Philly Favorites : The Turbans©2000JCMarion
The Turbans became a Philadelphia legend for being in the right place, at the right time, with the right sound. Their place in the history of R & B vocal group music is much greater than the recorded history of the group, certainly owing to the fact of the timelessness of their two best known songs. The original members of the Turbans were Al Banks - lead singer, Matthew Platt - tenor, Charles Williams - baritone, and Chet Jones on bass. After getting their act together and working on their harmonies, group manager Herman Gillespie made contact with Al Silver the head of Herald Records in New York, one of the premier Eastern independent R & B labels. Soon in mid 1955 a recording session was set up and an uptempo tune written by Jones called "When You Dance" was to be coupled with a tune called "Let Me Show You (Around My Heart)" with the latter song to be the featured side.
After a few weeks out and on the radio, it is apparent that even though "Let
Me Show You" is a favorite in their hometown of Philadelphia, it is the
uptempo multi-rhythmed "When You Dance" that has captured the ear
of the record buying public. The release for Herald on #458 starts to get national
airplay and by November breaks out into the pop music market. The unique combination
of a rumba styled Latin rhythm on the vocals and straight ahead 4/4 R &
B behind the sax break catches the ear on radio in 1955. Al Banks lead ranging
from baritone to swooping falsetto in front of superb three part harmony, and
the bass tag line at the end of each verse is a "can't miss" vocal
group formula for Herald. In December "When You Dance" is on the most
played lists in major cities including Atlanta, Boston, and Detroit. In the
motor city, The Turbans appear in a sold out show in early December with Detroit
radio personalities Robin Seymour and Mickey Schorr.
In January of 1956 The Turbans sign on for a big R & B package tour that
also includes Bill Haley, LaVern Baker, Shirley & Lee, The Platters, Drifters,
Five Keys, Joe Turner, Bo Diddley, Roy Hamilton, and Red Prysock & his band.
The tour will start in Pittsburgh and cover the Southeastern states. In February
Herald releases the followup to "When You Dance" on #469. It is "Sister
Sooky" and "I'll Watch Over You". The Turbans do some dates in
the Midwest with Guitar Slim, including a week at Kansas City's Orchid Room.
"Sooky" gets airplay and sales in the Eastern half of the country,
as listeners are intrigued by the multi-rhythmed format used on "When You
Dance", and the tag line of "she's gone to Egypt". The exceptional
backup vocals of the group behind Al Bank's lead is outstanding. In March the
group plays the Circle Theater in Cleveland with Dakota Staton and Paul "Hucklebuck"
Williams.
In April The Turbans join up with another big touring R & B show, this one
titled "The Big R & B Show of 1956". Featured performers with
the group are Fats Domino, Ruth Brown, Little Richard, Al Jackson, The Cadillacs,
Sweethearts, Little Willie John, and Choker Campbell & his band. The show
will tour for six weeks and include the Southeast, Texas, parts of the Midwest,
and Toronto, Canada. After the tour finishes up Herald releases a new side from
The Turbans on #478 - "I'm Nobody's" and "B-I-N-G-O". In
July the group hits the road again this time with Sonny Boy Williamson throughout
the Midwest. Herald pushes the ballad side of the newest release "I'm Nobody's"
hoping for a breakout in the pop market but so far they have been unsuccessful.
In September Herald tries again with #486 - "It Was A Night Like This"
and "All My Love". In October The Turbans pay a return visit to the
Circle Theater in Cleveland.
In 1957 the year sees the last two recordings for Herald Records by the group.
Early in the year Herald #495 features "Valley of Love" and "Bye
And Bye". It does not do well and the group has to rely on in person appearances
with name recognition from their first two hits for the label. There was a long
delay in their next and last recording for Herald, which was released late in
the year. It was a classic ballad called "Congratulations", and was
backed with a throw away jump tune called "The Wadda-Do" on #510.
The ballad side initially did well but then kind of got lost among the great
number of records that were released at the time. In later years the ballad
side has become one of the most performed tunes by a capella groups and other
vocal groups keeping the sound of the music alive. In early 1958 however the
label was pushing the jump side in trade publications. Into the early spring,
"Congratulations" seems to be making strides in overcoming the flip
side as the hit for The Turbans.
By late April the record had run out of steam and so had the relationship between
Herald Records and the group. The Turbans recorded sporadically in the next
few years, none of the releases did much of anything to improve their fortunes.
There was one side for Red Top - #115 which featured "I Promise You Love"
and "Curfew Time"; two releases for Roulette - #4281 - "Diamonds
And Pearls" / "Bad Man" and #4326 - "I'm Not Your Fool Anymore"
and "Three Friends". This was followed by one outing on Parkway on
#820 - a remake of "When You Dance" and "Golden Rings".
Three forgettable recordings for Imperial in the early 60s ended the recording
career of The Turbans. In later years Al Banks spent some time with the post
Ben E. King Drifters. There was one last memorable turn for The Turbans. It
came in 1970 in a doo wop reunion concert at New York's Academy of Music, and
a live recording exists of Al Banks and the group offering up "When You
Dance" and "Congratulations" one last time. The ballad side shows
the group still had the means to deliver the goods. And deliver they did for
a time in the mid fifties. The quartet from Philadelphia certainly did not have
the number of hits or the longevity of many others, but the style and the sound
were there and they are never to be forgotten.