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SYNOPSIS 12 Angry Men |
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A Puerto Rican youth is on trial for murder, accused of
knifing his
father to death. The twelve jurors retire to the jury room, having been
admonished that the defendant is innocent until proven guilty beyond a
reasonable doubt. Eleven of the jurors vote for conviction, each for
reasons of his own. The sole holdout is Juror #8, played by Henry
Fonda. As Fonda persuades the weary jurors to re-examine the evidence,
we learn the backstory of each man. Juror #3 (Lee J. Cobb), a bullying
self-made man, has estranged himself from his own son. Juror #7 (Jack
Warden) has an ingrained mistrust of foreigners; so, to a lesser
extent, does Juror #6 (Edward Binns). Jurors #10 (Ed Begley) and #11
(George Voskovec), so certain of the infallibility of the Law, assume
that if the boy was arrested, he must be guilty. Juror #4 (E.G.
Marshall) is an advocate of dispassionate deductive reasoning. Juror #5
(Jack Klugman), like the defendant a product of "the streets," hopes
that his guilty vote will distance himself from his past. Juror #12
(Robert Webber), an advertising man, doesn't understand anything that
he can't package and market. And Jurors #1 (Martin Balsam), #2 (John
Fiedler) and #9 (Joseph Sweeney), anxious not to make waves, "go with
the flow." The excruciatingly hot day drags into an even hotter night;
still, Fonda chips away at the guilty verdict, insisting that his
fellow jurors bear in mind those words "reasonable doubt." A pet
project of Henry Fonda's, Twelve Angry Men was his only foray into film
production; the actor's partner in this venture was Reginald Rose, who
wrote the 1954 television play on which the film was based. Carried
over from the TV version was director Sidney Lumet, here making his
feature-film debut. A flop when it first came out (surprisingly, since
it cost almost nothing to make), Twelve Angry Men holds up beautifully
when seen today. It was remade for television in 1997 by director
William Friedkin with Jack Lemmon and George C. Scott. |