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Autumn House Lyrics and Credits

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1. Tell Me What I Did To You

Here I stand accused of abuse, why should I choose to stay

as you look at me solemnly like you've been betrayed.

You've been holding on to some wrong for so long you let us break

But, how was I to know that you won't let it show 'til its too late

 

Won't you tell me what I did to you

'Cause its something that I never knew

all the days that you and I've been through

slowly dying from an open wound

 

I'm no Judas or Brutus don't do this to me

tell me where or when, maybe then, I'll begin to see

But, maybe you're to blame for the same list of shame that fuels you're rage

Because, my open door was ignored for this war you wished to wage

 

Don't you tell me what I did to you

'Cause its something that I never knew

all the days that you and I've been through

slowly dying from an open wound.

Won't you tell me?

 

Now, our half-agreed apologies really didn't help

and accidentally you cut me - now, I bleed myself.

 

Won't you tell me what I did to you

'Cause its something that I never knew

all the days that you and I've been through

slowly dying from an open wound.

Won't you tell me now?

Please, tell me now.

 

2. The First Sign

Born to be beautiful, you're a natural symphony

a girl-next-door rhapsody

Making it difficult to be where I supposed to be

amazed by the scenery

 

Is you're mark of mystery

some dark omen of my misery?

Wish there was some guarantee

this is no dead end detour

 

Lost without a trace of time or place

Thought I was on my way down

But, now I found that

You're the first sign that at last my heart has healed

You're the first sign that the last time wasn't real.

 

Won't you show me the way back

I can't think and I keep losing track

I just seem to overreact

to the crimes that came before

 

Lost without a trace of time or place

Thought I was on my way down

But, now I found that

You're the first sign (and I'm the last one I would guess)

You're the first sign of my lasting interest

 

I'm in you're pocket now like a token of good faith

a charmed tied around you're waist

knowing somewhere somehow, if I ever lost my way

The map lies in your embrace.

 

Lost without a trace of time or place

Thought I was on my way down

But, now I found that

You're the first sign that at last my heart has healed

You're the first sign that the last time wasn't real.

You're the first sign (and I'm the last one I would guess)

You're the first sign of my lasting interest

 

3. The Way She Falls

Red, orange and bright yellow

drop at the sound of "Hello"

Suddenly, its all masks and demons at the door

 

She dances on All Hallows

Bonfires and springtimes shadows

Seems to be glad to see the end of longer days

 

Never leaves me altogether

Even in the warmest weather

Wintertime's just outside and that's the way she falls

Cold today and snow tomorrow

Giving back the time she borrowed

Summertime's changed her mind and that's the way she falls

 

I like the way she brings to me

Those sweet nostalgic memories

Man to child for awhile I'm young and innocent

 

Seems like she's always been here

'Round the same time most every year

But, every day that she stays I want to celebrate

 

Never leaves me altogether

Even in the warmest weather

Wintertime's just outside and that's the way she falls

Cold today and snow tomorrow

Giving back the time she borrowed

Summertime's changed her mind and that's the way she falls

 

Tickles the troubleman, trimming the sales and tipping the scales into the New Year,

when new resolutions and clear constitutions will fade by the time she's here again

Let her take you back, let her take you back

While winter was welcome and springtime is seldom the bringer of tears, its perfectly clear,

She has good intentions and sometimes elections. But, please don't hold that against her.

Let her take you back, let her take you back

 

Never leaves me altogether

Even in the warmest weather

Wintertime's just outside and that's the way she falls

Cold today and snow tomorrow

Giving back the time she borrowed

Summertime's changed her mind and that's the way she falls

Autumn rides and oak leaf tide and that's the way she falls.

 

4. Fadeaway

The scent of cold, clouds of breath before us

the glaring blankness beyond the door

The atmosphere fills an empty chorus

our footsteps crush on the barren floor

 

Imprisoned by icy gray reflections

in isolation acknowledge pain

In retrospect, the answers come so clearly

to mend the cracks in our souls again

 

It fades away

the darkness seeps through the waning bright

It fades away

the black and white in the scenes of our lives.

 

With crooked smiles and bittersweet acceptance

we face the truths that we cannot hide

and all the while serving out our sentence

remove the stains on our perfect lives

 

It fades away

the darkness seeps through the waning bright

It fades away

the black and white in the scenes of our lives.

 

Gone are the faces that told us who to follow

Gone are the voices that sung discord

Gone is the beauty of the lies we swallowed

Gone is the conscience we just ignored

Gone are the signs that told us where we’re going

Gone are the fences that barred the way

Gone is the fear that kept the whirl winds blowing

But, will our history still remain?

 

The scent of cold, clouds of breath before us

the glaring blankness beyond the door

The atmosphere fills an empty chorus

our footsteps crush on the barren floor.

 

It fades away

the darkness seeps through the waning bright

It fades away

 

5. Cardinal Red

 

Dead and dark

at the start

it arrives and everything melts away

 

Damp and cold

withered old

then a shower of birthdays begins and its

 

Cardinal Red, Kelly Green

icicle songs surrendering

All that’s gone, tomorrow brings

on newborn wings

at the end and beginning of all in between

 

Past my prime

but I find

this reminds me of all that’s new

 

rain street shine

mudded vines

when that eastern wind plays with the pinwheels its

 

Cardinal Red, Kelly Green

Winter white world surrendering

All that’s gone tomorrow brings

on newborn wings

at the end and beginning of all in between

 

Cardinal Red, Kelly Green

Winter white world surrendering

All that’s gone tomorrow brings

on newborn wings

at the end and beginning of all in between

at the end and beginning of all in between

 

6. Drift

 

Smokey beam through black curtains

jump on and ride into the blue.

we could lay here through midday.

sleep in the cool shades of our youth.

 

Third person life-long big plans

lay ashen in the light of noon

one peek outside the porthole

retreat inside our bed sheet womb

 

Unconscious at the break of day

hoping one day we’ll find a way

to drift into the sun.

 

In steaminess and salt breeze

wake in the chrome of ocean calm

pale sky dome radiating

we listen to each seagull psalm

 

we’ve found so many ways to play

and when the mainsail starts to sway

we’ll drift into the sun.

 

wave lullabye of white noise

sleep on warm sands of your life.

 

7. Second Time Mistakes

 

There’s that feeling on the river’s shore

Double deja-vu knocks on the door

Held the winning hand and then we played a losing game

now our almost famous run is not worth two-bits.

 

Bitter memories flash a nervous grin

face-to-face with history’s ugly twin

If we look beyond sweet circumstance

and give ourselves this loser’s chance

this won’t be your second time mistake

 

Now its time to take a hand and ante up again

Can we break the house with just a pair of deuces?

 

Cast your fate and see what chance creates

can’t two suckers catch a lucky break

If we look beyond sweet circumstance

give ourselves a loser’s chance

this won’t be your second time mistake.

 

8. Consolation Prize

 

Now, when the gameshow‘s over

And you’ve answered every clue

You were the title-holder

A one-man wrecking crew

 

Clutching the trophy tightly

You thank all the family

And to the friends who finally

Made you stop and see

 

You win, you lose You pay your dues

And then you realize

That all it’s worth ‘s a consolation prize

 

Standing beneath the spotlights

The announcer waits his cue

This was to be your big night

But, now you see the truth.

 

After he thanks the sponsors

He holds out his hand to you

“Congratulations, loser! Here’s to all that you could do.”

 

CHORUS

 

To be human is to err and

that’s when it came unglued

you stood there all transparent

to everyone who viewed.

 

The tabloid paparazzi

struggle for a decent shot

the ten o’clock reporters

want their 15 second spots.

 

CHORUS

 

9. Smitten

Some people say it’s an unhealthy obsession

That I’ll win the trophy for the dunce of the year

But, I’m just hoping for an honorable mention

‘Cause, I see the blows coming but I just can’t get clear I was….

 

Knocked Out, Tripped Up, Smacked down

Smitten by the charms of a good friend’s friend

Left hook, right jab, ropes bound

Smitten and its too bad this has to end

 

Well, I must say she has the form of a champion

Smart and strong and unbelievably young

Drinks an amaretto sour all the way to the bottom

Ties the stem of the cherry in a knot with her tongue I was….

 

CHORUS

 

I’ve been training to resist all temptation

I’ve spent time shadow boxing my will

But, it seems my common sense is all on vacation

and my head feels like its been drowned in a still.

 

Now, I can shake off any surface attraction

But, she’s got some kind of hold over me

I’m just trying to avoid a distraction

that leaves me punch drunk out in the street

 

She says she’s had more than her fair share of attention

with bar room stalkers that don’t realize

she knows martial arts but, that’s no point of contention

what I really want to know is can she use them on me…

 

CHORUS

 

10. Impersonal

 

Gifts are all pre-packed

in brown paper bags

no gift wrap or tags for you

 

Love notes all pre-signed

with those common rhymes

sterile closing lines make it

 

Impersonal, cold and unreachable

getting too close is so unbearable

but, changing your ways won’t be unavoidable

it’s undeniable

in love you can’t be impersonal

 

You live without pain

net no loss or gain

nothing to complain about.

 

Stay just out of touch

never say too much

never raise a fuss or doubt that you’re

 

CHORUS

 

Maybe all you need

is some soul’s sympathy

an opportunity to change

 

Someone who can see

impersonality

is just your way to be afraid.

 

that’s why you’re

 

CHORUS

 

11. Maybe It’s Time

 

Wake up, you’re dreamin’

I heard you silent screaming so loud

those demons are coming out

 

Each breath is chokin’

you’re body’s badly brokin’ I know

you’re hopin for no more doubt

 

So maybe its time to think about the time that we’ve got

Maybe its time to change our plans and open our hearts

Maybe its time to count our friends - the ones we forgot.

Maybe its time. It’s time.

 

When each day escapes us

I know we should be gracious when life

ain’t painless But, things just go wrong

 

For you its harder

you’ve traveled so much farther But, I know.

Your'e you smarter and bound to live strong.

 

CHORUS

 

I know its easy for me to say

when my life goes easy from day to day

But, you’ve showed me all the ways the world can be cruel

Well, what should we do?

Think world would just be fine if we all had time?

 

CHORUS

 

Autumn House Credits

 

Words, Music and Arrangements by Jeff DeHerdt

 

Jeff DeHerdt vocals, piano, blah, blah......
Jack Helsley No, it's not a cello
Harry Goodloe feels and fills
Peter Kienle guitarmophone
Mike Stricklin mind-blowing sax
Tom Clark even more mind-blowing sax
Toni Bosten easily better vocals than Jeff's
Dave Weber percussion. Because, I made him.

 

Piano Tuning: Wonchul Han
Recording Engineer: Dave Weber
Produced by: Dave Weber and Jeff DeHerdt
Recorded at Airtime Studios, Bloomington, IN
Photography by: Steve Griffey

Special Thanks to:

Jessica: for still putting up with my hobbies.

Grayson: for singing Dad's songs better than Dad.

Julian: for laughing at nothing and everything.

Dave Weber: For not going insane at any point in this project.

All the musicians: For not rolling their eyes..well, most of the time. Also, for doing that third take even thought the first two were fine.

My family: for encouraging me to be a musician in their own unique way.

 

Jack Helsley: For helping me count to four on a 5/4|3/4 song and for having a sense of humor.

Harry Goodloe: For fleshing out all the drum parts and making them his own.

Mike Stricklin: For making the sax parts better than just the notes printed on a page.

Tom Clark: For making the sax parts have more heart than they had written in them.

Peter Kienle: For doing all those crazy solos and giving every song more rich texture.

Toni Bosten: You're vocals sound so good, I just had to record you  multiple times on these songs.

Dave Weber: For his engineering prowess, his knowledge of music in general and his ability to make things sound better behind my back. The recording wouldn't sound as good without you.

Steve Griffey: For helping me with the look and feel of this CD. You have a great eye for what you photograph. You even have two of them.

 

Bill Lancton, Wendy Reed, Jeff Reed, Darren Vincent, Larry Sauer, Lisa Sauce, Michael Beck, Terry Wilson, Greg Anderson, Dave Allee, Dave Andricik, Tony Fese, Sean Baker, Rob Dixon, Jennifer Kirk, Sam Withrow, Fred Withrow, Paul Holdman, Bryan Meyers and all the people I have worked with who have kept work coming my way: There would be no CD without you. There would be no music career without you.

Steve Allee and Claude Sifferlin: Who's early mentoring was priceless, and who I am still in awe of.

Dave Allee: For opening and maintaining one of the best Jazz Clubs in the Midwest

Dave Andricik: For one of the best hole-in-the-wall jazz bars in the midwest.

Darren Snider: For teaching me all about podcasting and new media (what little I know) and for showing up to a lot of my gigs.