martha rosler: curriculum vitae: selected reviews and interviews

Peter Plagens, Artforum, March, 1975
Kim Levin, "Southern California, The Video Landscape." laica Journal, January 1977.
Republished in Artists' Video, Gregory Battcock, ed. New York: Dutton, 1978.
Also Republished in Kim Levin, Beyond Modernism. New York: Harper & Row, 1988
Ruth Askey, "Martha Rosler's Video." Artweek, June 4, 1977
Robert Keil, "Social Criticism as Art Practice," Artweek, August 13, 1977
Allan Sekula, "Dismantling Modernism, Reinventing Documentary (Notes on the Politics of Representation)." In Photography, special issue of the Massachusetts Review, Winter 1979.
Republished in Sekula, Photography Against the Grain. Halifax: Press of the Nova Scotia College of Art & Design, 1982.
Carrie Rickey, "Return to Sender." Village Voice, August 14, 1978
Deirdre Boyle, "Film and Video in the Whitney Biennial." Afterimage, October 1979
Amy Taubin, "And what is a fact, anyway? (On a Tape by Martha Rosler)." Millennium Film Journal , No.4/5, Summer/Fall 1979. (Review of Vital Statistics of a Citizen, Simply Obtained )
Jane Springer, "Developing Feminist Resources. The Work of Carolee Schneeman and Martha Rosler." With additions by Karl Beveridge. Fuse, January 1980
Martha Fleming, "Martha Rosler: Kitchen Manœuvres." In "Video is not Television, Performance is not Theatre." Body Politic, No. 64, June-July 1980
Barbara Baracks, review of California Women's Performance Series, "Private Worlds" at Interaction Arts Foundation, New York. Soho News, August 1980
Alan M. Brown, "Dislocated Women." Artweek, August 16, 1980 (review of Losing) Judith Barry and Sandy Flitterman, "Textual Strategies: The Politics of Art Making." Screen, Vol. 21, No. 2, Summer 1980
Carl Loeffler and Darlene Tong, eds., Performance Anthology: Source Book for a Decade of California Performance Art. San Francisco: Contemporary Arts Press, 1980. Passim
David A. Ross, "Martha Rosler, May 28-31, 1980." In Artists and Writers in Residence, 80 Langton Street, 1980. San Francisco: 80 Langton Street, 1981
Elizabeth Hess, "X-Ray Visions." Village Voice, June 3-9, 1981 (Review of Birksted Gallery show, New York)
Jane Weinstock, "Interview with Martha Rosler." October, No. 17, Summer 1981 ("The New Talkies")
Martha Gever, "Interview with Martha Rosler." Afterimage, September 1981
Bruce Barber and Serge Guilbaut, "Interview with Martha Rosler." Parachute, October 1981
Lucy Lippard, "The Angry Month of March." Village Voice, March 25-31, 1981
Lisa Liebman, "Performance Notes." Fuse, November/December 1981
Louise Abbott, review of Three Works. Photo Communiqué, Winter 1982/83
Micki McGee, "Narcissism, Feminism, and Video Art: Some Solutions to a Problem of Representation." Heresies , No. 12 (Vol. 4, No. 3), 1981
Benjamin H. D. Buchloh, "Appropriation and Montage in Contemporary Art," Artforum, September 1982.
Reprinted in Open Letter, Summer-Fall 1983. Special issue "Essays on [Performance] and Cultural Politicization," Bruce Barber, ed.
Benjamin H. D. Buchloh, "Documenta 7." October, No. 22, Fall 1982
Moira Roth, "Martha Rosler." In Moira Roth, ed.,The Amazing Decade: Women and Performance Art in America, 1970-1983. Los Angeles: Astro Artz, 1983
Deirdre Boyle, "Video Playback." Sightlines, Summer 1983
Marilynne S. Mason, "social Conscience Inspires 'Commentaries' Artists." Silver & Gold Record (University of Colorado), Sep. 15, 1983
Mark Shannnon, "Martha Rosler," Colorado Daily (University of Colorado), Oct. 21-22, 1983
Craig Owens, "The Discourse of Others: Feminism and Postmodernism," in Hal Foster, ed., The Anti-Aesthetic: Postmodernism and Culture. Port Townsend, Wash.: Bay Press, 1983.
Reprinted in Craig Owens, Beyond Recognition: Representation, Power, and Culture. Berkeley, Los Angeles, and Oxford: University of California, 1992
"Martha Rosler, Watchwords of the Eighties." High Performance , No. 22 (Vol. 6, No. 2), 1983. Artists' chronicle
M. S. Mason, "Mixed Roots of Performance Art," Weekend, Colorado Daily, Nov. 4-5, 1983
Colin Gardner, "Addressing Political Issues," Artweek, Vol. 14, No. 36, Oct. 29, 1983
Lucy Lippard, Get the Message? A Decade of Art for Social Change. New York, 1984. Passim
William Olander, "Women and the Media: New Video."Allen Memorial Art Museum Bulletin, Vol. 41, Suppl., 1983-84. Oberlin College, Ohio
Abigail Solomon-Godeau, "Photography after Art Photography." In Brian Wallis, ed., Art After Modernism: Rethinking Representation. New York and Boston: The New Museum and David R. Godine, 1984
William Olander, "Fragments," The Art of Memory, the Loss of History. New York: The New Museum of Contemporary Art. Catalogue essay, p.11
Patricia Mellencamp, "Avant-Garde TV: Simulation and Surveillance." In Vidéo, René Payant, ed., Montréal: Artextes, 1986, pp., 198-199
Craig Owens, interviewer, "Martha Rosler." Profile (Chicago: Video Data Bank), Vol. 5, No. 2, Spring 1986. Entire issue
Benjamin Buchloh, "From Gadget Video to Agit Video: Some Notes on Four Recent Video Works." Art Journal, Fall 1985 (published 1986)
William Olander, "Women and the Media: A Decade of New Video" (revised and expanded version of Olander, 1983-84), in Patty Podesta, ed., Resolution: A Critique of Video Art. Los Angeles: L.A.C.E., 1986
Grant Kester, "Toward a New Social Documentary." Afterimage, Vol.14, No. 8, March 1987
Abigail Solomon-Godeau, "Sexual Difference: Both Sides of the Camera." Catalogue essay for traveling exhibition originating at C.E.P.A. Buffalo. C.E.P.A. Quarterly, Vol. 2, Issues 3 & 4, Spring/Summer 1987
John Conomos, "Against Tame Expectations: An Interview with Martha Rosler." Filmnews (Sydney), Dec.1987
Lyn Blumenthal, Women with a Past, 1987. Videotape of interviews with Chris Choy, Yvonne Rainer, Martha Rosler, Nancy Spero
Roszika Parker and Griselda Pollock, Framing Feminism: Art and the Women's Movement. London and New York: Methuen, 1987. Introduction et passim
John Conomos, "Australian Video Festival Reviewed: Images of Today and Tomorrow." Artlink (North Adelaide), Vol. 7, No. 4, Dec. 1987-Feb. 1988
Robert Fichter and Paul Rutkovsky, "Interview with Martha Rosler."Art Papers, Vol. 12, No. 1. Jan.–Feb. 1988
Linda Hutcheon, "Fringe Interference: Postmodern Border Tensions." Style, Vol. 22, No. 2 (Summer 1988), p. 299 et passim
Joanne Lukitsh, "From Daguerreotype to Digital Photography?" Spot (Houston Center for Photography), Winter 1988
Elizabeth Hess, "Presumed Guilty."Village Voice, Sep. 27, 1988 (review of "Unknown Secrets" group exhibition)
Carolyn Toll Oppenheim, "Spirit of Rosenbergs' Resistance Captured on Canvas." The Jewish Advocate (Boston), Nov. 17, 1988 (review of group exhibition)
David Bonetti, "When Art Is Politic." Boston Phoenix, Nov. 25–Dec. 1, 1988 (review of Unknown Secrets)
Margot Lovejoy, Postmodern Currents: Art and Artists in the Age of Electronic Media. Ann Arbor: umi Res. Press, 1988
Linda Hutcheon, A Poetics of Postmodernism: History, Theory, Fiction (London and New York: Routledge, 1988), pp. 207, 228 et passim
Chris Straayer, "Sexuality and Video Narrative." Afterimage , May 1989
Linda Hutcheon, A Poetics of Postmodernism: History, Theory, Fiction (London and New York: Routledge, 1988), pp. 207, 228 et passim
Elizabeth Hess, "No Place Like Home" Village Voice, May 2, 1989 (review of Homeless exhibition)
Stella Pandell Russell, Art in the World, 3d ed. New York: Holt, Rinehart, and Winston, 1989, p. 423 and ill.
Henry Sayre, The Object of Performance. Chicago: University of Chicago Press, 1989
Irene Berggren, "Martha Rosler," Bildtidningen, no. 42 (February 1989) (review of If You Lived Here...)
Eleanor Heartney, "Martha Rosler at Dia," Art in America, November 1989, p. 186
Ernest Larsen, "Who Owns the Streets?" Art in America, January 1990 (review of videotapes in If You Lived Here...)
"Sisterhood with the Camera," Switch (Tokyo), Special Issue No. 2, "The Other Voices," n.d. (1989), p. 159
Steve Edwards, "Secrets from the Street and Other Stories." Ten-8 Magazine, Winter, 1989/90. Interview
David Bonetti, " Rosenbergs Remembered." Image magazine, San Francisco Examiner, Feb. 25, 1990, pp. 20—24 (review of Unknown Secrets group exhibition)
Lawrence Chua, "If You Lived Here..." Flash Art, No. 151 (March /April 1990), p. 148
Roberta Smith, "The Decade Show." New York Times, June 26, 1990 (review of group exhibition)
Andy Grundberg, "The Power of Words." New York Times, July 20, 1990 (review of group exhibition)
Patricia Mellencamp, Indiscretions: Avant-Garde Film, Video, & Feminism. Bloomington: Indiana University Press, 1990, pp. 121, 124-125
David Reisman, "Looking Forward: Activist Postmodern Art." Tema Celeste , No. 29 ( January/February 1991)
Rosalyn Deutsche, "Alternative Space," in If You Lived Here (Seattle: Bay Press, 1991), pp. 45-66
Rob Shields, "The Aesthetics of Everyday Life: Recent Books on Housing and Homelessness." a/r/c magazine, 1991. Review of If You Lived Here.
Ellen Aug Lytle, "New Book Out on Tompkins Square," Downtown, 1991. Review of If You Lived Here.
Kathy Wesselman, "If You Lived Here." The Bloomsbury Review, July/August 1991. Review of If You Lived Here.
Robert Blake, "The Truth of Fiction." Woodstock Center for Photography Quarterly #47 (Vol. 12, No. 2), 1991. p. 4
Brian Wallis, "Living Room War." Art in America. February 1992. Discussion of Rosler's Vietnam-era photomontages
Laura Cottingham, "The War Is Always at Home," Simon Watson Gallery, New York. Exhibition brochure
Lori Zippay et al., Artists' Video: An International Guide. New York; Abbeville Press, 1992
Craig Owens, "The Discourse of Others: Feminism and Postmodernism," in Beyond Recognition: Repreentation, Power, and Culture. Berkeley, Los Angeles, and Oxford: University of California, 1992. Reprint of 1983 essay
Virginia Carmichael, "Martha Rosler's Unknown Secrets,'" in Framing History: The Rosenberg Story and the Cold War. Minneapolis: University of Minnesota Press, 1993. Pp. 206-211 et passim
Virginia Rutledge, "Partial Documents: Contemporary Photography on the Street," Photography (Center Quarterly #55, Vol. 14, No. 3; Center for Photography at Woodstock), 1993. Catalogue essay for the exhibition "Social Studies/Public Monuments."
Therese Lichtenstein, "Beyond the Frame: An Interview with Martha Rosler." Photography (Center Quarterly #55, Vol. 14, No. 3; Center for Photography at Woodstock), 1993
Frits Gierstberg, "Strategieën voor een nieuwe architectuurfotografie," de Architect (The Hague), No. 51 (May 1993), pp. 32-42. Special issue on architectural photography. (In the Place of the Public photo/text)
William Visnich, "An Interview with Martha Rosler," Breukelen, Vol.1, No. 2 (May 1993), p. 14-15. Focus on Greenpoint project.
Francis Frascina, "The Politics of Representation," in Paul Wood, Francis Frascina, Jonathan Harris, and Charles Harrison, Modernism in Dispute: Art Since the Forties, Ch. 2. New Haven & London: Yale University Press, 1993, pp 10-161 et passim
Sara Arrhenius, "Vi lever i en värld där ingen tror att någon talar sanning" ["No one believes that anyone tells the truth"] Interview and discussion.Aftonbladet (Stockholm), Sep. 4, 1993, pp. 4-5
Virginia Maksymowicz and Blaise Tobia, "Rethinking 'Religious' Art," The Catholic World, November/December 1993
Charles Hagen, "Martha Rosler, " New York Times, November 12, 1993. Review of exhibition "In the Place of the Public" at Jay Gorney Modern Art
Laura Cottingham, "Martha Rosler: Crossing Borders," Frieze (November/December 1993), pp. 52-55
David Brown and Robert Merrill, eds.,Violent Persuasions: The Politics and Imagery of Terrorism. \See section "Film and Video in Beyond Glory: Re-Presenting Terrorism," p. 294
Marjorie Welish, Interview, Bomb magazine 1993
Laura Cottingham, "The Damned Beautiful," New Art Examiner, April 1994, p. 28
Moira Roth and Yolanda López, eds., "Social Protest: Racism and Sexism." In The Power of Feminist Art , Norma Broude and Mary Garrard, eds. (New York: Abrams, 1994)
Frontispiece; Suzanne Lacy, "Debated Territory: Toward a Critical Language for Public Art"; and Susan L. Steinman, "Directional Signs: A Compendium of Artists' Works," Suzanne Lacy, ed., Mapping the Terrain: New Genre Public Art. Seattle: Bay Press, 1994
"Airports and Alienation," Flash Art (International), Nov.-Dec. 1994. Description of installation at CAC
Abigail Solomon-Godeau, "Inside/Out," pp. 49-61; Robert R. Riley, "Leave Proof: Media and Public Information," pp. 62-65; and John S. Weber, "Martha Rosler," pp. 116-121, in Public Information: Desire, Disaster, Document. San Francisco: Museum of Modern Art, 1994. Exhibition catalogue.
Ernest Larsen, "Laughing Matters out of Place: Obscenity, Dirt and Video." Exposure, Vol. 29, Nos. 2-3, 1994, pp. 57-73.
Val Williams, "The Myth and the Media: Photography and the Vietnam War, 1968-1992," in Warworks: Women, Photography and the Iconography of War (London: Virago, 1994), pp.52-57
Joan Seeman Robinson, "Martha Rosler at the Contempoary Arts Center," Artforum, Jan. 1995. Review of In the Place of the Public
Lucy Lippard, The Pink Glass Swan. New Press, 1995. Passim.
John Pultz, The Body and the Lens. Photography 1839 to the Present. London: Calmann and King; New York: Harry N. Abrams, 1995. Pp. 113, 133-34.
Elizabeth Block, "Public Information: Desire, Disaster, Document" Exhibition review. Camerawork, Vol. 22, No. 1 (Spring/Summer 1995) p. 36. Issue entitled "Picturing the City: Meditations on Public Space."
Deborah J. Haynes, Bakhtin and the Visual Arts. Cambridge: Cambridge University Press, 1995, pp. 162-163
Laura Cottingham, "The Inadequacy of Seeing and Believing: The Art of Martha Rosler," Inside the Visible (catalogue essay). Institute of Contemporary Art, 1996. Pp. 157-163.
Nancy Stapen, "ICA Exhibit Raises Profile of Women Artists." The Boston Globe, Feb. 6, 1996. Review of "Inside the Visible."
Shawn Hill, "Moved Aside by Men," Bay Windows (Boston), Feb. 29, 1996. Review of "Inside the Visible."
Christopher Mills, "Point of View," The Boston Phoenix, March 8, 1996. Review of "Inside the Visible."
"Das Weben von Wasser und Worte," Frankfurter Aleegemeine Zeitung, May 31, 1996. Review of "Inside the Visible."
Johanna Drucker, "Diversity in American Art from 1975 to the Present." Catalogue essay for Art at the End of the 20th Century. National Gallery and Alexander Soutsos Gallery, Athens, 1996. Discusses "The Bowery..."
Dara Meyers-Kingsley, Introduction to catalogue for Luminous Bodies. Rotunda Gallery: New York, 1996
Thomas Crow, Modern Art in the Common Culture. London: Yale University Press, 1996 (Includes Rosler photos)
Katie Mills, "The Work of Art in the Age of Identity, " Catalogue essay for Love's Labor's Lost, City Gallery at Chastain, Atlanta, 1996
Debra Wilbur, Introduction to catalogue for Love's Labor's Lost, City Gallery at Chastain, Atlanta, 1996
Eleanor Heartney, "Alternative America," Art in America June 1996, pp. 34-38. Review of "Counterculture" (Exit Art) and "Cultural Economies" (Drawing Center) (Includes Rosler photo)
Sotiris Kyriacou, "Nowhere/Louisiana Museum of Modern Art," Art Issues, 1996
Marianne Clayton, "Forum Picks: Warworks," Education Forum, Fall 1996 Review of "Warworks" (Includes Rosler photo)
Andrea Smith, Women Photographers Reinterpret the Experience of War," The Ottawa Express, Oct. 3, 1996, p. 11. Review of "Warworks:Women, Photography, and the Art of War" at Ottawa (Includes Rosler photo)
Nancy Baele, "Women's Cameras Register Impacts of War," The Ottawa Citizen, Nov. 9, 1996 "Warworks: the Art of War."
Patrick Nicastro, "Interroger Photos de Guerre," Zone Artistique, Nov. 1996 "Warworks" (Includes Rosler photo)
Swapna Tamhane, "Stark Photography, Political Commentary," The Charlatan, [1997 ]
Ruth Dusseault,"Love's Labor Lost," Art Papers, March/April 1997. Review of "Love's Labor Lost," Atlanta
Holland Cotter, "Martha Rosler at Jay Gorney,"New York Times, March 1997
Martha Schwendiner, "Martha Rosler at Jay Gorney,"Time Out, March 1997 (Includes Rosler photo)
Clare Rendell, "Inside the Visible," Contemporary Art, Issue 13, 1996
Alexander Alberro, "Martha Rosler," Artforum, April 1997 (Includes Rosler photo)
Adrian Rifkin, "Face à l'Histoire." Artforum, April 1997 (Includes Rosler photo)
Grady T. Turner, "Martha Rosler at Jay Gorney," Art in America, May 1997 (Includes Rosler photo)
Gregory Volk, "Martha Rosler," ArtNews, May 1997 (Includes Rosler photo)
Alan Moore, "Local/Global: A New Symposium on Times Square." The Advocate (CUNY Graduate Center)
April/May 1997. Discussion of Columbia University architecture symposium
Jayne Merkel, "On Times Square" Oculus (American Institute of Architects, NY) Vol. 59, No. Discussion of Columbia University architecture symposium. (Includes Rosler photos)