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Welcome to the personal page of Bill Loges. Soon you will be learning more about the fun and exciting life I lead as Jessie's father, a member of Mary's Garage Band, a victim of the Comb Bandit, and other adventures. For a brief bio, click here.
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Student Information The Guardian
Mary's Garage Band Ian Masters’ Background Briefing
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Michelangelo by Howard Hibbard. This biography offers an excellent
combination of art history and criticism, but is very awkward whenever the
artist’s sexuality is the subject. If Hibbard would just accept that
Michelangelo is gay, the rest of the story could be told much more gracefully.
Hibbard offers wonderful reviews of Michelangelo’s work in the Sistine Chapel,
not only on the familiar ceiling but especially on the altar (The Last
Judgment). Hibbard also calls attention to the architecture that
Michelangelo provided, especially the innovations in the Biblioteca
Laurenziana. His description of the reading room and
the stairs are excellent. The photographs that accompany Hibbard’s text in the
Folio Society’s edition I read are also excellent. Uh, someday I hope to see
the things Hibbard describes and Michelangelo created.
Democracy in America by Alexis de Tocqueville. Reading this classic I’m struck every other
page by observations of Tocqueville’s that were
taught to me as matters of fact in high school. This book has had a remarkable
impact on American ideology, but it’s easy to see why. If a very perceptive,
sympathetic and wise person spent a year observing you, then wrote a long book
about you (covering in intimate detail your body, your origins, and your
psychology) and concluded that you were the epitome of your species, you’d
probably fall in love with the book too. Recently Bernard-Henri Lévy toured the
Information Technologies and Social Orders by Carl Couch (1996). This posthumous book, edited by David R. Maines and Shing-Ling Chen, assembles Couch’s views about the connection between the most basic of information technologies and the political, cultural, and military orders they complement. Couch is very thorough, so any attempt to keep track of the tides and the stars gets his attention as an information technology. In this regard he is like James R. Beniger, who performed similar work regarding a shorter time span in The Control Revolution. The virtue of this book is that it reminds readers of the interrelations between political power, technology, and human desire. Too often media theory ignores one or more of these dimensions. I think that Couch (in this book) is weakest in his discussion of human desire, but any author makes sacrifices. This book is very well-written and provocative on every subject it touches. The editors could have been more diligent about catching typographical errors, which become more numerous in the later chapters.
Toys in the Attic by Aerosmith (1975)
Homecoming by
Abbey Road by The Beatles (1969)
Trout Mask
Replica by Captain Beefheart and his Magic Band (1969)
Armed Forces by Elvis Costello and the Attractions (1979)
Crosby, Stills & Nash (1969)
Highway 61 Revisited by Bob Dylan (1965)
What is Beat? by
The English Beat (1983)
Frampton Comes
Alive by Peter Frampton (1976)
The Lamb
Lies Down on Broadway by Genesis (1974)
All Things Must
Pass by George Harrison (1970)
Bless
Its Pointed Little Head by
Court and Spark by Joni Mitchell (1974)
Groovin’ at Small’s Paradise by
Jimmy Smith (1957/1999)
Born to Run by
Bruce Springsteen (1975)
Stephen Stills by Stephen Stills (1970)
Daring Adventures by Richard Thompson (1986)
Close to the Edge by Yes (1972)
Harvest Moon by Neil Young (1992)
My daughter Jessica
will begin her MA degree at the
Gosh, what fun we've had today! I wish we could
meet this way more often. Feel free to send vicious criticism of me and
everything I stand for, or just cheerful greetings, to my e-mail address below.
If you have comments or suggestions, email me at logesw@earthlink.net.