Contents:
Contra dancing--coming to Jackson
Contra dance offers 'escape'
Dancers meet in old-fashioned
way
A Net find: Computer Music Program
Calling Card Collecting
| The Jackson (Mich.) Citizen Patriot | SUNDAY, SEPTEMBER 25, 2005 |
| Contra dancing--coming to Jackson | JOHN PIPER, ENTERTAINMENT EDITOR |
| OK, Jackson, get ready to reel. Contra is coming to town. No, not a
pack of Reagan-era officials here for a retrospective on the Iran-contra scandal. Contra is a form of traditional dance that looks a little like square dancing
and a little like line dancing and promises to give you a workout you've never had before on the dance floor. If you've ever done the Virginia Reel, you've
had a taste of it.
A series of three contra dances will take place over the next three months at St. Joseph Church hall. Tony Gerring of Parma, a member of St Joe's, is organizing the series as a family event. Gerring has done contra dancing in the past, and has participated with his family in recent folk dances at the Rando Activity Center, 3055 Shirley Drive, which have included some contra dancing. "That's one of the big appeals to me," he said. "It's something families can do together." The open nature of contra dances--drawing families, couples, singles, and different age groups--is one of the pluses, dancers say, along with the casual dress, low pressure, and the mandate that dancers change partners with every dance. Gerring said in his search for contra dances on web sites, he found them being offered all over--including Ann Arbor, Lansing, and Kalamazoo--but not in Jackson. The dance falls into the realm of folk or traditional dancing, and in fact, the lively music that accompanies it reflects that, with the band usually armed with some combination of fiddle, banjo, guitar, bass, piano, and dulcimer. The musical repertoier includes jigs, reels, and traditional tunes, with often an Irish or New England flavor. Like square dancing, a caller leads the dancers through all the steps, which are similar to squares: everything from turns and swings to allemandes, promenades and do-si-dos. Couples work their was "down" and "up" the lne of dance, dancing with every other couple along the way. Michael Nation of Jackson has more than one reason to like contra dancing. He met his wife, Patricia, at a contra dance about eight years ago. They were married last year. "I like the music and the dancing, I like the people," Nation said at a recent dance in Lansing. "It doesn;t matter if they don;t have nice clothes, or if they don't know how to dance, or what age they are." He said while couples and families enjoy themselves at contra dances, they are ideal for singles because-- due to the constant changing of partners--they meet so many people. Karen Dunam of Grand Rapids, who'll be calling the Jackson dances--which will include contras along with squares and "circle mixers"--was also at the Lansing dance, but purely to dance. Dunnam said it helps for dancers to like folk music. "Your head-banging, pop-culture types won't enjoy it too much, at least at first," she said. A big positive, she said, is the runner's-type high that goes along with contra dancing. "The music is lively, the people are friendly...Every 30 seconds another member of the opposite sex is thrust into your arms and whirls you around. It's cheaper than a movie, more fun than a bar, there's zero rejection and posturing," she said. Two Michigan State University students at the Lansing dance, Amy Winder and Conrad Myler, are also fans. Winder, whose hometown is Haslett, had attended four or five dances before summer break, and was back again to start the new season. Myler, invited by Winder, had gone contra dancing only one time before, years ago in New York. "I like the social part of it," he said, and that you dance with all ages." |
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| The Observer & Eccentric (Livonia, Mich) |
THURSDAY, NOVEMBER 27, 1997
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| Contra dance offers 'escape' | CHRISTINA FUOCO, STAFF WRITER |
| Spending holiday weekends
with family can get pretty tiring. Karen Missavage knows this by the success
of the contra dances she's held over the years.
"It's a good time to have one," Missavage said. "There's a lot of people visiting, and by Saturday night they are tired of the family thing. They don't feel like sticking around their aunt and uncle's house anymore. "You'd be surprised at how well we do holiday weekends." Keeping with that trend, Missavage and the Silver Strings Dulcimer Society are hosting the "Turkey Hoedown" contra dance from 8-11 p.m. Saturday, Nov. 29, at the Masonic Hall, 730 Penniman, on the north side of Kellogg Park next to the Gathering in downtown Plymouth. Admission to the dance is $6 and includes live music by members of the society, lemonade, and name tags. The dance is smoke-and alcohol-free. Missavage describes contra dancing as similar to square dancing. "It's a traditional form of American country dance," she said. 'In a square dance you're in a set with eight people. In a contra dance, you're in a long line, facing your partner. You dance with everybody in the line and everybody in the room as you change partners. It's similar to the Virginia Reel." Partners are not required, she said, because partners change with every dance. Experience is not necessary either. Missavage and fellow caller Tom Allen will teach all the dances. Missavage, an Ann Arbor resident, was introduced to contra dancing in 1981 while she was living in Montana. "I had a buddy who worked in a bicycle shop and he kept talking about this great dance event and this great music," she said. "After a few months of persuading I finally went." She added that camaraderie is a big part of the dances. "Expect to dance with a lot of friendly people who will walk up and ask them to dance regardless of gender. It's bright in there so you can see who you're dancing with," she said with a laugh. "People will offer you a hand and say, 'Let's dance.' We'll teach all the maneuvers and figures. "It repeats itself over and over again - circle left, circle right, swing your partner. There's no fancy footwork or maneuvers." Missavage suggests that participants wear comfortable footwear. High heels are not the thing to do, she said, adding that dancers of any age group will feel comfortable at the event. "You'll make 50 new friends," she said. "It's a wide variety of ages from college kids up to senior citizens. The only caveat is if there's a motion problem or trouble moving, it's probably not for you. Even then we have people who really aren't capable of it, who do it well. We take care of them." Other upcoming events include: Lovett Hall holiday contra dance, 1:30 p.m. Sunday, Dec. 7, Lovett Hall ballroom, Greenfield Village, 20900 Oakwood Boulevard, Dearborn. Admission is $7. Call (313) 982-6100, Ext. 2262; New Year's Jubilee, 9 p.m. Wednesday, Dec. 31, Greater Hall, St. Luke's Church, 120 N. Huron, Ypsilanti's Depot Town. The $15 badge admission includes admiision to all Jubilee events. (313) 483-4444; and a contra dance Saturday, Jan. 31, at the Masonic Hall, 730 Penniman, Plymouth. For more information about upcoming events, call the dance hotline at (734) 332-9024. |
| The Observer & Eccentric (Livonia, Mich) |
THURSDAY, DECEMBER 4, 1997
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| Dancers meet in old-fashioned way | DIANE HANSON, SPECIAL WRITER |
| Some 100 light-footed folks gathered recently for
a Turkey Hoedown, dancing off more than a few Thanksgiving calories at a good old-fashioned contra dance.
"Henry Ford revitalized it back in the 1920's and it's still danced at the Lovett Hall Ballroom in Greenfield Village," said Karen Missavage, one of the callers for the dance and a fiddler and mandolin player with the award-winning Silver Strings Dulcimer Society, which provided live music Saturday. The event was held at the Plymouth Masonic Hall on Nov. 29 and was attended by a number of area residents, including Linda Grosscup of Livonia who has been contra dancing for a year and a half and belongs to the Oakland County chapter. "It's a great way to meet people," she said. "It's a very social activity and it's a lot of fun. You don't have the same partner all the time." Contra dancing dates back to the 1700's. The word "contra" comes from the French language meaning contrary or opposing. Dancers face one another in opposing lines. Traditional contra dances are the Virginia Reel, square and circle dances. And there's no need to bring a partner according to Missavage. "It's a lot of singles. It's a lot of divorced folks and a lot of couples, as well. This is the type of dancing where you don't have to know your right foot from your left, or fancy maneuvers or positions," Missavage said. Missavage, who started contra dancing in 1981 and calling in 1990, said there are traditional contra dances held in Ann Arbor, Lansing, Kalamazoo and metro Detroit. But there were no longer any dances held in the Plymouth area. She was encouraged by dancers to start one in the area and approached Masonic Hall manager Bob Johns, who she said "is wonderful to work with." The (previous) dance was held there on Halloween with about 80 people attending. Ages of attendees range from preteens on up to the 60's and 70's. Missavage said it doesn't matter if there are a few more women at the dances. She will call a dance with three facing three where each woman has a "gent in the middle to share." There are no alcoholic beverages and no smoking at the dance and refreshments are homemade treats brought by dancers. Saturday's participants were encouraged to bring Thanksgiving leftovers. While there was no turkey or dressing, there were a few slices of pumpkin pie amid a myriad of other goodies. Missavage would be the first to admit that it's a wonderful way to meet new people. She has started dating someone she met at a dance in Ann Arbor. "The lights are on full blast so you can see what people look like. Everyone is wearing a nametag. It's not a meat market. It's not a bar." The next contra dance at the Masonic Hall will be held 8-11 p.m. Jan. 31. Arrive by 8 p.m. for explanations and easy walk-throughs. Soft- soled shoes and casual attire recommended. |
| The Soundboard: Silver Strings Dulcimer Society | JUNE 1998 |
| A Net find: Computer Music Program | |
| Its time-consuming, but worth it | JIM McKINNEY |
| Jim is a high-level fiddler
who shows up at Silver Strings meetings every few months and plays more notes
per measure than any two other musicians. (In 1992, looking for new talent,
I asked if he played with a band. He did and he does!) Jim has served as
newsletter editor (1987) and music coordinator (1989--90).
I dont
get to attend meetings as regularly as I would like--I work a goofy schedule
as a Forensic Security Aid at Huron Valley Center in Ypsilanti. Its
a cross between corrections officer and nurses aid working with
Michigans mentally ill convicted felons, he explains. Jim took up guitar in 1978, and fiddle in 1987. One of his proudest achievements is his 2nd place finish in 2000 at the Michigan Fiddlers Contest. Jim met his wife Lora (Vickerman) at a Silver Strings meeting in 1990, and they perform (along with other musicians) as the Golden Griffon Stringtet. (They will travel anywhere to play any gig, showing up more than an hour early, perfectly attired... and they'll haul my sound system across three counties if Im out of town. And their music isnt bad, either!) Although Jims worked with Mac and PC computers and as a COBOL programmer, this software does not require advanced technical skills. | |
| If you are interested in transcribing music quickly and easily, Id like to recommend a shareware program I found on the Internet. ABC2Win makes entering tunes, editing tunes, displaying musical notation on your screen, playing tunes on your computer and printing professional-looking notation as easy as typing ABC. Its not time consuming in a bad way; I mean that its so much fun, and easy to use, that I dont have time to play the fiddle anymore.
To review ABC2Win go to the ABC Home Page, and download it. Once its in your chosen directory, double click on it and it will install itself, preparing itself for your use. It comes loaded with samples of music that you can edit, display, play and print. You can immediately set up a file and start entering and saving your own tunes (I did!) BUT, until you send in the $20.00 registration fee, the only thing you can print is the sample page. If you have no need to print any music, then you can use the program forever for free. Thats right! For only twenty dollars, you can produce music with no learning curve. (Of course, the beauty of your printed output will depend on the quality of your printer. I use an Epson Ink Jet.) The author will send your registration codes via e-mail or regular mail, and while he will not train you to use the program, he will respond via e-mail to comments, suggestions, and questions. ABC2Win is for IBM compatibles only, but a Mac version called ABC4Mac is available at the above-mentioned website. I have found three things that the program lacks. The first is the ability to transpose music into another key. But guess what? That capability is available in another shareware program called ABCTools that is completely free, is every bit as easy to use, and is also available at the ABC Home Page. Second, it doesnt count your beats per measure. It puts in the notes you tell it and it puts the bar lines where you type them. After your tune is entered and displayed on screen, you must visualize and count the beats in every measure to make sure you havent put 4 beats per measure in your waltz. (All those dotted notes confused me!) Third, while the program allows you to put in chords, (i.e., three note heads on one stem) the IBM tone generator cannot play them. Consequently, for the duration of a measure containing a chord, time signature and note length dont apply. The tune displays to screen and prints to paper beautifully, but it plays funny after you put in the chords. I work around this problem by only entering the melody note of the chord first to check the tune for accuracy, beats per measure, etc. When Im satisfied that everything else is correct, then I re-edit and fill in the missing notes of the chord. On the positive side, the program easily handles repeats, first & second endings, modal keys, key changes, time signature changes, print size, note spacing, number of measures per line, staff spacing, grace notes, triplets, slurs, tied notes, Irish ornaments like five-note rolls, page headers & footers, comment areas for author, tune type & source, guitar chords, printing multiple tunes on one page. The list goes on and on. I cant think of a better value for $20 in a music-related product. | |
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The following ABC notation is what I typed in to produce Scotty ONeil.
AG|"D"F2 D2 A2 F2|"G"dedc BABc|"D"d2 A2 G2 F2|"A7"F2 E4 AG|!
As you can see, it uses the ABC keys of your computer for the
ABC notes of the scale. I use upper case for the lower octave
and lower case
for the upper octave. It seems backwards but that is my preference; the program would let me switch that if I wanted to.
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| CDSS News, Country Dance and Song Society | MARCH/APRIL 1992 |
| Calling Card Collecting | KAREN MISSAVAGE |
| Part of the fun of being a new caller is starting from scratch: taking what
other folks are
doing and expanding on it. Here's a method of creating and keeping your dance
prompt cards. Let me know how it works for you! In the caller's workshop that got me going, John Freeman recommended carrying dance cards in a little fabric folder. This seemed more practical than index card boxes, but neither method appealed to me. I wanted to eliminate all sources of potential disaster: a bag or box of loose cards is "52 pick-up" waiting to happen. Glen Morningstar uses small, leather-covered ring binders, which offer flexibility, portability, and security; however, his prompts (on notebook paper) have to stay in their binders. Index card binders looked a like good idea, but I couldn't find one with an attractive cover (and they are fairly small). I wanted something that could be expanded as I collected more dances, but wouldn't look sparse with only a dozen cards; something that offered the sorting ability of index cards, but would take up less space than a card box in a dance go-bag. (I dutifully schlep my entire card library to every dance, in hopes of doing a guest caller tip.) My other concern was utility behind the mike. I've seen too many callers study their cards, frown, squint, hold them at arms' length, try several different walk-throughs, and apologize for not being able to read the card. After looking through a few callers' card files, it's easy to see why: they write prompts on Post-it notes, portions of old dance flyers, and the like. Prompts are invariably scribbled, corrections squeezed in every corner, and only an archeologist could discern an A1-A2- B1-B2 format. I wanted something that could be revised or corrected easily and legibly. (How many times have you made notes on a great new dance, and didn't get the author's name? Or needed to revise the prompts?) Finally, I had a time constraint. I figured I'd better devise the perfect solution now, so I could start collecting dances and doing more calling. With these concerns in mind, and wanting to devise a flawless system, I started looking in the stationery, office supply, and department stores. I found one answer near the cameras: pocket photo albums. I started out with a small 24-pocket one, but soon filled it up so I graduated to a thicker one with 100 pages (I glued ribbon bookmarks inside the spine). They easily fit inside a pocket or dance bag, and they stay put on a podium or music stand. I also found the ultimate photo album. It's a three-ring binder with enough capacity to serve (the late) Ted Sannella; it came with 35 pages and 210 pockets. The pages offer a spread of 6 cards; I added index tabs so that I can easily flip to, say, three- person dances, and select one that suits the moment. On the music stand I use wire clips (the concert band musician's life saver) and Post-its. I found this at a discount department store, packaged with a matching one in pocket size. | |
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The other answer was in the computer aisle. I like 4"x 6" cards, with their large text area and unloseable size. But having done considerable work in
publishing and graphic arts, I wanted to come up with something neater than my own handwriting. So I located a package of continuous form cards (with
tractor-feed strips along the sides), set up a text file in my word processing program, and started typing. In no time I had some 50 dances neatly transcribed
onto cards. An evening's worth of work gave me several different programs worth of dances.
Pocket photo albums and 4" x 6" index cards printed with dance prompts. The 3-ring binder type, shown on the left, lets you re-arrange the cards, so it's more practical than the spiral-bound style on the right. |
| Techno-weenies will want to use extensive formatting codes, block commands [F1 for "A1 A2 B1 B2," F2 for "duple improper"], font changes,
scanned photos, and so on. At the time of this writing I was using a Tandy
1000 souped up with a hard drive, Word Star 3.31, and a dot matrix printer. I've since graduated to a laser printer and manual-fed cards; as you can
see from the photo, they are very legible. The only drawback: the cards occasionally misfeed, which goofs up alignment on all subsequent ones. Keep your eye on the printer and save paper. And continuous forms are your basic boring white. Some callers identify dances by card color - orange for squares, yellow for contras, blue for mixers. I add highlighting to delineate different formats: duple improper are yellow, propers are orange, Becket formations are lavender. By the way, John Freeman saw my first card album and acquired several for himself. I think he loads them according to degree of difficulty (green book is for beginners; blue, intermediate). Susan English likes the index binders: she uses month-tabbed dividers to program her monthly dances. This is an excellent method that keeps track of what she did each month, and avoids reruns. My binder can be rearranged without disaster, but photo albums generally are not designed for major rearrangements; the pages can pull apart if you're not gentle. I use the last few pages as archives for photos of memorable Halloween dance costumes, useful information like dance hall sizes, and the like, along with some blank cards so I can scribble down great new dances on the fly, to take home and put on disk. Stashed in a photo album, your dance programs will not vanish down a crack between the stage and the wall. And with your dance prompts stored on a hard drive, a minor mishap (forgetting your gig bag on the roof of a vehicle, theft, water damage) won't mean the end of your calling career. My dance prompt text files are available for your use. I orginally asked for a blank diskette and $5 to cover shipping and handling. E-mail me and we'll talk about a file transfer. Karen Contra Caller (at) earthlink.net |
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