An
essay on metallurgy…or was it alchemy?
Three
albums into their career, with healthy combined sales of 2 million,
HIM felt it was the right time to define a couple of things.
Define HIM the band. Define the music, already commonly known
as love metal. And, last but not least, figure out the deeper
meanings behind the mighty Heartagram!
You
hold the results in your hands, in the compact form of "Love
Metal". One and a half years worth of exploration and soul
searching, as well as the time-honoured tradition of 'working
one's ass off’, has gone into these ten songs.
"There
we were. Gas a hopeless Slayer addict and Burton completely
hooked on Tchaikovsky. Mige getting high on Brian Eno and Linde
tripping on Jimi Hendrix on a regular basis. Me, I was curing
my hangovers with shots of Johnny Cash and Roy Orbison."
The
'me' being Valo, vocals and songs. Gas on drums, Burton on keyboards,
Mige on bass, Linde on guitar. Collectively they are known as
HIM.
"We
had no idea where it would lead us in the end. Whether it would
turn out to be silly psychedelic music or the meanest motherfucker
of metal known to man," Valo grins. "But it felt really
good. We just incorporated all the elements that came naturally
and took it from there. With pretty mediocre success, of course…"
That
last tongue-in-cheek shot reveals that Valo & co. are content
in fact they are immensely proud of their fourth album. Just
listen to that new kind of urgency that's so evident on songs
like "Buried Alive by Love" and "Soul on Fire"!
The deep dark groove of "Sweet Pandemonium"! The sheer
spiritual qualities of "The Sacrament" and "Circle
of Fear". The innocent beauty of "The Funeral of Hearts".
The purgatory that is the epic finale, "The Path".
Consider love metal defined.
"It's
the love of the Summer of '67 getting crushed by the metal of
the post-Altamont world," Valo offers with a sly smile.
"And everything’s happening right here, right now!
In 2003."
The
making of "Love Metal" was a two-dimensional thing.
The album was produced and recorded in Helsinki by Hiili Hiilesmaa,
producer of the very first HIM album back in 1997. Hiilesmaa
is noted for his work with mostly pretty uncompromising metal
bands (Sentenced, Moonspell, Amorphis, Theatre of Tragedy…),
and easygoing as he might be on the outside, in certain respects
he runs a tight regime. Nobody survives his sessions if failing
a serious attitude check!
"What
has always fascinated me about Hiili is the manic way he approaches
recording. The guy is nothing else but metal's answer to reggae's
Lee 'Scratch' Perry! The Mad Scientist. One who always dares
to experiment with things that others dismiss off-hand as crazy
or laughable."The second dimension came about through a
transatlantic move. Next stop was Scream Studios' Los Angeles.
Birthplace of Nirvana’s "Nevermind", Faith No
More’s "The Real Thing" and countless other
latter-day classics. The album was mixed there by Tim Palmer
whose work, especially with U2, caught Valo's attention. A bit
of a surprise, this one?
"Yes
and no. U2's music as a whole isn't really my thing, that's
right. Then again they have songs like "One" and "With
or Without You" that are very close to the thing I try
to achieve, you know, melodically, lyrically and feel-wise.
But always with my own, shall I say, David Lynchian twist to
it," Valo reveals. "Tim did a beautiful job unearthing
all those hidden treasures within our music. I could just sit
back wearing the fly glasses that Bono had left behind at the
studio, and listen to the music sort of unravelling before my
ears."
So
it was as if a piece of Helsinki winter madness had been thrown
onto Venice Beach. Or perhaps a case of LA smog vs. the midnight
sun (with a few English showers thrown in for good measure,
given the fact that Mr. Palmer is indeed a Briton). Light and
darkness clashing. Whatever the case the different elements
complement each other beautifully. The end result is a vibrant
concoction of in-your-face riffs, heavy beats and sweet soulful
melodies.
"I'm
still quite amazed how easy it was in the end, making this album,"
Valo confesses. "But then again, as we all know, Elvis
has already done everything! I guess the man gone and took the
load off our backs."
When
returning to LA for the video shoot of "Buried Alive by
Love" (directed by 'Jackass' honcho Bam Margera and featuring
actress Juliette Lewis of 'Natural Born Killers', 'Cape Fear'
and 'What’s Eating Gilbert Grape?' fame), Valo was touched
to find out first hand that even some of Kelly Osbourne's friends
proudly wore their heartagram tattoos. (Now one has to bear
in mind that Kelly's dad is pretty much responsible for the
HIM guys being in the business in the first place…)
"I
mean, uh… after all, how wrong can you go with a heartagram?"
For once Valo seems a little bit lost for words. "We can
argue about good or bad taste, but it's a sensual symbol, isn't
it?"
Yes,
the heartagram. The same symbol that is displayed on the album
cover has followed HIM from the very beginning.
"We
have such terribly short memory spans that we couldn't possibly
think of having individual symbols like Led Zep did," the
heartist himself laughs. "The heartagram stands for HIM
as a band, as an entity. And for love metal in general."
Harder
than titanium, softer than pure gold, quicker than silver. Red
hot or cold as steel. Love Metal.