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| History | |||||||||
| Since 1988, Momo's work has twisted and turned from physical theatre to dance to music. Definition has proved elusive, changing day to day. "Synthesis" and "hybrid" hit the nails harder than "Butoh" or "theatre." Investigating body and the pre-expressive state grips the work throughout. | |||||||||
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| 1988 - 1995 | |||||||||
| Ink Boat
Uro Teatr Koku TEN PEN CHii Shadowlight Productions Harupin-Ha Vox Theatre |
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