AUDIO PRODUCTION
"Latest News" Archive · November 15, 2006
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Fall Semester 2006 · Latest News

Wednesday, November 15, 2006
 
Let's begin this week's "Update" by going over some of the details of your two remaining out-of-class recording/editing/mixing projects this semester.
 
PERSONAL STORY #3 PROJECT
 
The theme for your last personal story recording is "First Time." In 60 seconds, you will talk about and describe the first time you attempted or accomplished something, went somewhere, had something done to you, etc.
 
In addition to effectively writing and voicing your story, you need to add/mix music to the open and close of your project. You should use the "natural" beginning and the "natural" ending of the music you choose. You can go to the "Links" page of this Web site to access the titles of the 63 Fresh Music Library CDs we have in La Salle's Audio Studio (Com Center Room 103) to help you search for music. You also can search/sample/listen online at Fresh Music's Web site. Look for the link to the "Royalty Free Music" page and the disc titles are in alphabetical order on the left hand side of that page. Your music must come from one of La Salle's CDs. There is a duplicate set in the Building Manager's Office. Remember to not use track one (1) on the CDs – which Fresh Music calls "Quick Shots" – because the music is an edited compilation of the music on that CD and may not be adequate/appropriate for this use.  
 
The development of your story from beginning to middle to end will determine whether you should use the same music cut to start and close your story, or if you should use two different music cuts/tracks to reflect a change (in mood, tone, setting, etc.) that occurs in the progression of your story.
 
Some students like to include a sound effect or two in their story/audio production. You are welcome (even encouraged) to do so, but your voice and the music are the only required elements.
 
FINAL PROJECT (AUDIO STORY)
 
You will need to produce a Final Audio Story this semester, which you should start thinking about and working on (pre-planning) NOW. It's the culmination of a semester spent emphasizing audio and storytelling. Your mission is to record/edit/mix an interesting and entertaining 2- to 4½-minute story using voice, music and sound effects.
 
I want you to take a published (maybe a scene from a novel or short story) or original story or poem (or whatever!) and "bring it to life" in an audio production. You may need to adapt the story to fit the audio medium (and time limit). You will need to take care when selecting/recording voice, keeping in mind everything we've talked about concerning proper microphone use, voice technique and recording method. You are not limited to your voice nor the voices of students who will work with you on the project (as a group/team). You can ask anyone in/outside class to lend a voice to your project, but it's your responsibility to direct them appropriately.
 
Be sure to choose a story where you have to use voice, music and sounds – possibly even silence – to effectively paint your audio picture(s). Some productions do not necessarily need music nor sounds, but you must include a little bit (or a lot!) of everything in your production.
 
Please let me know ASAP if you plan to write/record/edit/mix this final production on your own, or with one or two other students. If you want to work in a group, please try to organize it yourself and let me know who you want to work with so I can approve the arrangement.
 
"A CONVERSATION WITH RANDY THOM" AUDIO CD
 
Your current LISTENING ASSIGNMENT is the National Audio Theatre Festivals (NATF) CD I handed out Tuesday morning which features a conversation between NATF members and sound effects expert Randy Thom at a 2003 workshop. Your job is to write a reaction paper (one or two pages) – based on your listening – where you detail at least five major points concerning sound (effects) in audio productions.
 
QUESTIONS OF THE WEEK
 
#1 and #2 (of 8)
On Tuesday morning (November 14) we listened to a Garrison Keillor story entitled "Memories of Pain." Somewhat fittingly, his radio program, "A Prairie Home Companion," originally is named after what? (Correct answer is worth two points.)
 
In an article entitled "Confessions of a Listener" (you can find a link to it on this COM 304 Web site), Keillor says that when he listens to the radio he wants to be ... what? (Correct answer – three words! – is worth three points.)
 
#3, #4 and #5 (of 8)
On February 27, 2005, Randy Thom (with Michael Silvers) won the Sound Editing Oscar® for "The Incredibles." He said the film "was by far the most demanding project he'd ever worked on." Why did he say that? (Correct answer is worth two points.)
 
What is the difference between the Best Sound Editing and Best Sound Mixing categories at the Academy Awards? Note: The answer is not something you can guess at; the distinction is something specific. (Correct answer is worth two points.)
 
Where did Randy Thom get his start in the sound business? (Correct answer is worth two points.)
 
#6 and #7 (of 8)
 
Here are two audio phrases. Each correct explanation is worth two points. 
 
What is someone doing if s/he is "spotting a script"? (Note: It doesn't mean s/he is spilling coffee or some other substance on it.)
 
What is the problem if your recording is "in the mud"? (Note: It doesn't mean you're recording outside in the rain.)
 
#8 (of 8)
What is the purpose of the traffic department at a radio station? (Note: It has nothing to do with road congestion. Correct answer is worth two points.)
 
E-mail me (Jim) the correct answer(s) by 9:00 a.m. on Tuesday, November 21, to earn up to seventeen (17) points on your "Homework" grade sheet.
 
Remember ...
 
... that you should bring a "busy" picture to class on Thursday (November 16) that your group can (possibly) build a multiple sound effects mix around.
 
... that your Weekly Essay #11 is due Tuesday, November 21. Then your final journal entry (#12) is due Tuesday, December 5.
 
... that there is a $15.00 ($14.15 + Tax) materials fee for this course (to be paid to Jim Templeton).
 
... that the majority of class time the remainder of this semester you will spend working in groups. Be sure to manage your time well as you plan and execute the two assignments (the picture/sound effects mix and the Communication Department audio segments for a commercial) you will be working on with your group mates. The goal of both is to increase your knowledge of – and practical experience in – audio production.
 
... that the Communication Department wants to offer a new interdisciplinary minor in Film Studies and needs students (you!) to take an online survey, even if you are not in a situation where you can take (advantage of) any or all of the potential courses. Please consider helping the department and students who are interested in film by taking the time to complete this survey, which also will put you in a lottery to win a $50 gift certificate to – according to the introduction page of the survey – Borders Books. Click here to access/start the survey.
 
As always, please be sure to let me know (phone call, e-mail, in person) if you have any questions or concerns as we continue through the last weeks of the semester.
 
Jim Templeton
 
P.S. You can access earlier "editions" of this semester's "Latest News" by clicking on the appropriate date/link:

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AUGUST 2006

SEPTEMBER 2006

OCTOBER 2006

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DECEMBER 2006

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