KNIHY
  • Abramson, Cynthia M.: ÓP Is for Public ArtÒ, in: Encyclopedia of Architecture, Vol. IV, AIA, 1989.
  • Alloway, Lawrence: ÓThe Public Sculpture ProblemÒ, in: Topics in American Art since 1945. New York: W.W. Norton and Company, 1975.
  • Berger, David: Private Visions / Public Places (special publication), Bellevue, WA: Bellevue Art Museum (USA), (April 1987).
  • Brecknock, Richard: A New Renaissance: Contemporary Art Commissioning (handbook), Rosenthal Publishing, Woodside, (Australia), 1996.
  • Brecnock, Richard: Artist as Hero: Can the Myth Be Sustained?, Drawing the Line: The Complexities of the Public Private Interface, in: Column Space - Writings on Urban Art, 1995.
  • Doss, Erica: Spirit Poles and Flying Pigs, Smithsonian (USA), 1995.
  • Fleming, Ronald Lee, von Tsharner, Renata: Place Makers: Public Art Tells You Where You Are, Hastings House, N.Y.: The Architectural Book Publishing Company, 1981.
  • Foster, Hal.(ed.): Discussion in Contemporary Culture, Bay Press (USA), 1987.
  • Fundaburk, Emma Lila, and Davenport, Thomas G.: Art in Public Places in the United States, Bowling Green, Ohio: Bowling Green University Popular Press, 1975.
  • Goldberger, Paul. The City Observed: New York, New York: Random House, Vintage Books, 1979.
  • Green, Dennis., Rush, Brennan.(ed.): % for Art: New Legislation Can Integrate Art and Architecture, Denver: Western States Arts Foundation (USA), 1976.
  • Harney, Andy Leon, ed. Intro. and text by John Beardsley: Art in Public Places: A Survey of Community-Sponsored Projects Supported by the National Endowment for the Arts.: Partners for Livable Places, Washington, D.C.,1981.
  • Harris, Stacey Paleologos (ed.): Insights/On Sites, Partners for Livable Places, Washington, D.C., 1984.
  • Hayden, Dolores: The Power of Place, MIT (USA), 1995.
  • Jacobs, Jane: The Death and Life of Great American Cities, Vintage (USA), 1961.
  • Jones, Susan (ed.): Art in Public - What, Why and How, Artists Newsletter (UK), 1992.
  • Jordan, Sherrill (ed.): Public Art, Public Controversy - The Tilted Arch on Trial, American Council for the Arts, New York, (USA), 1987.
  • Korza, Pam., Cruikshank, Jeffrey: Going Public, National Endowment for the Arts (NEA). Washington D.C. (USA), 1988.
  • Lacy, Suzanne: Mapping The Terrain, Bay Press, Washington, (USA), 1995.
  • Miles, Malcolm (ed.): Art for Public Places - critical essays, Winchester (UK), 1989.
  • Raine, Nancy: Arts On The Line: A Public Art Handbook, Cambridge, MA (USA): Cambridge Arts Council, 1987.
  • Raven, Arlene (ed.): Art in the Public Interest, Da Capo Press (USA), 1993.
  • Redstone, Louis G.: Art in Architecture, New York: McGraw-Hill Company, Inc., 1968.
  • Redstone, Louis G., and Redstone, Ruth R.: Public Art: New Directions, New York: McGraw-Hill, 1981.
  • Robinette, Margaret: Outdoor Sculpture: Object and Environment, Whitney Library of Design, New York: Watson-Guptill, 1976.
  • Selwood, Sara: The Benefits of Public Art, Policy Studies Institute (UK), 1995.
  • Steinberg, Leo: ÒContemporary Art and the Plight of the Public,Ò in: Other Criteria: Confrontations with Twentieth-Century Art, New York: Oxford University Press, 1972.
  • Thalacker, Donald: The Place of Art in the World of Architecture, New York: Chelsea House, 1980.
‰LçNKY
  • Abramson, Cynthia M.: ÒAll Aboard: Engaging Communities In Public ArtmakingÒ, On the Ground Magazine, UC Berkeley, Volume No. 3, Fall 1995.
  • Abramson, Cynthia M.: ÒNotes From the Underground: Art in the Moscow MetroÒ, The Public Art Review, Issue 5, Vol. 1, No. 3, Spring/Summer 1991.
  • Abramson, Cynthia M.: ÒStreet Painters Trip the Light FantasticÒ, Public Art Review, Issue 10, vol. 5, No. 2,
  • Spring/Summer 1994.
  • Alloway, Lawrence: ÓThe Public Sculpture ProblemÒ, Studio International, October 1972, s. 123-124.
  • Beardsley, John: ÓPersonal Sensibilities in Public SpacesÒ, Artforum, vol. XIX, no.10, June 1981. s. 43-45.
  • Brecnock, Richard: ÒSpecial Places - Giving Meaning to Urban EnvironmentsÒ, Architect SA, March 1994.
  • Brecnock, Richard: ÓPublic Art - Public Places - Public MoneyÒ, Culture & Policy, ICPS Griffith University, vol. 4, 1993.
  • Crosby, Theo: ÒA Kind of Urban FurnitureÒ, Studio International, July/August 1972, s. 45-47.
  • Crowhurst Lennard, Suzanne H.: ÒToward Criteria for Art in Public SpacesÒ, Urban Land, March 1987, s. 12-15.
  • Danto, Arthur C.: ÒArt: Public Art and the General WillÒ, The Nation, 28. September, 1985, s. 288-290. Davis, Douglas: ÒPublic Art: The Taming of the VisionÒ, Art in America, May/June 1974, s. 84-86.
  • Dean, Andrea O.: ÒArt in the EnvironmentÒ, A/A Journal, October 1976, s. 33.
  • Ferriday, Peter: ÒFreestanding and CivicÒ, Studio International, July/August 1972, s. 41-44.
  • Forgey, Benjamin: ÒIt Takes More than an Outdoor Site to Make Sculpture PublicÒ, ARTnews, vol. 79, no. 7 (September 1980): s. 84-89.
  • Goldin, Amy: ÒThe Esthetic Ghetto: Some Thoughts about Public ArtÒ, Art in America, May/June 1974, s. 30-35.
  • Hawthorne, Don: ÒDoes the Public Want Public Sculpture?Ò, ARTnews, May 1982, s. 56-62.
  • Linker, Kate: ÒPublic Sculpture: The Pursuit of Pleasurable and Profitable ParadiseÒ, Artforum, March 1981, s. 64-73.
  • Linker, Kate: ÒPublic Sculpture II: Provisions for the ParadiseÒ, Artforum, June 1981, s. 37-42.
  • Petherbridge, Deanna: ÒThe Town Artist ExperimentÒ, The Architectural Review, August 1979, s. 125-129.
  • Rees, Jeremy: ÓPublic SculpturesÒ, Studio International, July/August 1972, s. 9-15.
  • Senie, Harriet: ÒUrban Sculpture: Cultural Tokens or Ornaments to Life?Ò, ARTnews, September 1979, s. 108-114.
  • Sinclair, Stephen: ÒWhen Art Meets the CommunityÒ, Cultural Post, March/April 1980, s. 1,8-9.
  • Sommer, Robert: ÒPeopleÕs ArtÒ, A/A Journal, December 1972, s. 29-34.
  • Sonfist, Alan: ÒNatural Phenomena as Public MonumentsÒ, Tracks 3, 1-2, Spring 1997, s. 44-47.
  • Stalker, Douglas and Clark Glymour: ÒThe Malignant Object: Thoughts on Public SculptureÒ, Replies by Wolf von Eckardt, John Beardsley, Ronald Lee Fleming, and Edward Levine.
  • The Public Interest, Winter1982, s. 3-36.
KATALOGY
  • Art for Whom? London: Arts Council of Great Britain, Serpentine Gallery, 1978.
  • Urban Encounters: Art, Architecture, Audience, Essays by Lawrence Alloway, Nancy Foote, Janet Kardon, and Ian
  • L. McHarg. Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 1980.
  • Urbanaria, ed. L. Stepan‹i‹, Katalog vùro‹n’ vùstavy Sorosova centra sou‹asnŽho umžn’-LublaË, Slovinsko, 1994.
INTERNET