The following is a primary, working bibliography, detailing appearances of works of fiction and non-fiction. Following the bibliography is a filmography of feature films, with George Romero's contributions listed parenthetically after the title. Some information taken from Paul Gagne's seminal work on Romero and his films, The Zombies That Ate Pittsburgh.

• Novels (with Susanna Sparrow)
  • Dawn of the Dead (St. Martins, 1978).
    Adaptation of the Screenwriter by Sparrow, contains scenes only available in 140m version. Trade paperback edition comes with 8 page color photo insert not available in the hardcover.
  • Martin (Stein and Day, 1977; Day Books, 1980).
    Adaptation of the Screenwriter by Sparrow. Mass market paperback contains 8 page b&w photo insert not available in the hardcover.
• Short Fiction
  • "Clay" from Modern Masters of Horror, Frank Coffey, ed.
    A powerful story of a disturbed young man and his "clay" housemates. Those who've read Romero's screenplays are aware of his talents as a writer, and this story certainly proves his talent to readers of fiction as well.
• Non-Fiction
  • "Preface" to Night of the Living Dead by John Russo (Warner, 1974; Pocket, 1981). Reprinted in The Complete NIGHT OF THE LIVING DEAD Filmbook by John Russo (Imagine, 1985).

    Romero's take on the success of NIGHT and the factors that led to it.

  • "Introduction to Martin" from Martin (see above).
    Romero gives his views on MARTIN in this brief intro.
  • "Special Make-Up Effects and the Director" from Grande Illusions by Tom Savini (Imagine, Inc., 1983).
    Romero details his working relationship with Tom Savini, the special effects make-up artist.
  • "Introduction to Book of the Dead" from Book of the Dead edited by John Skipp and Craig Spector (Ziesing, 1989; Bantam, 1989).
    Romero comments on this collection of NIGHT OF THE LIVING DEAD-inspired zombie stories.
• Films
  • NIGHT OF THE LIVING DEAD
    (Walter Reade, 1968): Director, Co-Screenwriter, Cameo (as reporter in Washington D.C.).

    Read my open letter on the DESECRATION OF A CLASSIC!

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  • THERE'S ALWAYS VANILLA (aka THE AFFAIR)
    (Cambist, 1972): Director.
  • JACK'S WIFE (aka HUNGRY WIVES; SEASON OF THE WITCH)
    (Jack Harris, 1973): Director, Screenwriter, Cinematography, Editing, Cameo (as an "ass-grabber" at party).
  • THE CRAZIES (aka CODE NAME: TRIXIE)
    (Cambist, 1973): Director, Screenwriter (based on an original script by Paul McCullough), Editing.
  • MARTIN
    (Libra Films, 1977): Director, Screenwriter, Editing, Star (as Father Howard).
  • DAWN OF THE DEAD
    (United Film Distribution Company, 1978): Director, Screenwriter, Editing, Cameo (as television director in studio).
  • KNIGHTRIDERS
    (U.F.D.C., 1981): Director, Screenwriter.
  • CREEPSHOW
    (Warner, 1982): Director.
  • DAY OF THE DEAD
    (U.F.D.C., 1985): Director, Screenwriter.
  • CREEPSHOW 2
    (New Line, 1987): Screenwriter, "Old Chief Woodenhead."
  • MONKEY SHINES
    (Orion, 1988): Director, Screenwriter (based on the novel by Michael Stewart).
  • NIGHT OF THE LIVING DEAD
    (Columbia, 1990): Executive Producer, Screenwriter (based on the original Screenwriter by George Romero and John Russo).
  • TALES FROM THE DARKSIDE: THE MOVIE
    (Paramount, 1990): Screenwriter, "Lot 249" (based on the story by Arthur Conan Doyle).
  • SILENCE OF THE LAMBS
    (Orion, 1991): Cameo (as security when Starling is removed from Lecter's "cage" in the hotel).
  • TWO EVIL EYES
    (Fox, 1992): Director, "The Facts in the Case of M. Valdemar," Screenwriter, same (based on the short story by Edgar Allan Poe).
  • THE DARK HALF
    (Orion, 1993): Director, Screenwriter (based on the novel by Stephen King).
  • BRUISER
    (Canal+, 2000): Director, Screenwriter.
• Teleplays (for TALES FROM THE DARKSIDE)
  • "Trick or Treat" (1983, Pilot): Screenwriter.
  • "The Devil's Advocate" (1985-86 Season): Screenwriter.
  • "Baker's Dozen" (1986-87 Season): Screenwriter (from "The Gingerbread Witch," by Scott Edelman).
  • "Circus" (1986-87 Season): Screenwriter (from a story by Sidney J. Bounds).