Part 1: Works by the Compiler (Links to Relevant
Online
Documents Highlighted)
Dissertation:
"Centonization and Concordance in the American Southern
Uplands Folksong Melody: a Study of the Musical
Generative and Transmittive Processes of an Oral Tradition" (Ann Arbor:
University Microfilms,
International, 1985; microfiche / -film of Ph.D.-Musicology dissertation,
University of North
Texas, 1984). ABSTRACT
AVAILABLE.
Articles:
"A Brief Inquiry into the Workings of Oral Tradition in
the American Southern Uplands Folksong Melody,"
in A Gift of Essays for Cecil Adkins on His Fiftieth Birthday, ed.
Susan Treacy (Denton: Editio
Amadeus, 1982).
"Computer-Assisted Comparative Analysis with the MelAnaly
Software Package - Versions 6.0 and 6.1,"
update of online journal article of 1994 (see following entry). FULL-TEXT
DOCUMENT at
compiler's website.
"Computer-Assisted Comparative Analysis with the MelAnaly
Software Package - Version 6.1," Music
Research Digest 9, Issue 28, September 5, 1994 (online journal).
"An Illustrated Presentation of MelAnaly," Musical Praxis 1 (Spring, 1997).
"MelAnaly," in Computing in Musicology 8 (1992), 68-69.
"MelAnaly: Software for Folktune Examination,"
American
Folklore Society Newsletter 23/2 (April,
1994), 4.
"The MelAnaly Software Package," Ethnomusicology
Research Digest 157 (Volume 5, No. 18), May 13,
1994 (online journal).
"Peregrinations of a Cabbage Head: A Preliminary Investigation
of Select Variants of 'Our Goodman' (Child
Number 274) from Lower Appalachia to Middle America, ca. 1910-1988," in
Dika
Caecilia: Essays in
Honor of Dika Newlin, November 22, 1988, ed. Theodore Albrecht (Kansas
City: Park College
Music Department, 1988), 44-64.
"Principles and Methods of Element Encoding and Array
Formation in the Melanaly System of Comparative
Folktune Analysis," Computers in Music Research 4 (Fall, 1992),
77-104.
"Scale in Southern Appalachian Folksong: a Reexamination,"
College
Music Symposium 26 (1986), 77-91.
ABSTRACT
AVAILABLE.
Presentations:
"Centonization and Concordance in the American Southern
Uplands Folksong Melody: an Introduction," read
at the April, 1982 meeting of the Southwest Regional Chapter of the American
Musicological
Society, Southern Methodist University.
"A Genre-Specific, Microcomputer-Assisted Method of Comparative
Melodic Analysis for the Assessment of
Relationships Between British-American Folksongs," read at the National
Conference of the
Sonneck Society, Centre College of Kentucky (Danville);
April, 1988.
"Hybrid Strains in the Cabbage Patch: A Further Investigation
of Select Variants of 'Our Goodman' (Child
Number 274) from Lower Appalachia to Middle America," read at the National
Convention of the
College Music Society, St. Louis; October, 1989.
"The MelAnaly 6.0 Code: Structure and Function,"
read at the October, 1993 meeting of the Southwest
Regional Chapter of the American Musicological Society, University of North
Texas.
"The Ongoing Development of the MelAnaly Software
Package for the Comparative Analysis of British and
British-American Folktunes," read at the Second International Conference
on Computers in Music
Research, The Queen's University of Belfast; April, 1991.
"Oral and Written Processes and the Transmision of Ballad
Tunes," lecture delivered at the Bascom Lamar
Lunsford Festival, Mars Hill College (Mars Hill, NC); October, 1986.
"A Paradigm of Folktune Preservation and Change within
the Oral Tradition of a Southern Appalachian
Community, 1916-1986," read at the National Convention of the American
Musicological Society,
New Orleans; October, 1987.
"Textfile Functions and Array-Manipulation in the Application
of the Microcomputer to Folktune Analysis and
Comparison," read at the April, 1986 meeting of the Southwest Regional
Chapter of the American
Musicological Society, University of North Texas.
Part 2: Works by Other Writers
Abrahams, Roger D., and George Foss. Anglo-American
Folksong Style. Englewood Cliffs, NJ: Prentice-Hall,
1968.
Bartok, Bela. Hungarian Folk Music, translated by M.D. Calvacoresi. London: Faber and Faber, 1932.
Bronson, Bertrand Harris. The Ballad as Song. Berkeley: University of California Press, 1969.
Crowder, Robert. Principles of Learning and Memory. Hillsdale, NJ: Lawrence Erlbaum Associates, 1971.
Hill, Winfred. Learning: a Survey of Psychological
Theories and Interpretations, 3rd. edition. New York:
Crowell, 1977.
Hull, Clark. Principles of Behavior. New York: Appleton-Century-Crofts, 1943.
Hustvedt, Sigurd. A Melodic Index of Child's Ballad Tunes. Berkeley: University of Claifornia Press, 1936.
Jackson, George Pullen. Spiritual Folksongs of Early America. New York: J.J. Augustin, 1937.
Seeger, Charles. Studies in Musicology, 1935-1975. Berkeley: University of California Press, 1976.
Sharp, Cecil James. English Folk Songs / Some
Conclusions, 3rd. edition, ed. Maud Karpeles. London:
Methuen, 1954.
Skinner, B.F. The Behavior of Organisms. New York: Appleton-Century-Crofts, 1938.
Spence, Kenneth. Behavior Theory and Conditioning. New Haven: Yale University Press, 1956.
Thomas, Jean. Ballad Makin' in the Mountains of Kentucky. New York: Henry Holt, 1937.
Travers, R.M.W. Essentials of Learning, 4th. edition. New York: Macmillan, 1977.
Watson, John B. Behaviorism. New York: People's Institute, 1924.
Wilgus, D.K. Anglo-American Folksong Scholarship Since
1898. New Brunswick: Rutgers University Press,
1959.
Articles:
Anonymous. "Of the Welsh Music," Cambrian Register (1795), 385-391.
Apel. Willi. "Cento," Harvard Dictionary of Music,
2nd. edition, ed. W. Apel. Cambridge, MA: Harvard
University Press, 1970.
Bayard, Samuel. "Ballad Tunes and the Hustvedt Indexing
Method," Journal of American Folklore 55
(1942), 248-254.
__________. "Prologomena to a Study of the Principal Melodic
Families of British-American Folksong,"
Journal of American Folklore 63 (1950), 1-44.
Bower, Gordon H. "A Selective Review of Organizational
Factors in Memory," in Organization of Memory,
ed. Endel Tulving and Wayne Donaldson. New York: Academic Press, 1972-1973,
pp. 93-137.
Bronson, Bertrand Harris. Are the Modes Outmoded?" Yearbook
of the International Folk Music Council
(1972), 23-31.
Cazden, Norman. "A Simplified Mode Classification for
Traditional Anglo-American Song Tunes," Yearbook of
the International Folk Music Council (1971), 45-77.
Ellis, Osian. "Ap Huw, Robert," The New Grove Dictionary
of Music and Musicians, 20 volumes, ed. Stanley
Sadie. London: Macmillan, 1980, 1: 501-502.
Gilchrist, Annie G. "Notes on the Modal System of Gaelic
Tunes," English Folk Dance and Song Society
Journal 4 (December, 1911), 150-153.
Herzog, George. Musical Typology in Folksong," Southern Folklore Quarterly 1/1 (March, 1937), 49-55.
Poladian, Sirvart. "Melodic Contour in Traditional Music,"
Journal
of the International Folk Music Council
3 (1951), 30-34.
__________. "The Problem of Melodic Variation in Folksong,"
Journal
of American Folklore 55 (1942),
204-211.
Reinhard, Kurt. "On the Problem of Pre-Pentatonic Scales,
Particularly the Third-Second Nucleus," Journal
of the International Folk Music Council 10 (1958), 15-17.
Treitler, Leo. "Homer and Gregory: the Transmission of
Epic Poetry and Plainchant," Musical Quarterly
60/3 (July, 1974), 333-372.
__________. "Oral, Written, and Literate Processes in
the Transmission of Medieval Music," Speculum
56/3 (July, 1981), 471-491.
Wincklegren, Wayne. "More on the Long and Short of Memory,"
in Short-Term Memory, ed. Diana
Deutsch and J. Anthony Deutsch. New York: Academic Press, 1975, pp. 65-72.
~ ~ ~ ADDITIONAL
LINKS ~ ~ ~
.
E-MAIL
COMPILER: llywarch@earthlink.net