"Keep the horizon level in your photographs. Also, avoid positioning the horizon in the middle of the picture because this visually splits the scene in half. Have a strong center of interest-- exclude distracting elements as you look through the viewfinder before you take the picture."


--Kodak Master Photoguide ©1981


'I am afraid that there are more people than I can
imagine who can go no further than apppreciating a
picture that is a rectangle with an object in the
middle of it, which they can identify. They don't care
what is around the object as long as nothing
interferes with the object itself, right in the
center. Even after the lessons of Winogrand and
Friedlander, they don't get it.... They want the
obvious. ... I am at war with the obvious.'

--William Eggleston

about the site and photos

 

--Nihonjin/the Japanese
These photos were taken in Japan from Sept. 2001 to Aug. 2002 while I studied at Senshu University in Kawasaki-city. I shot about 300 rolls of film through a few different cameras.

25 prints were shown in the University of Nebraska Lincoln Union Rotunda Gallery in a photo show entitled "Nihonjin:the Japanese" in April 2003.

I certianly am not here to tell you who or what the Japanese are with a few dozen photos all taken within a year. That said, there are as many different Japans as there are people who have been there- I want to present the Japan that I saw. At the same time, these photos are not just about a people or a country. They are a response to how photographs work for me.

--America
Nebraska is for the most part a good place to be from. There is a certain freedom here that continues to exist as long as everyone else in the other 49 states forget that this place exists.

--Portraits
These photos were all taken of people I am familiar with and who have put up with countless requests to get "just one more photo". I have dozens of photo portraits of friends but the ones which I have put online reflect something not just about the person, but they also interesting to me as photographs.

 

--equipment and technical aspects

I usually have either my Nikon F2 or Bessa R2 on me when I go out anywhere. I usually shoot with a 28mm (2.8) lens on my F2. My R2 is adorned with a 28mm (3.5) lens. Unless I am out to take photos for someone I usually keep my "gear" limited to simply my camera & lens, and a pocket full of film. Its easy for me to get wrapped up in the tech side of photography. However- After looking over (and over and over) at the work of Winogrand/ Frank/ Friedlander etc. I realized that a manual camera would be sufficent for the photos that I keep taking. This streamlined look at camera ownership works in theory, but somehow there is always another camera out there- a Leica M5 for example.

>>01-25-04 I have been using a Canon Demi ee 17. I got it for 30 bucks at a thrift store and it is a fine little camera. I has a 30mm 1.7 lens, 72 shots per roll- perfect for keeping with me in the car. I also recently bought an olympus XA. The Speed Graphic that I just got is sitting on a shelf, waiting patiently for me to get some 4X5 film.

-As for lenses- I am not comfortable with anything longer than a 50mm lens... Interaction with your subject diminishes as focal length increases. Don't be fooled by the travel photos by guys shooting the locals with a 300mm lens half a block and a yak away. They might look pretty (the photos, not the lenses) but don't tell you anything new.

-All film development and printing of my work is done by myself - this keeps it interesting and sometimes consistent. In Japan I used a lot of Fuji Neopan Presto film (400 asa) state side I have been buying grey market Fuji Neopan film (same thing) from www.adorama.com for a while now.

 

--about the photographer
I graduated as an International Studies major at the University of Nebraska Lincoln in May of 2003. For about 3 years I was an art major which turned into a strong art minor (I am going to apply for grad school though). I'be been to Japan three times totaling a year and a half. I am out of school now, working part time and waiting to see if my JET program application goes through. In the meantime I am catching up on photo theory, histoy, etc. And taking photos. Best of all, I have access to a fully equipped darkroom.

As for influences: (also check out these suggestions )

-Gary Winogrand- get a hold of the book "Winogrand 1964" and read THIS and THIS. Take a gander at this here CAMERA of his as well.

-Nobuyoshi Araki, Peter Beard, and also Dan Eldon are other influences in different ways.

-I can't forget Mr. Mitsugu Onishi.

-Nor can I stress the importance of my photography teachers, Dave Read and Shelly Fuller, in their contributions in helping me get a better understanding about what photograpy ought to be. And maybe also how I might get there. If you found this site by searching for either of their names, then you probably know exactly what I am talking about.

 

This site was built it with an old copy of Pagemill 3 -hence the lack of any more complicated/interesting web page tricks. All images are scans from prints which are usually spiffed up a little in photoshop.

I am interested in any and all comments and would answer any questions concerning just about anything. Contact me at:


jvsypal@yahoo.com

I plan to continue updating this page so please check back again soon.


-- John Sypal