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By the mid 1960's, cutting edge
rock music responded by appearing on the newly created FM radio band, which was considered an "underground" means of airing
music that favored longer songs, more controversial material and less restrictive programming styles. These DJ's
began a revolution by eliminating the loudmouth hype between "Top 40" songs and adopting a cool, understated attitude, while
playing music that previously never made it to the airwaves.
The mid 1960's witnessed the Vietnam
war, political protests and racial riots that brought about social unrest, tumultuous times and extremely passive radio
broadcasting. The counterculture revolution, the "children of the 60's" who later became the working class and yuppies
of the 1970's, ultimately "killed" the movement (when the fringe culture became big business).
Regardless, this was an era of unknown
bands and rare recordings of "far out" garage and psychedelic music. The years of 1965 through 1973 were the most experimental
days of Rock and Roll, still reflected in todays music.
"...as anyone who has ever listened to true underground radio knows, it has never
been simply about format. Underground radio is, and has always been, about an outlaw mentality. Listening to true underground
radio should give you a sense of something forbidden. That you have somehow accidentally stumbled across something a little
off the beaten path that you weren't supposed to find at all. Something that could be dangerous. Something that, at the very
least, is probably really pissing off somebody, somewhere, in a position of authority."

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Cal Brady (WYSL, WPHD, WBUF)
was one of a few DJ's
to influence the early Buffalo "FM" underground scene.
| Cal at WBUF-FM (mid 1970's) |

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WYSL-FM (Buffalo, NY) went on the air January 9, 1969. During the
first year, the station aired from 7:00 pm until 5:00 am, at which time, WYSL-AM would simulcast their "Top 40" plan.
In the early 1970's, WPHD-FM mutated from what WYSL-FM was all about, becoming too refined and predictable. The success of WPHD-FM
spawned Buffalo's WGRQ-FM, which ended quality radio in the area. The station started to research and focus on specific
groups with tight playlists and were generally afraid to play music that might cause a "tune out" factor.
This belief pretty much destroyed the progressive rock radio mode around the country. See timeline below.
- 1969-1970 WYSL-FM on
the air (10 hours daily from 7:00pm - 5:00am)
- 1970
Call letters changed to WPHD-FM (24 hour broadcast)
- 1970-1974 WPHD-FM
establishes strong reputation
- 1974
WPHD-FM sold (format changes)
- 1975
WGRQ-FM goes on the air with WPHD DJ's
- 1975
WBUF-FM airs with progressive rock format
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| The Buffalo Evening News (mid 1970's) |

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| The end of progressive rock radio in Buffalo |
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The 1960's was a decade full of cultural and
political revolution. A decade that witnessed the Civil Rights movement, political riots, groundbreaking music, landing on
the moon and the Vietnam War. The decade was filled with dramatic emotions and changes. A period based on serenity,
love, brutality, protests, war, racism, liberation and revolutionary ideas. By 1969, the decade culminated with "Woodstock"
as a symbol of peace, love and music.

"We are here to make a better world.
No amount of rationalization or blaming
can preempt the moment of choice each of us brings to our situation here on this planet. The lesson of the 60's is that people
who cared enough to do right could change history.
We didn't end racism but we ended legal
segregation.
We ended the idea that you could send half-a-million
soldiers around the world to fight a war that people do not support.
We ended the idea that women are second-class
citizens.
We made the environment an issue that couldn't
be avoided.
The big battles that we won cannot be reversed.
We were young, self-righteous, reckless, hypocritical, brave, silly, headstrong and scared half to death . . .
. . . and we were right."
Abbie Hoffman

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| Long Live Vinyl |
Buffalo Springfield was one of the most influential American
bands of the late 1960's. With Neil Young, Stephen Stills and Richie Furay, the group had three talented singers, songwriters
and guitarists. Their folk and country backgrounds helped to integrate the challenges of the 1960's (war, civil
rights, politics) into a powerful and cohesive rock sound for the ages.

Buffalo Springfield
"For What It's Worth" Stephen Stills, 1966
There's something happening here What
it is ain't exactly clear There's a man with a gun over there Telling me I got to beware
I think it's time
we stop, children, what's that sound Everybody look what's going down
There's battle lines being drawn Nobody's
right if everybody's wrong Young people speaking their minds Getting so much resistance from behind
I think
it's time we stop, hey, what's that sound Everybody look what's going down
What a field-day for the heat A
thousand people in the street Singing songs and carrying signs Mostly say, hooray for our side
It's time we
stop, hey, what's that sound Everybody look what's going down
Paranoia strikes deep Into your life it will
creep It starts when you're always afraid You step out of line, the man come and take you away
We better stop,
hey, what's that sound Everybody look what's going down Stop, hey, what's that sound Everybody look what's going
down Stop, now, what's that sound Everybody look what's going down Stop, children, what's that sound Everybody
look what's going down...
"Music
washes away from the soul the dust of everyday life."
Berthold
Auerbach
Hope you enjoyed our website.
Proud to be, own and buy . . . AMERICAN!

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