Bibliography

NOTE: Unless stated otherwise, all untitled reviews and notes for performances, broadcasts, and recordings are presumed to be of performances, broadcasts, and recordings of the Grande Messe des morts.

Ardoin, John. Rev. of Ormandy perf. Musical America, May 1964, p. 30.

Barzun, Jacques. Berlioz and the Romantic Century. Third edition, 2 vols. New York: Columbia University Press, 1969.

Beecham, Sir Thomas, Bart. A Mingled Chime: An Autobiography. New York, 1943; rpt. New York: Da Capo Press, 1976.

Benvenga, Nancy. "Report from London: Berlioz's Echoes." Current Musicology, 10 (1970), 36-40.

Berlioz, Hector. Correspondance générale, I: 1803-1832. Ed. Pierre Citron. Text established and presented by Pierre Citron. Paris: Flammarion, 1972.

Berlioz, Hector. Correspondance générale, II: 1832-1842. Ed. Pierre Citron. Text established and presented by Frédéric Robert. Paris: Flammarion, 1975.

Berlioz, Hector. Correspondance générale, III: 1842-1850. Ed. Pierre Citron. Text established and presented by Pierre Citron. Paris: Flammarion, 1978.

Berlioz, Hector. Grande Messe des morts. New York: Broude Brothers, n. d.

Berlioz, Hector. Grande Messe des morts. New Edition of the Complete Works, Volume 9. Ed. Jürgen Kindermann. Kassel: Bärenreiter, 1978.

Berlioz, Hector. The Memoirs of Hector Berlioz. Trans. and ed. David Cairns. London: Gollancz, l969.

Berlioz, Hector. New Letters of Berlioz, 1830-1868. Second edition. Intro., notes, and trans. by Jacques Barzun. Westport CT: Greenwood Press, 1974.

"Berlioz's 'Requiem.'" The Times [London], 14 November 1925, p. 10, col. 3.

Bernstein, Leonard. The Infinite Variety of Music. New York: Simon and Schuster, 1966.

Bernstein, Leonard. The Unanswered Question: Six Talks at Harvard. Cambridge MA: Harvard University Press, 1976.

Böhm, Hans. "Berlioz-Requiem, 31 Jahre nach der Zerstörung." Musica, 30 (1976), 229-30.

Böhm, Hans. "Grosse Totenmesse von Berlioz." Musik und Gesellschaft, 26 (1976), 244.

Bradley, Francis. "From the Player's Desk." In Dyment, Christopher, ed. Felix Weingartner: Recollections and Recordings. Bibliographical Series No. 5. Rickmansworth, Herts., U. K.: Triad Press, 1976, pp. 31-35.

Braunstein, Joseph. Liner notes for Turnabout THS 65017/18: Berlioz GMdm cond. Scherchen. N. p.: Vox Productions, Inc. 1974.

Charlton, David. Rev. of NBE. Music and Letters, 60 (1979), 470.

Clough, Francis F., and G. J. Cuming. The World's Encyclopaedia of Recorded Music. Includes First Supplement. London: Sidgwick and Jackson, 1952; also Second and Third Supplements, 1953, 1957.

Cone, Edward T. "Berlioz' Divine Comedy: The Grande Messe des morts." 19th Century Music, 4 (1980), 3-16.

Cone, Edward T. Rev. of NBE. Notes, 36 (1979), 464.

Cooper, Martin. Rev. of Harty 1936 perf. London Mercury, 33 (1936), 628-29.

Deas, Stuart. "Weingartner as Teacher." In Dyment, Christopher, ed. Felix Weingartner: Recollections and Recordings. Bibliographical Series No. 5. Rickmansworth, Herts., U. K.: Triad Press, 1976, pp. 23-29.

Dyment, Christopher. "Felix Weingartner: His Life and Legacy." Insert booklet notes for HMV RLS 212: "The Art of Felix Weingartner." N.p.: EMI Ltd., 1975.

Dyment, Christopher, ed. Felix Weingartner: Recollections and Recordings. Bibliographical Series No. 5. Rickmansworth, Herts., U. K.: Triad Press, 1975.

Dyment, Christopher. "Recordings: The Recorded Legacy of Felix Weingartner." Part Two of Dyment, Christopher, ed. Felix Weingartner: Recollections and Recordings. Bibliographical Series No. 5. Rickmansworth, Herts., U. K.: Triad Press, 1975, pp. 61-96.

Dyment, Christopher. "Weingartner Conducts Berlioz." Insert sheet notes for Past Masters PM 10: Berlioz, Symphonie fantastique, cond. Weingartner. N.p.: Privately published, 1977.

Ferchault, Guy. "Hector Berlioz." In Blume, Friedrich, ed. Die Musik in Geschichte und Gegenwart. Vol. 1. Kassel: Bärenreiter, 1949-51, cols. 1745-64.

Gellatt, Roland. Rev. of Munch/BSO rec. The Reporter, 26 May 1960, p. 56.

Gill, Dominic. Rev. of Davis perf. Musical Times, 110 (1969), 852.

Gray, Michael H. Beecham: A Centenary Discography. London: Holmes and Meier, 1979.

Greer, David, ed. Hamilton Harty: His Life and Music. Belfast: Blackstaff Press, 1979.

Grubb, Suvi Raj. Liner notes for Angel DSB-3907, Berlioz GMdm cond. Previn. N.p.: Angel Records, 1981.

Haggin, B. H. Conversations with Toscanini. Second edition, enlarged. New York: Horizon Press, 1979.

Haggin, B. H. "New Recordings of Old Favorites." The New Republic, 30 May 1960, p. 22.

Haggin, B. H. Rev. of Fournet rec. Nation, 167 (1948), 530.

Hall, David. Review of Bernstein and Frémaux recs. Stereo Review, March 1977, p. 126.

Hall, David. Rev. of Scherchen and Mahler recs. Hi Fi & Music Review, Oct. 1958, p. 50.

Hallé, Charles. The Autobiography of Charles Hallé. Select edition, ed. and with notes by Michael Kennedy. London: Paul Elek, Ltd., 1972.

Haller, Steven J. Rev. of Munch/BSO rec., remastered edition. American Record Guide, October 1982, pp. 10-11.

Hamilton, David. Rev. of Barenboim, Mitropoulos, Previn recs. High Fidelity, Jan. 1982, pp. 62, 64.

Hamilton, David. Rev. of Bernstein and Frémaux recs. High Fidelity, April 1977, pp. 93-94. (With "Technical and Quad Note" by Harold A. Rodgers.)

Harty, Sir Hamilton. "Berlioz." Broadcast lecture, BBC, 2 March 1936. Held by Queen's University of Belfast, in Collection MS 14. See Appendix D.

Henry-Jacques. Rev. of Fournet rec. Disques, No. 58 (Summer 1953), 443.

Heseltine, Philip. Letter to Sir Hamilton Harty, 21 Jan. 1927. In Greer, David., ed. Hamilton Harty: His Life and Music. Belfast: Blackstaff Press, 1979, pp, 84-85.

Holoman, D. Kern. "The Present State of Berlioz Research." Acta Musicologica, XLVII (1975), fasc. 1, 31-67.

Holst, Imogen. Liner notes for EMI HMV HLM 7014, Gustav Holst conducts The Planets, Op. 32. N.p.: HMV Records, 1972.

Järvi, Neeme. Personal interview. Minneapolis, 31 December 1982.

Johnson, H. Earle. First Performances in America to 1900: Works with Orchestra. Bibliographies in American Music Number Four. Detroit: The College Music Society/Information Coordinators, Inc., 1979.

Kennedy, Michael, The Hallé Tradition: A Century of Music. Manchester: Manchester University Press, 1960.

Kolodin, Irving. The New Guide to Recorded Music. International Edition. Garden City NY: Doubleday, 1950.

Kolodin, Irving. "Ozawa on Berlioz." Saturday Review, 1 March 1969, pp. 41-42.

Lawrence, Robert. "Berlioz and Four Brass Bands." Saturday Review, 30 October 1948, pp. 55, 59, 60.

Lawrence, Robert. "Berlioz by Ormandy--and Others." Saturday Review, 30 October 1965, p. 82.

Lawrence, Robert. "Berlioz from the Tabernacle." Saturday Review, 28 March 1970, p. 60.

Lawrence, Robert. "The Best of Berlioz." Saturday Review, 28 May 1960, p. 81.

Lawson, Audrey F. Letter to author. 14 March 1983.

Liner notes for Melodiya 33CM 03459-62: Berlioz GMdm cond. Chekijian. N. p, n. d., rec. 1969. Translation made at author's request by Alexander Airapetyan.

MacDonald, Hugh. "Hector Berlioz." In Sadie, Stanley, ed. The New Grove, Vol. 2. London; Macmillan, 1980, pp. 579-610.

Marsh, Robert Charles. Toscanini and the Art of Conducting. New Revised Edition. Hew York: Collier Books, 1962.

Mayer, Tony. Rev. of Fournet/Lyon perf. Opera Special Festival Issue, Autumn 1969, pp. 78-79.

Movshon, George. Rev. of Ozawa perf. High Fidelity/Musical America, May 1969, pp. MA-19-20.

Myers, Kurtz. Index to Record Reviews. Boston: G. K. Hall & Co., 1980.

Nagley, Judith. Rev. of Previn perf. Musical Times, 121 (1980), 392.

Neufert, Kurt. Rev. of 1981 Baudo perf. Opernwelt, Dec. 1981, pp. 48-49.

Norris, Geoffrey. Rev. of Pritchard perf. Musical Times, 121 (1980), 574.

"Orchestrator." Time, 23 May 1938, p. 60.

Pettit, Stephen. Rev. of Wright perf. Musical Times, 122 (1981), 401.

Procter-Gregg, Humphrey, ed. Sir Thomas Beecham: Conductor and Impresario. N. p.: Privately printed, 1972.

Reed, Peter Hugh. Rev. of Fournet rec. The American Record Guide, 15 (November 1948), 82-83.

"'Requiem' Wax Stirs French National Pride." Billboard, 28 April 1958, p.1.

Rev. of Harty 1936 perf. The Times [London], 5 March 1936, p. 12, col. 2.

Riedel, Johannes. "Messiah." Journal of Church Music, Feb. 1959, pp 2-7.

Robertson, Alec. Requiem: Music of Mourning and Consolation. London: Cassell & Company, 1967.

Sachs, Harvey. Toscanini. Philadelphia: Lippincott, 1978.

Schwarzkopf, Elisabeth. On and Off the Record: A Memoir of Walter Legge. New York: Scribner, 1982.

Segond, André. "Lyon: Festival Berlioz." Opera Canada, Spring 1982, pp. 35-36.

Shore, Bernard. "From the Player's Desk." In Dyment, Christopher, ed. Felix Weingartner: Recollections and Recordings. Bibliographical Series No. 5. Rickmansworth, Herts., U. K.: Triad Press, 1976, pp. 49-50.

Sir Thomas Beecham Society. Sir Thomas Beecham Discography. Westport CT: Greenwood Press, 1978.

Skeaping, Kenneth. "From the Player's Desk." In Dyment, Christopher, ed. Felix Weingartner: Recollections and Recordings. Bibliographical Series No. 5. Rickmansworth, Herts., U. K.: Triad Press, 1976, pp. 50-52.

Slonimsky, Nicolas, ed. Baker's Biographical Dictionary of Musicians. Sixth Edition. New York: Schirmer Books, 1978.

Smith, Cecil. "Berlioz Requiem Ends Tanglewood Series." Musical America, September 1952, p. 9.

Smith, Joel. "April in Paris." Hi Fi & Music Review, September 1958, pp. 36-37.

Temperley, Nicholas. Rev. of NBE. Musical Times, 121 (1980), 111.

Tepper, Matthew B. Letter, "Sir Hamilton Harty." Gramophone, 60 (March 1983), 989.

Turner, W. J. "Berlioz and Weingartner." New Statesman, 33 (1929), 46-47.

Turner, W. J. "A Musical Cataclysm." New Statesman, 26 (1925), 174-75.

Varèse, Louise. Varèse: A Looking-Glass Diary, Volume 1: 1883-1928. New York: Norton, 1972.

Weingartner, Felix. Weingartner on Music and Conducting: Three Essays, Rpts. of numerous previous editions. Trans. Ernest Newman, Jessie Crosland, H. M. Schott. New York: Dover, 1969.

Weingartner-Studer, Carmen. "Weingartner's Life and Work: An Appreciation." In Dyment, Christopher, ed. Felix Weingartner: Recollections and Recordings, Bibliographical Series No. 5. Rickmansworth, Herts., U. K.: Triad Press, 1975, pp 13-16.

Weinstock, Herbert. "Two Views of the Berlioz 'Requiem.'" Saturday Review, 30 August 1958, pp. 36, 47.

Zucker, Stefan. "Different Kinds of High Note and the 'Seismic Shock': Nineteenth-Century Tenors and the Meaning of 'Falsetto.'" American Record Guide, March 1982, p. 2-13.

Copyright © 1983, 1995 by Matthew B. Tepper

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