Friedheim's recordings - all of them acoustic - have been reissued on Pearl GEMM CD 9993. Curiously, Friedheim's ten disks include the two pieces that Liszt forbade his students from performing at his master classes: The Chopin D-flat Scherzo, which Liszt called the "English Governess" Scherzo (because, he said, every English governess played it), and Liszt's own 2nd Hungarian Rhapsody.
| Composer | Piece | Orig. Issue / Matrix | Date |
| Beethoven | Sonata #14 ("Moonlight"), Op. 27 #2: 1st mvt. | Columbia 410 / 36527 | 1912/12/31 |
| Beethoven | Sonata #14 ("Moonlight"), Op. 27 #2: 3rd mvt. | Columbia 410 / 36528 | 1912/12/31 |
| Chopin | Scherzo #2 , Op. 31 | Columbia A 5458 / 36530-1, 33-1 | 1912/12/31 |
| Chopin | Sonata #2 , Op. 35, 3: Marche funebre | Columbia A 5416 / 30968-1 | 1912/04/29 |
| Chopin | Sonata #2 , Op. 35, 3: Marche funebre | Columbia A 5416 / 30968-2 (both matrices issued) | 1912 (c) |
| Liszt | Etudes d'execution transcendante, S. 139, 5: Feux follets | Columbia 517 / 30931 | 1912/01/07 |
| Liszt | Grandes etudes apres Paganini, S. 141, 3: La campanella | Columbia 517 / 36675 | 1913/02/24 |
| Liszt | Hungarian Rhapsody #2 ("Bugs Bunny"), S. 244/02 (abridged) | Emerson 7235 / 2616-1, 2617-1 | 1917 (c) |
| Liszt | Hungarian Rhapsody #6, S. 244/06 | Columbia A 5491 / 30937-2, 36674-1 | 1912/01/12, 1913/02/24 |
| Weber | Sonata #1 , Op. 24, 4: Perpetuum mobile | Columbia 351 & A 5416 / 30928-2 | 1911/12/29 |