by Phil Steffey with Matt Allard
The evening of August 16, 2003 was exceptionally clear, dry, even mild
for the
season. I (Phil Steffey) was at
Less than two weeks from its nearest approach to Earth in 60,000 years,
the
planet was a dazzling, yellowish orange star in the southeastern
sky. The
telescope, at 150 and 300X, revealed a midsized, bright south polar cap
and
dark surface detail sufficiently contrasty to belay my worry about dust
storm
veiling, which had ruined much of the 2001 apparition. One of the
visitors shot some pictures at the eyepiece with a hand-held digital
camera. The captured images turned out poor, mainly because they
were too
small, but the exercise planted an idea in my brain.
Almost a year earlier I had purchased a color "electronic eyepiece"
i.e. lensless video camera, from Orion Telescopes and Cameras, and had
used it
with two small telescopes at home to display very nice images of the
Moon and
Sun on a 13-inch TV monitor. With a built-in VCR, the monitor was
convenient for videotaping these images, albeit at less than ideal
quality. In December '02-February '03, I and Matt had used the
camera on
the B-CC telescope to image Saturn and Jupiter with fair results we
knew could
be improved as we gained experience.
Following the Aug. 16 session (which incidentally included Uranus
as a
neat, slightly bluish disc at 300X), I thought Mars in the 14-inch
might
interest the college students and faculty more than other celestial
objects we
had offered during our once or twice a month observing sessions.
Live
video images would be more sensible to most visitors than eyepiece
views and
would add a high-tech touch. Matt agreed and we planned to use
the 'scope
this way beginning the week of Mars' closest approach. Sadly our
preparation
was inadequate and we were waylaid.
Matt notified several faculty members that we would open the
observatory for
Mars observation, and Aug. 27 was clear for a first event. But
the notice
leaked to the local news media as an invitation to the general
public. When
Matt and I arrived to prepare the telescope and set up the video
equipment,
expecting one to two dozen visitors, there was a line of over 100
stretching
from the observatory entrance down three floors of the science building
and out
its south entrance. Some people had come before sunset! And
more
were arriving. We managed to climb through the crowd to the
observatory,
opened the dome, and got the telescope working. But placing the
TV
monitor where a lot of people could see it proved impossible, and in
the end we
provided eyepiece views, one viewer at a time, luckily assisted by
Professor
Richard Copeland, till after midnight.
On Aug. 30 Matt and I tried again, but now only a couple visitors
appeared. We obtained video images of Mars better than I
expected
and videotaped over an hour of them. Perhaps faculty members and
students
who missed seeing the planet live might be interested in tape
playback.
Five more observing sessions in September and October also drew few
visitors
but yielded almost four more hours of videotaped images. More
details of
the whole project are in the article "Mars at its Nearest" at
www.cookman.edu/observatory. The still pictures of the planet
shown there
were made by me with very limited computer processing software and
skills, and
I emphasize that live streaming images were our first priority.
In late 2004 and the first half of '05 I made new processed still
pictures from
hundreds of raw video images captured directly from the tapes with the
Flash-It
utility or Avid Videoshop's "snapshot" feature, or from filmstrips
made with the Apple Video Player or Videoshop. Still lacking
automatic
frame-stacking software, I manually stacked 2 to 8 raws depending on
individual
frame quality. Processing of stacked raws was done with an old
version of
Photoshop but improved personal skill in its application.
Contrast,
brightness, and color (remove excessive red) were the main adjustments,
followed by noise reduction and weak sharpening. Nine
representative,
resulting pictures from six observing dates are shown in the first set
below. Mars' south pole is roughly up and the planet's rotation
is
leftward. See the B-CC observatory website Mars article for
descriptions
of the main dark surface features in these pictures. The taped,
streaming
images remain a little better than these stills.
A second set of pictures below compares a processed video image of Mars
with
central meridian near 0 deg, with drawings made during the close
approach
periods in September 1956 and August 1971 and a typical film photograph
made in
'71 a composite of several relatively short exposures (from Sky and
Telescope, Nov. 1971, p. 262). Our image shows less detail
than the
drawings but accurately records the positions and shapes of the the
large
surface features. And it closely rivals the photograph, made with
a
telescope having twice the aperture of ours.
Finally, in reviewing our videotapes in late 2003 I spotted several
narrow,
dark streaks in some images at positions of the once-celebrated
"canals". The first round of still frame stacking and processing was
so imprecise that, not surprisingly, these fine features were
lost. But
some raw images and even a few stacked ones recently made do show the
streaks. Three examples are reproduced in the third set of
pictures
below, and more could have been. Most show up in several raws
recorded
minutes to an hour apart and can survive stacking, so they are not
optics or
video artifacts. Of course they are not waterways but chance
alignments,
straight or curved, of very small dark areas in desert terrain, visible
in
eyepieces or recordable with very short exposures when the
transmittance of our
atmosphere is ideal. The angle of incidence of sunlight on the
"canal" regions, and the transparency of the martian atmosphere, are
other visibility factors. Further discussion is beyond the scope
of this
article.
Matt and I look forward to Mars' opposition in late 2005, when we will
be ready
with a better video camera than the Orion and better recording
equipment.



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