Mark Sellin. He was there at the Faire when I first went there and "worked". We spent any years there accosting visitors as a team (Nate and Newt Lymhaker,twins) with various lame schemes on the street.. We wrote and directed several shows out there. He was the tall one who could always make Elizabethan entertaining. In the 2 guys act he was the tall one who actually could sing and play a musical instrument. In the Ulysses project he is the voice of Ulysses and composed the music, including the very hummable theme song. Without him, none of the above would have happened.
Not that he is responsible or legally liable in any meaningful sort of way, I mean.
Currently Mark is working on his own website, has a wife and three pretty darn adorable kids and he is still the tall one.
Chris Gauntt. Mr. Gauntt, who has received training on more land masses than most people could even name, {which is more a reflection on the state of geographical education in this country rather than Mr. Gauntt NEEDING so much training} has long delighted audiences with his boundless energy and spontaneous humor. He also impresses his co-performers with his excellent listening, evaluating and critical skills which make any project he is involved with a genuine please to work on.
He really didn't write this, by the way.
When not playing the role of Monotestes, the long-suffering crew member of Ulysses, or Demicrannial, the supervisor of the Gate of Troy, Chris can be found writing, directing in the LA area.
He also grapples simultaneously with the transient, electronic nature of knowledge and the persistent, human nature of bureaucracy.
Greg Moore. One of the legendary names to come out of the Renaissance Faire. Greg has been and always be King Arthur. He is also a pretty mean Zues, Roadside Mechanic, and Trojan guard in "The Big Horsey Ride".
For fun Greg likes to work on small British sports cars that he and a friend can lift and feed the raccoons that seem to enjoy his company in the Mount Washington area of Los Angeles.
This compensates him somewhat for interfacing between advertising "executives"and Hollywood "types" with perpetual crises.
Kirsten Ragsdale. Kirsten's stylization of Ovaria, a hitherto undocumented member of Ulysses' crew, has been compared by some to an early Mary Tyler Moore. She is also one sister among six siblings so she truly knows what it is like to "share" on a family vacation, an experience one can easily detect in her performance in "The Big Horsey Ride".
When not performing out at various Renaissance Faires Kirsten is gainfully employed packaging culture to those presumably eager to suck it up.
She also has the saviour faire to be propelled airborne on Sunset Boulevard by a BMW in the afternoon and still make her dinner appointment that same evening
Alexis Schneider. A weaver of words and fabric, Alexis has long been a singer of note at the Renaissance Faire with the legendary madrigal group "Good Company".
In the role of two gods, Athena and Hera, in "The Big Horsey Ride", Alexis's calm voice of authority would not make one think she also performs with the group "Stink Eye" but she does.
When not so occupied Alexis can be found creating and producing a VERY fashionable line of women's apparel or hawking same at various crafts faires throughout the Pacific Time Zone.
