Stukas Over Bedrock

Bloody Daggre Records
2007 S. Redondo blvd.
Los Angeles, CA 90016

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Critics have run out of legendary names for them. So names like Edna, Fanny, and Agnes have been given to Stukas Over Bedrock. Place names, too, have been used – such as Ohio, California, and China!

Ken Clean-Air System - Vocals
Pete Grella - Guitar, Drums on Four Bucks
Rodrigo Flores - Guitar
James Barnett - Bass, Sax, Vocals on Four Bucks
Wolfgang Hönke - Drums

These recordings were made in 1983 in two sessions. Some of the people associated with these recordings have gone onto greatness. Jon Ingoldsby, the engineer, later went on to work with the likes of Madonna and Elton John. Ken Clean-Air System’s career, however, took a different turn, currently working with the likes of Tera Patrick and Briana Banks. James Barnett later went on to play bass for the Nymphs, but lately has been seen wandering corn and wheat fields in the mid-west, participating in some obscure ritual at an attempt at prognostication. Pete Grella became the professional wrestler known as Ritchie Dagger, becoming the SWF heavyweight champion. Rodrigo Flores currently works on a project to create computer programs to control humanity for his own nefarious ends. It is rumored he married a nun. Wolfgang Hönke had an umlaut before it was cool, last known whereabouts somewhere in the south of France.

Currently they work hard in restaurants or are employed as houseboys. They save their money to buy dope for fat blonde sweethearts, whom they keep cooperatively, along with a Buick convertible, with six other boys.

Stuka House is a bed of sexual perversion, left-wing teaching and narcotic addiction, with plain old-fashioned love-making regarded as corny. “We must be more vocal; advocating sexual activity with anyone from kindergarten through college and, in some cases, encouraging an obsession with free-enterprise for limited periods of time.”

They are very tall and extremely pale (except for one), with unshapely bodies, but very-thin necks and legs. Their eyes and temples are hollow, their foreheads broad and grim, their hair thin and entirely gone on the top of their heads, though their bodies are hairy. They become enraged whenever the word “goat” is mentioned nearby them.

Stukas Over Bedrock like to humiliate people by making them dance naked to their music. It is a strange thing, because for the most part they believe their music is evil. If a guest at their estate plays their music, they cover their ears until the “poison” is silenced.

Stukas Over Bedrock would like to apologize to everyone else who has ever performed with the Stukas:
Danny Tunick, Kurt Mize, Wheels, Mike Monsalve, Roy Koutsky, Dave Bromberg, Wes Massey, Mitch

“ALL HAIL CAPTAIN ANARCHY”

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