Kyle Gann: List of Compositions

Petty Larceny (Mechanical Piano Study No. 9) (2003)
for Disklavier; 6 minutes

Imaginary Island (2003)
for nine computerized toy pianos; 2 minutes

Love Scene (2003)
for string quartet in just intonation (based on Act III of The Watermelon Cargo); 6 minutes

The Watermelon Cargo (chamber opera; work in progress, 2002-3)
Libretto by Jeffrey Sichel; four singers (SATB), chorus, flute, three synthesizers, fretless bass, drums

Cinderella's Bad Magic (chamber opera; 2002)
Libretto by Jeffrey Sichel; five singers (SSABarB), flute, three synthesizers, fretless bass; 43 minutes
Read the program notes.
See the tuning chart.
Read the libretto by Jeffrey Sichel.

Transcendental Sonnets (2001-2)
The Son
Enoch
Love
Faith
The Word
Chorus, two soloists, and orchestra (2, 2, 2, 2; 2, 2, 1 [no tuba]; perc [timp, glock]; strings; soprano and tenor soloists; SATB; also version for chorus and piano) - commissioned by the Indianapolis Symphonic Choir; poems by Jones Very (1813-1880); 32 minutes
Read program notes.

Tango da Chiesa (Mechanical Piano Study No. 8) (2002)
for Disklavier; 6 minutes

Das Knaben Wunderklavier (2000-2001)
for live pianist and Disklavier, or Disklavier alone; 7 minutes
Read program notes.

Cosmic Boogie-Woogie (Mechanical Piano Study No. 7) (2000-2001)
for Disklavier; 8 minutes

New World Coming (2001)
for solo bassoon with flute (or oboe), violin (or viola), and piano; 6 1/2 minutes
Read program notes.

The Planets (Astrological Studies) (1994/2001)
Book I: Sun, Moon, Venus, Mars (1994)
Book II: Jupiter, Mercury (2001)
Book III: Neptune (2001)
for flute, oboe, alto saxophone, bassoon, synthesizer, percussion (tom-toms, cymbals, vibraphone), viola, and double bass (movements performable separately); 46 minutes; commissioned by the Relache Ensemble
Read program notes.
Book I available from Frog Peak Music

Bud Ran Back Out (Mechanical Piano Study No. 6) (2001)
for Disklavier; 3 minutes

Hovenweep (2000)
for flute, clarinet, violin, cello, and piano; 11 minutes; commissioned by the St. Luke's Chamber Ensemble

Texarkana (Mechanical Piano Study No. 5) (2000)
for Disklavier; 4 minutes
Read program notes.

Private Dances (2000)
1. Sexy
2. Sad
for piano; 7 minutes

Time Does Not Exist (2000)
for piano; 16 minutes

Folk Dance for Henry Cowell (Mechanical Piano Study No. 4) (1999)
for Disklavier; 2 minutes

Nude Rolling Down an Escalator (Mechanical Piano Study No. 3) (1997/99)
for Disklavier; 5 minutes
See a page from Nude Rolling Down an Escalator

"Last Chance" Sonata (1999)
1. Flowers
2. Snake Dance
3. Apparition
4. Dance of Indeterminate Ethnicity
for clarinet and piano; 19 minutes
Score available from Frog Peak Music
****Listen to MP3s of movements one and four, beautifully played by Meighan Stoops and Bari Mort

Custer and Sitting Bull (1997-99)
Custer: "If I Were an Indian..."
Sitting Bull: "Do You Know Who I Am?"
Sun Dance / Battle of the Greasy-Grass River
Custer's Ghost to Sitting Bull
for speaking voice and computer tape; 35 minutes
Read program notes.
***Hear a 1:35 audio sample of Custer: "If I Were an Indian...".
See the tuning chart for Custer: "If I Were an Indian..."
***Hear a 1:38 audio sample of Sitting Bull: "Do You Know Who I Am?".
See the tuning chart for Sitting Bull: "Do You Know Who I Am?"
See the tuning chart for the Sun Dance.
***Hear a 1:50 audio sample of Custer's Ghost to Sitting Bull.
See the tuning chart for Custer's Ghost.
Score available from Frog Peak Music

The Disappearance of All Holy Things from this Once So Promising World (1998)
for orchestra (winds 2221, 2 hns, 1 trp, 1 perc, strings); 11 minutes

Arcana XVI: Homage to Joan Tower (Tuning Study No. 5) (1998)
for three synthesizers (24-tone scale); 7 minutes
See the program notes and tuning chart for Arcana XVI

The Waiting (Mechanical Piano Study No. 2) (1997)
for mechanical piano (Disklavier); 7 minutes

Despotic Waltz (Mechanical Piano Study No. 1) (1997)
for mechanical piano (Disklavier); 2 minutes

How Miraculous Things Happen (Tuning Study No. 4) (1997)
for synthesizer (24-tone scale) and tape; 11 minutes
***Hear a 1:51 audio sample of How Miraculous Things Happen.
See program notes and tuning.

Fractured Paradise (Tuning Study No. 3) (1995)
for synthesizer (16-tone scale) and tape; 4 minutes
See program notes and tuning.

Snake Dance No. 2 (1995)
for percussion quartet with optional sampling keyboard; 12 minutes
Available from Frog Peak Music

Desert Sonata (1994-95)
for piano; two movements; 19 minutes
Read program notes.
See a page from the first movement, "Wind"
See a page from the second movement, "Night"
Available from Frog Peak Music

Homage to Cowell (Tuning Study No. 2) (1994)
for keyboard sampler (just-intonation scale); 5 minutes

So Many Little Dyings (1994)
for keyboard sampler; text (and sampled voice) by Kenneth Patchen; 6 minutes
Read program notes.

Ghost Town (1994)
for synthesizer (seven-limit just-intonation scale) and computer tape; 10 minutes
Read program notes.
See the tuning chart.

"Mr. Eliot's Sunday Morning Service" (1985/93)
female voice and piano; text by T. S. Eliot

Superparticular Woman (Tuning Study No. 1) (1992)
synthesizer (22-tone scale) and computer tape; 4 minutes
See program notes and tuning.

Incidental Music for Alice in Wonderland (1991-92)
flute, clarinet, electronics (keyboard sampler and synthesizer)

Snake Dance No. 1 (1991)
percussion quartet with optional keyboard sampler; 12 minutes

"I Slept and Dreamed that Life was Beauty" (1991)
female voice and piano; text by Ellen Sturgis Hooper

Chicago Spiral (1990-91)
for flute, clarinet, soprano saxophone (or three flutes), drums, violin, viola, cello, and synthesizer; 9 minutes
Read program notes.
Available from Frog Peak Music

Paris Intermezzo (1989)
for toy piano; 6 1/2 minutes

The Convent at Tepoztlan (Homage to Nancarrow: Canon 23:24) (1989)
for piano and computer tape, or two pianos; 7 minutes

Sweeney Out West (Five Vacation Mishaps for Piano) (1987-89)
for piano
Straddled in the Sun
Truckstop Angel
The Ocotillo's Message
Questionable Company (The Transformation Tango)
Satori Canyon

Laredo (1988)
for snare drum; five minutes

Cyclic Aphorisms (1988)
for violin and piano; three movements; 8 minutes
Available from Frog Peak Music

Windows to Infinity (1987)
for piano; 11 minutes

I'itoi Variations (1985)
for two pianos; 26 minutes
Available from Frog Peak Music

Hesapa ki Lakhota ki Thawapi ("The Black Hills Belong to the Sioux") (1984/9)
for flute, trumpet (or saxophone), synthesizer (or accordion), and drum; 9 minutes

"Faith" (1984)
for female voice and piano; text by Ella Wheeler Wilcox

"In the Busy Streets" (1983)
for female voice and piano; text by Henry David Thoreau

Cherokee Songs (1983)
for soprano and percussion; 12 minutes

Baptism (1983)
for two flutes, two drums, glockenspiel, and synthesizer; 12 minutes
Available from Frog Peak Music

Mountain Spirit (1982-83)
for two flutes, two drums, and synthesizer; 12 minutes

The Question Answer'd (1983)
for piano; 4 minutes

Dakota Moon (1982)
for clarinet

As the Day Is Long (1982)
for flute, synthesizer, drums, and computer tape; 13 minutes

The Mercy of the Storm (1981)
for piano; 11 minutes

Canso (1981)
computer tape; 3 minutes

Long Night (1980-81)
for three pianos; ca. 22 minutes
Available from Frog Peak Music

Oil Man (1981)
for 2 flutes, clarinet, piano, drums; text by Kyle Gann from letters by Marvin Gann

Song of Acceptance (1980)
for three female voices, flute, French horn, trombone, tuba, celeste, two violins, and cello; length indeterminate; texts from Lao-Tzu, Walt Whitman, and Ecclesiastes

"The Hippopotamus" (1979)
for baritone and piano; text by T.S. Eliot

Desert Flowers (1979)
for flute

Lord Thomas and Fair Annie (1978)
for alto flute, clarinet, viola, harpsichord, celesta

Siren (1978)
for five flutes
Available from Frog Peak Music

Untitled, 1977 (1977)
for two flutes, marimba, violin, contrabass

Satie's Dream (1975)
for female voice, violin, flute, harp, celesta; texts by Erik Satie
See program notes.

Redeemable Juvenilia:

Commentary on Hope and Meaninglessness (1973)
for piano; 2 minutes

Adagio (1972)
for orchestra

Fantasy on Two Protestant Hymns (1972)
for handbells; 3 minutes
also in 1973 arrangement for symphonic band

Arrangements/Transcriptions:

Symphony No. 3, "The Camp Meeting," by Charles Ives (2000-1)
for piano

Wedding Day at Troldhaugen, by Edvard Grieg (1983)
for clarinet and string quartet



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