Abrams, Inc. and The Art Institute of Chicago 1989).

Places with a Past: New Site-Specific Art at Charleston's Spoleto Festival (Spoleto Festival USA and Rizzoli, 1992).

Contemporary Crafts in the Saxe Collection (Toledo Museum of Art and Hudson Hills Press, 1993).