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What is contra dancing?

Dances I've composed

Other fun dances

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Contents:

Contra dancing--coming to Jackson
Contra dance offers 'escape'
Dancers meet in old-fashioned way
A Net find: Computer Music Program
Calling Card Collecting


The Jackson (Mich.) Citizen Patriot

SUNDAY, SEPTEMBER 25, 2005

Contra dancing--coming to Jackson

JOHN PIPER, ENTERTAINMENT EDITOR

OK, Jackson, get ready to reel. Contra is coming to town. No, not a pack of Reagan-era officials here for a retrospective on the Iran-contra scandal. Contra is a form of traditional dance that looks a little like square dancing and a little like line dancing and promises to give you a workout you've never had before on the dance floor. If you've ever done the Virginia Reel, you've had a taste of it.

A series of three contra dances will take place over the next three months at St. Joseph Church hall. Tony Gerring of Parma, a member of St Joe's, is organizing the series as a family event. Gerring has done contra dancing in the past, and has participated with his family in recent folk dances at the Rando Activity Center, 3055 Shirley Drive, which have included some contra dancing.

"That's one of the big appeals to me," he said. "It's something families can do together."

The open nature of contra dances--drawing families, couples, singles, and different age groups--is one of the pluses, dancers say, along with the casual dress, low pressure, and the mandate that dancers change partners with every dance.

Gerring said in his search for contra dances on web sites, he found them being offered all over--including Ann Arbor, Lansing, and Kalamazoo--but not in Jackson.

The dance falls into the realm of folk or traditional dancing, and in fact, the lively music that accompanies it reflects that, with the band usually armed with some combination of fiddle, banjo, guitar, bass, piano, and dulcimer. The musical repertoier includes jigs, reels, and traditional tunes, with often an Irish or New England flavor.

Like square dancing, a caller leads the dancers through all the steps, which are similar to squares: everything from turns and swings to allemandes, promenades and do-si-dos. Couples work their was "down" and "up" the lne of dance, dancing with every other couple along the way.

Michael Nation of Jackson has more than one reason to like contra dancing. He met his wife, Patricia, at a contra dance about eight years ago. They were married last year.

"I like the music and the dancing, I like the people," Nation said at a recent dance in Lansing. "It doesn;t matter if they don;t have nice clothes, or if they don't know how to dance, or what age they are." He said while couples and families enjoy themselves at contra dances, they are ideal for singles because-- due to the constant changing of partners--they meet so many people.

Karen Dunam of Grand Rapids, who'll be calling the Jackson dances--which will include contras along with squares and "circle mixers"--was also at the Lansing dance, but purely to dance. Dunnam said it helps for dancers to like folk music.

"Your head-banging, pop-culture types won't enjoy it too much, at least at first," she said. A big positive, she said, is the runner's-type high that goes along with contra dancing. "The music is lively, the people are friendly...Every 30 seconds another member of the opposite sex is thrust into your arms and whirls you around. It's cheaper than a movie, more fun than a bar, there's zero rejection and posturing," she said.

Two Michigan State University students at the Lansing dance, Amy Winder and Conrad Myler, are also fans. Winder, whose hometown is Haslett, had attended four or five dances before summer break, and was back again to start the new season.

Myler, invited by Winder, had gone contra dancing only one time before, years ago in New York. "I like the social part of it," he said, and that you dance with all ages."

A warm experience

I can't remember why I decided to drive up to Lansing on a warm Satruday evening several years to go to a contra dance.I knew little about contra dancing and the dance was taking place in a hot, old school gym. Must have been I was really hard up for something to do.
I soon discovered things would get much warmer. I also found contra dancing was some of the most fun I had had in a long time.
Sometimes risky decisions pay off.
If you're not familiar with contra dancing, check out the accompanying article, but this is my testimonial as to why I enjoy it:

  • You get to meet people in a low-pressure atmosphere--changing partners throughout each dance.
  • Going in, you don't need to know how to contra dance. Lessons are generally offered before each dance, and you'll learn the basics, which is all that's required.
  • Anyone can ask anyone else to dance. Men can ask women. Women can ask men. Women can ask women, if there aren't equal numbers of males and females. You'll even accasionally see a couple of men as partners, although that is rare.
  • You are encouraged--strongly--to change partners with every dance. That includes married and unmarried couples. In other words, no "ball and chain" on these nights.
  • Diverse crowd. You get an unusual mix of types and ages. Families, singles, and couples from all walks of life are welcome. Even older children do contra, and enjoy it. While much of the crowd tends to be middle-aged, there is usually a wide spread of generations. Students, particularly at dances in university towns, are common.
  • Excellent exercise. Contra is every much a workout as a high-intensity aerobics class.
  • Casual. I often wear shorts and a printed T-shirt and--because I know I'll get wringing wet--I take a change of clothes. Some of the longtime contra women wear full "prairie" skirts. But other women just wear jeans or shorts. Same for the guys.
  • When I arrived for my first contra dance, I was nervous, even after the lessons. As we were told to line up, a woman asked me to dance, a big relief. I think she was one of the organizers and, knowing I was new, felt sorry for me.
    We got into long lines, men and women facing each other. The caller then had us break into "hands four"--groups of two couples each, one couple facing "up" the line of dance (toward the caller), the other down. We practiced the dance patterns a couple times before the music started.
    The music, by a folk band, was uptempo and lively. Although I was a little clumsy at times, I got help along the way.
    My partner and I worked our way down the line of dance and up again. I was amazed how the caller could lead us through intricate steps and get us back to where we were supposed to be.
    Since then I've learned more complicated steps such as the "hey"--basically a figure-8 type pattern done with another couple or two.And the more I learn, the more fun it becomes.
    Not that everyone is into contra, of course. My daughter gave it a try once, and didn't come back. I don't know the full reason, but I know her first choices would be Latin dance and hip-hop.
    Early on, I did learn one important lesson for successful contra dancing: Maintain eye contact with your partner during the swings or you WILL get dizzy. I think I was dizzy for two days after that first dance. But keeping eye contact--awkward as it might seem at first--took care of it.
    You can become as involved as you want in contra dancing, such as becoming a club member (which means cheaper admission), or being like me: not a member of any club but visiting different dances as the mood strikes.
    Whatever, don't let the name "contra" scare you off. There's nothing contrary about it. --John Piper
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    The Observer & Eccentric (Livonia, Mich)

    THURSDAY, NOVEMBER 27, 1997

    Contra dance offers 'escape'

    CHRISTINA FUOCO, STAFF WRITER

    Spending holiday weekends with family can get pretty tiring. Karen Missavage knows this by the success of the contra dances she's held over the years.
      "It's a good time to have one," Missavage said. "There's a lot of people visiting, and by Saturday night they are tired of the family thing. They don't feel like sticking around their aunt and uncle's house anymore. "You'd be surprised at how well we do holiday weekends."
       Keeping with that trend, Missavage and the Silver Strings Dulcimer Society are hosting the "Turkey Hoedown" contra dance from 8-11 p.m. Saturday, Nov. 29, at the Masonic Hall, 730 Penniman, on the north side of Kellogg Park next to the Gathering in downtown Plymouth. Admission to the dance is $6 and includes live music by members of the society, lemonade, and name tags. The dance is smoke-and alcohol-free.
       Missavage describes contra dancing as similar to square dancing. "It's a traditional form of American country dance," she said. 'In a square dance you're in a set with eight people. In a contra dance, you're in a long line, facing your partner. You dance with everybody in the line and everybody in the room as you change partners. It's similar to the Virginia Reel."
       Partners are not required, she said, because partners change with every dance. Experience is not necessary either. Missavage and fellow caller Tom Allen will teach all the dances.
       Missavage, an Ann Arbor resident, was introduced to contra dancing in 1981 while she was living in Montana. "I had a buddy who worked in a bicycle shop and he kept talking about this great dance event and this great music," she said. "After a few months of persuading I finally went."
      She added that camaraderie is a big part of the dances. "Expect to dance with a lot of friendly people who will walk up and ask them to dance regardless of gender. It's bright in there so you can see who you're dancing with," she said with a laugh. "People will offer you a hand and say, 'Let's dance.' We'll teach all the maneuvers and figures.
       "It repeats itself over and over again - circle left, circle right, swing your partner. There's no fancy footwork or maneuvers."
       Missavage suggests that participants wear comfortable footwear. High heels are not the thing to do, she said, adding that dancers of any age group will feel comfortable at the event. "You'll make 50 new friends," she said. "It's a wide variety of ages from college kids up to senior citizens. The only caveat is if there's a motion problem or trouble moving, it's probably not for you. Even then we have people who really aren't capable of it, who do it well. We take care of them."
       Other upcoming events include: Lovett Hall holiday contra dance, 1:30 p.m. Sunday, Dec. 7, Lovett Hall ballroom, Greenfield Village, 20900 Oakwood Boulevard, Dearborn. Admission is $7. Call (313) 982-6100, Ext. 2262; New Year's Jubilee, 9 p.m. Wednesday, Dec. 31, Greater Hall, St. Luke's Church, 120 N. Huron, Ypsilanti's Depot Town. The $15 badge admission includes admiision to all Jubilee events. (313) 483-4444; and a contra dance Saturday, Jan. 31, at the Masonic Hall, 730 Penniman, Plymouth.
       For more information about upcoming events, call the dance hotline at (734) 332-9024.
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    The Observer & Eccentric  (Livonia, Mich)

    THURSDAY, DECEMBER 4, 1997

    Dancers meet in old-fashioned way DIANE HANSON, SPECIAL WRITER
    Some 100 light-footed folks gathered recently for a Turkey Hoedown, dancing off more than a few Thanksgiving calories at a good old-fashioned contra dance.
       "Henry Ford revitalized it back in the 1920's and it's still danced at the Lovett Hall Ballroom in Greenfield Village," said Karen Missavage, one of the callers for the dance and a fiddler and mandolin player with the award-winning Silver Strings Dulcimer Society, which provided live music Saturday.
       The event was held at the Plymouth Masonic Hall on Nov. 29 and was attended by a number of area residents, including Linda Grosscup of Livonia who has been contra dancing for a year and a half and belongs to the Oakland County chapter.
       "It's a great way to meet people," she said. "It's a very social activity and it's a lot of fun. You don't have the same partner all the time."
       Contra dancing dates back to the 1700's. The word "contra" comes from the French language meaning contrary or opposing. Dancers face one another in opposing lines. Traditional contra dances are the Virginia Reel, square and circle dances. And there's no need to bring a partner according to Missavage.
      "It's a lot of singles. It's a lot of divorced folks and a lot of couples, as well. This is the type of dancing where you don't have to know your right foot from your left, or fancy maneuvers or positions," Missavage said.
       Missavage, who started contra dancing in 1981 and calling in 1990, said there are traditional contra dances held in Ann Arbor, Lansing, Kalamazoo and metro Detroit. But there were no longer any dances held in the Plymouth area. She was encouraged by dancers to start one in the area and approached Masonic Hall manager Bob Johns, who she said "is wonderful to work with."
       The (previous) dance was held there on Halloween with about 80 people attending. Ages of attendees range from preteens on up to the 60's and 70's. Missavage said it doesn't matter if there are a few more women at the dances. She will call a dance with three facing three where each woman has a "gent in the middle to share."
      There are no alcoholic beverages and no smoking at the dance and refreshments are homemade treats brought by dancers. Saturday's participants were encouraged to bring Thanksgiving leftovers. While there was no turkey or dressing, there were a few slices of pumpkin pie amid a myriad of other goodies.
    Missavage would be the first to admit that it's a wonderful way to meet new people. She has started dating someone she met at a dance in Ann Arbor.
       "The lights are on full blast so you can see what people look like. Everyone is wearing a nametag. It's not a meat market. It's not a bar."
      The next contra dance at the Masonic Hall will be held 8-11 p.m. Jan. 31. Arrive by 8 p.m. for explanations and easy walk-throughs. Soft- soled shoes and casual attire recommended.
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    The Soundboard:  Silver Strings Dulcimer Society

    JUNE 1998

    A Net find: Computer Music Program
    It’s time-consuming, but worth it

    JIM McKINNEY

          Jim is a high-level fiddler who shows up at Silver Strings meetings every few months and plays more notes per measure than any two other musicians. (In 1992, looking for new talent, I asked if he played with a band. He did and he does!) Jim has served as newsletter editor (1987) and music coordinator (1989--90). “I don’t get to attend meetings as regularly as I would like--I work a goofy schedule as a Forensic Security Aid at Huron Valley Center in Ypsilanti. It’s a cross between corrections officer and nurse’s aid working with Michigan’s mentally ill convicted felons,” he explains.
         Jim took up guitar in 1978, and fiddle in 1987. One of his proudest achievements is his 2nd place finish in 2000 at the Michigan Fiddlers Contest. Jim met his wife Lora (Vickerman) at a Silver Strings meeting in 1990, and they perform (along with other musicians) as the Golden Griffon Stringtet. (They will travel anywhere to play any gig, showing up more than an hour early, perfectly attired... and they'll haul my sound system across three counties if I’m out of town. And their music isn’t bad, either!)
         Although Jim’s worked with Mac and PC computers and as a COBOL programmer, this software does not require advanced technical skills.

    If you are interested in transcribing music quickly and easily, I’d like to recommend a shareware program I found on the Internet. ABC2Win makes entering tunes, editing tunes, displaying musical notation on your screen, playing tunes on your computer and printing professional-looking notation as easy as typing ABC. It’s not time consuming in a bad way; I mean that it’s so much fun, and easy to use, that I don’t have time to play the fiddle anymore.
       To review ABC2Win go to the ABC Home Page, and download it. Once it’s in your chosen directory, double click on it and it will install itself, preparing itself for your use. It comes loaded with samples of music that you can edit, display, play and print. You can immediately set up a file and start entering and saving your own tunes (I did!) BUT, until you send in the $20.00 registration fee, the only thing you can print is the sample page. If you have no need to print any music, then you can use the program forever for free. That’s right! For only twenty dollars, you can produce music with no learning curve. (Of course, the beauty of your printed output will depend on the quality of your printer. I use an Epson Ink Jet.) The author will send your registration codes via e-mail or regular mail, and while he will not train you to use the program, he will respond via e-mail to comments, suggestions, and questions. ABC2Win is for IBM compatibles only, but a Mac version called ABC4Mac is available at the above-mentioned website.
       I have found three things that the program lacks. The first is the ability to transpose music into another key. But guess what? That capability is available in another shareware program called ABCTools that is completely free, is every bit as easy to use, and is also available at the ABC Home Page. Second, it doesn’t count your beats per measure. It puts in the notes you tell it and it puts the bar lines where you type them. After your tune is entered and displayed on screen, you must visualize and count the beats in every measure to make sure you haven’t put 4 beats per measure in your waltz. (All those dotted notes confused me!) Third, while the program allows you to put in chords, (i.e., three note heads on one stem) the IBM tone generator cannot play them. Consequently, for the duration of a measure containing a chord, time signature and note length don’t apply. The tune displays to screen and prints to paper beautifully, but it plays funny after you  put in the chords. I work around this problem by only entering the melody note of the chord first to check the tune for accuracy, beats per measure, etc. When I’m satisfied that everything else is correct, then I re-edit and fill in the missing notes of the chord.
       On the positive side, the program easily handles repeats, first & second endings, modal keys, key changes, time signature changes, print size, note spacing, number of measures per line, staff spacing, grace notes, triplets, slurs, tied notes, Irish ornaments like five-note rolls, page headers & footers, comment areas for author, tune type & source, guitar chords, printing multiple tunes on one page. The list goes on and on. I can’t think of a better value for $20 in a music-related product.
       The following ABC notation is what I typed in to produce “Scotty O’Neil.”

    AG|"D"F2 D2 A2 F2|"G"dedc BABc|"D"d2 A2 G2 F2|"A7"F2 E4 AG|!
    |"D"F2 D2 A2 F2|"G"dedc BABc|"D"d2 A2 "A7"ABAG|"D"F2 D4:|!
    |:AG|"D"F2 A2 f3 e|"G"d2 c2 B3 c|"D"d2 A2 G2 F2|"A7"F2 E4 AG|!
    "D"F2 A2 f3 e|"G"dedc BABc|"D"d2 A2 "A7"ABAG|"D"F2 D4:|

       As you can see, it uses the ABC keys of your computer for the ABC notes of the scale. I use upper case for the lower octave and lower case for the upper octave. It seems backwards but that is my preference; the program would let me switch that if I wanted to.
      In this sample, the default note length is an eighth note, so notes without numbers like dedc BABc in the second measure are strings of eighth notes. Notes with numbers mean a note equal to that number of default notes. So F2 in the first measure equals a quarter note F. Guitar chords are in quotation marks.

       From the ABC Home Page, you can link to other pages containing thousands of tunes in this kind of notation. The Irish and English Country Dance tune pages are incredible.
       The program is very easy to use, and the settings and options allow a lot of flexibility. The drawbacks I’ve found with it are easily worked around without much effort, and it gives me access to literally thousands of other tunes as reference material. Not bad for twenty bucks.
          I’m currently using the program to produce a Golden Griffon Stringtet repertoire book for use when our guest musicians are unfamiliar with the tunes we’re playing. Questions or comments? Feel free to contact me.
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    CDSS News, Country Dance and Song Society

    MARCH/APRIL 1992

    Calling Card Collecting

    KAREN MISSAVAGE

    Part of the fun of being a new caller is starting from scratch: taking what other folks are doing and expanding on it. Here's a method of creating and keeping your dance prompt cards. Let me know how it works for you!
    In the caller's workshop that got me going, John Freeman recommended carrying dance cards in a little fabric folder. This seemed more practical than index card boxes, but neither method appealed to me. I wanted to eliminate all sources of potential disaster: a bag or box of loose cards is "52 pick-up" waiting to happen. Glen Morningstar uses small, leather-covered ring binders, which offer flexibility, portability, and security; however, his prompts (on notebook paper) have to stay in their binders. Index card binders looked a like good idea, but I couldn't find one with an attractive cover (and they are fairly small).
    I wanted something that could be expanded as I collected more dances, but wouldn't look sparse with only a dozen cards; something that offered the sorting ability of index cards, but would take up less space than a card box in a dance go-bag. (I dutifully schlep my entire card library to every dance, in hopes of doing a guest caller tip.)
    My other concern was utility behind the mike. I've seen too many callers study their cards, frown, squint, hold them at arms' length, try several different walk-throughs, and apologize for not being able to read the card. After looking through a few callers' card files, it's easy to see why: they write prompts on Post-it notes, portions of old dance flyers, and the like. Prompts are invariably scribbled, corrections squeezed in every corner, and only an archeologist could discern an A1-A2- B1-B2 format. I wanted something that could be revised or corrected easily and legibly. (How many times have you made notes on a great new dance, and didn't get the author's name? Or needed to revise the prompts?)
    Finally, I had a time constraint. I figured I'd better devise the perfect solution now, so I could start collecting dances and doing more calling. With these concerns in mind, and wanting to devise a flawless system, I started looking in the stationery, office supply, and department stores.
    I found one answer near the cameras: pocket photo albums. I started out with a small 24-pocket one, but soon filled it up so I graduated to a thicker one with 100 pages (I glued ribbon bookmarks inside the spine). They easily fit inside a pocket or dance bag, and they stay put on a podium or music stand.
    I also found the ultimate photo album. It's a three-ring binder with enough capacity to serve (the late) Ted Sannella; it came with 35 pages and 210 pockets. The pages offer a spread of 6 cards; I added index tabs so that I can easily flip to, say, three- person dances, and select one that suits the moment. On the music stand I use wire clips (the concert band musician's life saver) and Post-its. I found this at a discount department store, packaged with a matching one in pocket size.
    Dance prompt cards in photo albums The other answer was in the computer aisle. I like 4"x 6" cards, with their large text area and unloseable size. But having done considerable work in publishing and graphic arts, I wanted to come up with something neater than my own handwriting. So I located a package of continuous form cards (with tractor-feed strips along the sides), set up a text file in my word processing program, and started typing. In no time I had some 50 dances neatly transcribed onto cards. An evening's worth of work gave me several different programs worth of dances.

    Pocket photo albums and 4" x 6" index cards printed with dance prompts. The 3-ring binder type, shown on the left, lets you re-arrange the cards, so it's more practical than the spiral-bound style on the right.
    Techno-weenies will want to use extensive formatting codes, block commands [F1 for "A1 A2 B1 B2," F2 for "duple improper"], font changes, scanned photos, and so on. At the time of this writing I was using a Tandy 1000 souped up with a hard drive, Word Star 3.31, and a dot matrix printer. I've since graduated to a laser printer and manual-fed cards; as you can see from the photo, they are very legible.
    The only drawback: the cards occasionally misfeed, which goofs up alignment on all subsequent ones. Keep your eye on the printer and save paper. And continuous forms are your basic boring white. Some callers identify dances by card color - orange for squares, yellow for contras, blue for mixers. I add highlighting to delineate different formats: duple improper are yellow, propers are orange, Becket formations are lavender.
    By the way, John Freeman saw my first card album and acquired several for himself. I think he loads them according to degree of difficulty (green book is for beginners; blue, intermediate). Susan English likes the index binders: she uses month-tabbed dividers to program her monthly dances. This is an excellent method that keeps track of what she did each month, and avoids reruns. My binder can be rearranged without disaster, but photo albums generally are not designed for major rearrangements; the pages can pull apart if you're not gentle.
    I use the last few pages as archives for photos of memorable Halloween dance costumes, useful information like dance hall sizes, and the like, along with some blank cards so I can scribble down great new dances on the fly, to take home and put on disk.
    Stashed in a photo album, your dance programs will not vanish down a crack between the stage and the wall. And with your dance prompts stored on a hard drive, a minor mishap (forgetting your gig bag on the roof of a vehicle, theft, water damage) won't mean the end of your calling career.
    My dance prompt text files are available for your use. I orginally asked for a blank diskette and $5 to cover shipping and handling. E-mail me and we'll talk about a file transfer.  Karen Contra Caller (at) earthlink.net

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    Upcoming events

    What is contra dancing?

    Dances I've composed

    Other fun dances

    Photo album

    Dance links