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RABIES #1
Aarrgh! From the far-off galaxy of Philadelphia comes Randall Phillip’s eagerly awaited
monster movie magazine, Rabies. And quite the departure from his heinous masterpiece
Fuck it is; although the layout and some of the contents (bizarre drawings, collages,
weird faces, and odd statements leaping randomly off of the pages) are similar to the infamous earlier effort, Rabies is all about the monsters. In film, mostly, and of course in the accompanying posters, but the love of
the fiend is also shown in reproductions of horror comix, halloween masks, novelty records, haunted attractions, and other
fun shit. Among a load of vintage ads and photos Dr. Phillip reviews creature features Island
of Fishmen, Demon of Paradise, Without
Warning, The Vampire People, The Devil
Master, Attack of the Beast Creatures, and, as an epic finale, provides a lengthy
appreciation of ZAAT that includes video release news and a rare interview with
ZAAT’s creators. A fond and youthful remembrance of rubber monster culture,
the biggest drawback to Rabies is its price: at seven dollars plus postage the
cost is a bit hefty for 52 pages. I kinda doubt Randall’s accepting trades, but you might want to angle in that direction.
* * *
$7.00 + $2.00 postage (no checks) from Randall Phillip - rabiesmagazine@yahoo.com - P.O. Box 2217, Philadelphia,
PA, 19103
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RATED ROOKIE #6
The sixth collection of “Subversive stories of everyday all stars” comprises
tales both personal and professional as subjects such as “My Shitty Coworkers,” barber college, working as an
airport security screener, submitting to experimental brain shock, travel, “Canuck Cuisine,” getting hit on by
one’s therapist, getting hit in the head with a frying pan, and the like are explored for fun or profit. Aside from
the dedicated Rated Rookie staff, such characters as “Black Pimp” Boyd
Rice and acrostic maniac Cal Begun (“Cal Begun might be a genius – or the worst poet Brooklyn’s ever known.”)
are interviewed, and novelist Jonathan Ames even contributes the hilariously, um, moving confession, “I Shit My Pants
In the South of France.” Special mention to the piece “No Fried Rice For You!” about the “sassy Vietnamese
Mama” running a Southern-style cookery in Arkansas: “Fuck you, fat man. I hope you have big heart attack while
you watch Hee-Haw and fuck your sister!” The writing is all crisp and college-educated,
but the topics could use a little boost - many of the ‘wild’ stories aren’t quite wild enough (although
Ames’ piece was pretty damn funny) and others don’t really go anywhere (ironically, the travel piece “Dispatches
From the Global Village”), while more ‘serious’ entries such as “Beneath the Folds: A Roundtable With
a Rape Therapist, Abortion Counselor, and Pubic Sculptress” are quite slight (this one giving only about a page to said
roundtable). Still, it is an odd batch of unusual and often amusing articles, and as such a fairly sure bet to occupy you
on either commute or commode.
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ROTKOP #5: DRUNK
Anything calling itself “The Drunk Issue” is going to be well met here at Paniscus Revue, and the fact that Rotkop
is a nicely put-together anthology of art and scrawling makes it an even better find. Somewhat resembling France’s Hopital Brut in format (although predominantly black & white Rotkop boasts numerous color inserts and the collection is wrapped in a full-color silkscreened cover), Rotkop is a multimedia excursion through the bars and drawing boards of Belgium. Photos of revelers and post-party
casualties (and a bored kid in a pub picking his nose while his folks get blotto right next to him), stories of drunken surreality,
drawings of drinks, drinking buddies, and drunken sex, twisted collages, photocopies of shattered coasters and booze labels,
and YES: drawings of drunken monkeys! (The centerpiece photo of a goat slugging down a bottle of Lone Star beer was a good
one as well.) The only artist whose work I recognized here was Kapreles, but from the table of contents it looks like thirty
or more people contributed to this issue. All of it is presented in a garish, hazy, double-vision type of way which admirably
replicates the inebriated state responsible for inspiring the subject matter. The individual hands-on touches to the assemblage
lift Rotkop further out of the gutter this issue revels in, as fold-outs, hand-tinting,
tape-ins, and other additions make it clear that Rotkop is a careful cooperative
product, not just the careless afterbirth of an arts network’s party scene. Contact information for each artist is provided
in back, along with calls for audio and artistic submmissions and the announcement of themes for upcoming issues (sea creatures,
sports, black people, etc.). And if that ain’t enough, Rotkop 5 comes with
a “+Full Ceedee+” reviewed right below.
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ROTKOP #5: DRUNK CD
(As this CD comes with the above-reviewed Rotkop
as part of the total package, yet a piece deserving of a review of its own, it is being placed here in the Print Reviews section
rather than in Audio Reviews.) Tribal European drunkenness opens this audio accompaniment to Rotkop #5, as slurred barking and belligerent moaning joins shamanic percussion in “Pedanterieen”
(other equally disturbed episodes of which will appear regularly throughout the CD). Spacey electronics follow in Formatt’s
“Distilled”; kids get ahold of the equipment on “Brientje” while drunken karaoke improv players take
over for “Klootzak Blues”; ZuKavsKi’s “Wulimaster” could aptly be subtitled “The Liver’s
Revenge” (and well matches what could be called “The Colon’s Revenge,” the later flatulent piece “Geobuz
Edit #2” by Thee Vaporizer); Katerzang and Bloated Ego & The Complements come closest to providing real performances
with, respectively, the drunken acoustic guitar cabaret of “De Man en Zijn Bierbudget” and “Blind Date Blues”;
Spacecactus delivers a piece appropriate to their name; SiCKBoY gets techno with the amusingly sample- and belch-laden “Drunkon
Computer Drinking Milkplus”; and there’s loads more. I don’t really know if this 33-track festival is ideal
drinking music (Manmanly & Laurent Cartuyvels’ “Hudrn-My Red Light Mama” will give you the spins even
if you’re sober, and toward the end there are some really long filler segments of dead air/experimental/improv noise),
but the shit sure is different. And, as always should be taken into account, the price is right.
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RUBBER FLESH CUATRO - By Miguel Angel Martin
The world of Miguel Martin’s female heroine Monika Ledesma continues to grow ever
more strange and dangerous in this fourth episode of Rubber Flesh: right from the
first chapter bio-silicoid agents place her “Under Attack,” but unable to track her down they beat, rape, and
murder her boyfriend instead. Various agents on both sides pay visits to Monika, with violent and sexy results, as nanocomputers
flourish, cars crash, limbs are severed, and the body-melting “bio-silicon reductor” guns are brought into play
in a number of gruesome fashions. Several single-page drawings round out the book. As usual the finer points of these Spanish
language comix somewhat elude me, but the hardcore mix of full-color brutality and pornography, along with a heavy dose of
sci-fi conspiracy, still makes for a very good-looking book.
* * *
4.75 euros (adults only) from Ediciones La C Pula - Plaza Beatas
3, Entlo., 08003, Barcelona
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SICKFUN
Spain’s premier journal of underground art and culture
has dramatically increased in size and print quality with this issue, now being a perfect-bound 140-page book full of, well,
sick fun. The Randall Phillip-like collages “Parasitos” lead into an article on German genital cannibal killer
Armin Meiwes, interviews with Miguel Angel Martin, Trevor Brown, Paco Alcazar, Romain Slocombe, Gigatron, what looks like
a Spanish blackface rap troupe, Rayas, Pipas y Capones and 2000 Maniacs editor
Manuel Valencia, what appear to be anti-immigration and anti-hippie rants by Billy Bob (Sickfun
is written entirely in Spanish, so some if it is a little hard for this yank to comprehend), “Quality Time” by
Peter Sotos, articles on artists Mike Diana and Joe Coleman, the exploration of ‘apocalypse culture,’ “Hate
is Fun,” focusing on publications exemplifying the same around the world, art by Claudio Parentela, Teletubbie conspiracy
theory, a story by serial killer Gerard J. Schaefer, the collage piece “Aryan Submission Youth,” “Democratic
Western Virus” as documented by SS Sundra, “Gangs of Madrid,” a practical guide to suicide, and more, all
copiously illustrated. Definitely fills the void left in the absence of the likes of Panik
and Sewer Cunt.
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SLEAZY SLICE #1
The first installment of “The
Annual Comix Anthology that Squats on Your Eyeballs and Poops in Your Brain!” gets off to a good start with a collection
of, well, sleazy art and comix sure to please underground fans around the world. Editor and Cinema Sewer publisher Robin Bougie starts the ball rolling with the pulp sex crimes of “Surviving the Night,”
a Commies from Mars-style tale about rapacious alien cucumber creatures bent on
destroying mankind. HAPPY man Josh Simmons contributes “The Land of Magic,”
a delightfully vile and most non-PC reworking of the dragons and wizards genre; “Girl Gang” by Maxine Frank puts
a twist on the rape/revenge storyline; Steve Carter & Antoinette Rydyr’s “Lust of the Blood Swampies”
and “Scarred for Life” tweak rape and revenge even further in SCAR’s inimitable extraterrestrial style;
and Sleazy Slice even delves into the racks of adult comix history with an illustrated
article on the sorrowful history of “The Squaw Cunt.” There’s also a pair of Sleazy Slice Galleries, double
full-page pieces by Wes Crum and yours truly. A smut book in the true underground comix tradition, Sleazy Slice is a variegated compilation of beautifully sick and twisted work that’s well worth the six
bucks. Pick it up now while you can, it may be a collector’s item soon.
* * * *
$6.00
+age statement from Robin Bougie – mindseye100@hotmail.com - #320-440 East 5th Ave., Vancouver, B.C., V5T-1N5, Canada
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SMILE, HON, YOU'RE IN BALTIMORE! #5
Smile, Hon, indeed – despite the overly homey title this digest does an admirable
job of collecting the writings of several (largely) East Coast writers and publishers on their experiences in and around the
nation’s crab cake capital. Benn Ray refuses to be mugged; Hungover Gourmet Dan Taylor checks out a pair of Balto-area
drive-ins (the uptight Bengies vs the wildly carefree Bel-Air); Davida Gypsy Breir photographs some of the town’s aged
“popcorn palaces”; Michel E. Schuster remembers Baltimore in a deceased childhood friend; Steven Tandy is propositioned
by lesbians; Susan Lantz investigates the criminal element in her neighborhood – the one coming from Mount Royal Middle
School; and editor & author William P. Tandy contributes a few thoughts of his own. Rounding it all out are photos, contact
ads, other writings, and odds & ends. The writing all shows experience and personality, with more than enough variety
in style and subject to make the collection’s 52 pages fly by. It all serves to add a great deal of dimension to a multi-faceted
city in which I’ve been fortunate enough to have a number of memorable experiences, making me eager to go back for some
more.
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SOLID GOULD #1
This first issue of Solid Gould is the “I” issue, wherein editrix Suzy Greenburg tells us almost everything about herself.
(The next issue is to be the “YOU” issue, where you tell her almost everything about yourself.) “My aim
in writing all about me was simple: to further my goal of a greater understanding among humans.” Suzy’s a “self-described
Grammer Geek and Language Nerd,” a “Jew By Choice,” mostly vegan, feminist (I think), works in the film
industry, and has a fella. There are also lots of lists. Lots of lists. In between are opinions and examinations on and of
various topics weighing on Suzy’s mind. If you’re into perzines, you’ll definitely dig this one; as I’m
not a big fan of perzines I didn’t find it too fascinating. It’s actually kind of annoying, to tell you the truth.
But it is honest and it is open, so again, if you’re into that kind of thing this is definitely for you.
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THE THINKER #3
More cryptic strangeness from Las Vegas. “My First Watercolor” (a bong), single-panel
comics by Tim Lehi and Sean Slattery, curious photographs, tattoo flash, Bob Wysocki’s “first post-structuralist
dream,” and the best part, a photo of MC Hammer (I think) standing against an op-art background and carrying what looks
like a heavy load in his trou, with the caption “Oh no, I pooped my pants.” (This piece also comes as a sticker.)
Still no contact address though . . .
* *
Jessica Starkey – Las Vegas, NV
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TROGLODYTES
From inimitable Dutch comix artist Marcel Ruijters and Top Shelf Productions,
publishers of top shelf artists such as Josh Simmons, comes the bold new graphic novel Troglodytes.
Within these pages Marcel continues to craft the abundant mythology he began chronicling some time ago, here bringing forth
another series of stories set in the subterranean world of pre-human masons and priests and their violently archaic practices.
The world of the Troglodytes is pictured as a harsh one indeed; those daring to question the primitive ritualistic status
quo are dealt with brutally, as are those who attempt to escape their lot in underworld life (meeting the grimmest of ends
as they often do). Sex is as much a factor as violence in this strange old world, and ripe as it is with creatures even more
strange and savage than the Troglodytes themselves the potential for wickedness is too great to deny. And always, always,
there is the mysterious orgone… It’s an astonishingly diverse and perverse world, and Ruijters has been living
there for years, the better to report to we mortals the pre-history of our race. My one complaint about this volume is the
coloration; Marcel paints in ink and white atop a type of paper screen-shaded with various op-art/moiré patterns, and the
results are striking and richly detailed. In this volume however, possibly to convey the dank mildewed vaults of the Troglodytes’
underworld, most of the backgrounds have been shaded over with a translucent green. In some cases none-too-carefully. Atmospheric,
yes, but it robs the stories of the deeper detail Marcel fills them with. Still, it is an amazing piece of work, and one you
would do well to own.
* * *
$9.95 from Top Shelf Productions, P.O.
Box 1282, Marietta, GA, 30061-1282
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TURA AND EVA IN...
Jim Sumii’s latest comics outing
is a professionally printed piece of work about two would-be superheroes, the titular Tura and Eva. Despite being slagged
as “a couple of Betty and Veronica knock-offs” our female friends battle “uppity bitches” Darla Dazzle
and Disco Girl, Sally Shortbread’s Killatron 5000, and exile from their metropolitan home of Silver City. Despite all
of that I don’t quite get it; I’m a big fan of Sumii’s work, admittedly the more esoteric illustrations
and strips from which this is a 180-degree departure. I take it this is an attempt to produce a more marketable product, and
while I can’t find fault with that the whole cute chick character thing really eludes me. I guess I’ll just sit
tight and hope for another heaping helping of Fecus.
* *
$2.50 from Fecus Publications – P.O. Box 140696, Boise, ID 83714-0696
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TWO TONE CAT
This copy of the Two Tone Cat came with a note
promising that if I’d review it, writer Jeff Kane would “Jerk (my) dick off hard.” I’ll pass on the
handjob, thanks, but hell, I’ll review this anyway. In these pages, illustrated by Jamie Craw (Hubcity71@aol.com), we first find the story of “Thanksgiving
Turkey,” about a Puerto Rican bird named Miguel and his friends Paco and Faggy-Cat. Faggy-Cat has feline AIDS, Paco’s
a poor scab-eater, and Miguel gets molested by Santa Claus and goes on to become a genocidal holiday savior. “Von Caril”
is the tale of cat detective Rip Von Caril, his lust object Noony the mouse, and “disgraced dentist” & “amateur
detective” Leafland Fellows. Their worlds are all affected by fictional killer Tom Ripley and rapper “Terrorist
Mex,” and much like the previous story it all ends in bizarre tragedy. Queer-ass (as in both gay and just plain fuckin’
weird) storyline, outrageous dialogue (“Those lazy Spics wouldn’t chase a loose turkey if it pecked their wife’s
vagina into salmon-flavored Fellow’s Feast!”), and childrens-books-on-PCP-style drawings, this shit is pretty
out there. And that’s a good thing. TTC comes with the childishly-drawn “Aidsner
Sanders Mini” #1 and 2, a tucked-in double-sided single-sheet fold-up of “Comics for Faggots,” all about
celebrity weirdness, Bear Baitman, dreams, cowboys, blacks, Jaws, the “Floating Chinesian,” and who the fuck knows
what else. Dig it.
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YOU IDIOT #4
“Special Issue! The Secret Side of Satan!”
What side, might you ask? Well, that most insidious one that dwells within all things innocent. Such as Christian Rock, Harry
Potter and…My Little Pony. Nate laughs at them all, and then laughs some more, and he got more than one chuckle out
of this reader. Nate’s a fucking smartass, and he’s fucking good at it, especially with ripe fodder such as Stryper,
an endless supply of self-styled saviors (the mayor of “The Town that Told Satan to Get Lost”), exorcism in theory
and practice, and dicks who think that Barney and the Power Rangers are agents of the devil. For just two dollars you can
easily improve your commute or your daily constitutional. And remember: “Jesus Christ does not love to boogie-woogie.”
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ZINE NATION #1
A great new zine resource/guide from Canada, Zine
Nation reprints articles of interest and instruction from other zines as well as presenting new material and reviews.
Some of the articles are the standard DIY fare, like vegan recipes, “Self-Publishing Your Own Magazine,” and a
pair of guides for punk rock bands on tour, but others are helpful and informative (Skot Deeming’s “Build Your
Own Camera Dolly”) and some are just damned new and unusual, particularly Crimethinc.’s “How to Make Giant
Inflatable Creatures” (?!). There are also interviews with Chester Brown, Ruba Nada, and the Bookmobile Project ladies,
comics, some obligatory 9/11 and anti-Bush material, and packs of reviews for zines, comix, and films (along with ads for
relevant publications and zine events). The layout is a little slapdash, but that’s kind of a given and as all of the
material comes through quite clearly this never presents a problem. Which leaves you with a big, fat (84p) package of valuable
material which, unfortunately, I cannot find a price for. Justin prefers hard mail, so send a zine or something for review
and see if you can get a trade going, otherwise contact him at one of the addresses below and find out the availability of
this issue as well as the second, due out 10/03.
* * * *
Justin
Chatwin - zinenation@yahoo.com - 17 Paton Rd., Unit #8, Toronto, Ontario, Canada, M6H 1R7
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ZINE WORLD #19
There’s loads more here than twenty-plus pages of zine reviews, but more on that
in a moment; taking a journalistic tact Zine World starts off with a hefty does
of editorial news, about the war in Iraq (“Ten Appalling Lies We Were Told About Iraq”), suppression of expression
in schools and on the street, and a would-be-funny-if-it-weren’t-so-spooky article on the state of our nation, “Welcome
To the Soviet Union.” Lots of letters follow (including a bit of defensiveness from Zine
Guide regarding their review in Zine World), as do brief columns by zinesters
such as Grant Schreiber, Susan Boren, and Loren Rhoads, and then it’s off to the reviews. There are a bunch of ‘em,
along with address updates, event listings, other “Publications That Review Zines,” and free classified ads. Dunno
how you feel about paying for op/ed pieces and newsbytes, but the rest of the rag is chock full of the good stuff and comes
well recommended.
* * *
$4.00 (no checks) from Jerianne at Zine World - www.UndergroundPress.org - P.O. Box 330156, Murfreesboro, TN, 37133-0156
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ZONE 5300 #1
Marcel Ruijters, whose Troglodytes grace the cover and a full-color inside comix spread
inside this Dutch publication, was kind enough to send me a copy of the new glossy arts & culture mag Zone 5300. And although I don’t speak a word of the language I found it very much worth looking at. (Actually
the language barrier works both ways, as though I can’t even read the plentiful comics, let alone the articles and reviews,
being printed in the magazine’s native language has the dual benefit of both making it seem more exotic while at the
same time shielding the reader from any pretentious clubby horseshit.) In addition to Ruijters’ violent oddity “Ambulocetus
Horriblis,” there’s good-looking comic art by Nix, Guillame Bouzard, Matthias Lehmann, Reid, Geleijnse & Van
Tol (“Fokke & Sokke”), Bernard J. Vonk, Pieter de Poortere, and Farida Laan. And dig the “Bonky Parking”
sign from Hong Kong! It all comes in a colorful and attractive layout that’s lively but not so artsy that it gets in
the way of the content. So if you speak Dutch, or just happen to find yourself stoned in the Netherlands, by all means pick
this up.
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