| Disc 1 | Damon Smith | contrabass | bass boats and Bevan's beer | 09/22/2001 | the promenade deck | |
| Disc 2 | Tom Bickley | recorder | extended recorder, listening. singing multiphonics | 10/05/2001 | cargo hold number nine | |
| Disc 3 | Brett Larner | gu zheng (Chinese zither) | acoustic sine wave drone | 10/05/2001 | dance theater | |
| Disc 4 | Hugh Livingston | cello | seductive siren sounds seafaring | 10/05/2001 | the art deco salon | |
| Disc 5 | Tony Bevan | bass saxophone | "In the groove, Jackson!" | 09/29/2001 | the engine room | |
| Disc 6 | Henry Kuntz | Mexican log violin | hollowed-out log violin with power drone | 10/20/2001 | electrical ransformer room three | |
| Disc 7 | Philip Gelb | shakuhachi | Rain Sketch #7 (for Eri) | 10/26/2001 | cargo hold number nine | |
| Disc 8 | Matthew Sperry | contrabass | claustrophilia: bass, cymbals, baby, icebag | 10/26/2001 | aft compartment | |
| Disc 9 | Dan Plonsey | baritone saxophone | birdless inspiration, dancing plotless, forward deck, flashlit gloaming, potlid | 01/11/2002 | forward deck | |
| Disc 10 | David Slusser | tenor/soprano sax saxophones | maritime reflection from deep in the hold | 01/11/2002 | gym sub-basement | |
| Disc 11 | Aaron Bennett | soprano saxophone | engine music and saxophone sounds | 01/12/2002 | engine room and escape shaft alley | |
| Disc 12 | Jon Raskin | saxophone, bells, machinery | with Zara Raskin, propeller and air duct a reverberation through a perceived history | 01/12/2002 | gym | |
| Disc 13 | Jerome Bryerton | percussion | dual vacuum cleaners, sprayer, pail, pre-selected cymbals, un-selected thoughts, electric sander, light bulb, broken light bulb, digital timer (beeping) | 10/02/2002 | deck gear closet | |
| Disc 14 | Gino Robair | percussives | eBow snare, faux dax, metal hold walls, suitcase contents, viscous liquid | 02/02/2002 | cargo hold number nine | |
| Disc 15 | Karen Stackpole | gongs | ephemeral eternity of resonance under rain within ventricle of vessel | 02/13/2002 | cargo hold number nine | |
| Disc 16 | Moe! Stoiano | percussion | galley area surroundings, kitchen sink, beating hardened dust from airducts, found metal percussion hit and thrown, buzzer, et al | 02/13/2002 | galley | |
| Disc 17 | Carol Genetti | voice | epiglottis, false cords, vocal cords, arytenoid cartilages, laryngeal ventrical, thyroid cartilage, and superior horn of the thyroid cartilage | 10/20/2001 | view deck passageway | |
| Disc 18 | Joseph Zitt | voice and found objects | rats, maybe ghosts | 02/02/2002 | tween deck interstitial | |
| Disc 19 | Gail Brand | trombone | dark, damp, dank, desperation, decrepit despair, desolate degeneration, doleful, delusional, dire, dim, dreadful, delight. | 02/02/2002 | the metal delivery shaft | |
| Disc 20 | Viv Corringham | voice | around the room, out the door, down the stairs | 02/18/2002 | cargo hold number two | |
| Disc 21 | Christopher Adler | khaen | Lao bamboo mouth organ far away from home | 03/01/2002 | aft compartment | |
| Disc 22 | Alan Lechusza | baritone saxophone | baritone in love with the nostalgia... ...looking for a way out | 03/01/2002 | embarcation deck (forward passageway) | |
| Disc 23 | Patrick OÕKeefe | clarinets (parts and whole) | mysterious creatures of the deep...an empty ship, alone at the bottom of the sea...fading memories...an impressionistic improvisation by a Twin Cities musician | 04/20/2002 | the galley | |
| Disc 24 | Michael Zbyszynski | Soprano sax and powerbook | A colloquy between two very small musical machines and a truly gigantic, immobile ship, focusing on the drive mechanisms. | 03/30/2002 | the propellor room | |
| Disc 25 | kattt sammon | voice | shorts and stops i don't know what i am saying but i said it anyway. this recording marks a period in my work. | 03/09/2002 | the art deco salon | |
| Disc 26 | Ron Heglin | voice | Estuary Sides | 04/14/2002 | deck gear locker six | |
| Disc 27 | Bob Marsh | 10/13/2001 | ||||
| Disc 28 | Jesse Quattro | voice | extended experimental exploring | 05/20/2002 | the embarcation deck forward hatch | |
| Disc 29 | Shoko Hikage | koto | Mikako & Yoji | 02/28/2002 | embarcation deck (transformer room #3) | |
| Disc 30 | Jonathan Segel | violin, charango | embarking/disembarking... oldworld/new world or vice-versa | 04/14/2002 | embarcation deck (hatch to forwad deck) | |
| Disc 31 | Ernesto Diaz-Infante | acoustic guitar | environmental sounds, small fan, vibrating pen, felt, hex wrench, electric toothbrush, steel wool, various sponges, cloth, psaltry bow, marbles, silence, push cart (special guest Jennifer Diaz-Infante) | 04/20/2002 | embarcation deck (ocean side) | |
| Disc 32 | Stefan Poetzsch | violin | acoustic violin in connection with five different objects found on the ship: rhythmical and daramaturgical aspects for improvisation (played with the feet) | 05/22/2002 | the metal delivery shaft | |
| Disc 33 | Tom Djll | trumpet | blasted rustbucket | 03/09/2002 | embarcation deck gear locker 17 | |
| Disc 34 | Phillip Greenlief | soprano saxophone | cries or whispers for Ingmar Bergman | 04/20/2002 | the dance theater | |
| Disc 35 | Benjamin Boone | soprano saxophone, alto saxophone, antique mop pail | four corners and center stage; four characters and forgotten artifacts | 05/22/2002 | metal delivery shaft number one | |
| Disc 36 | George Cremaschi | |||||
| Disc 37 | Robi Kauker | computer & electronics | sounds of the ARTSHIP filtered through another vessel | 01/12/2002 | field recordings from all over the ship | |
| Disc 38 | Tim Perkis | computer/electronics | a glorius windy day, metallic ringing echoes, clapping sails, seagulls, boathorns | 04/21/2002 | embarcation deck (ocean side) | |
| Disc 39 | Jack Wright | soprano saxophone | bellowing up from the belt | 05/13/2002 | metal delivery shaft number one | |
| Disc 40 | John Bischoff | laptop computer laptop computer with circuitry for triggering tibetan bell | electronic synthesis construction in the "lost" cargo hold; thanks to Phil Perkins and Brian Reinbolt | 08/10/2002 | tween deck cargo access shaft two | |
| Disc 41 | Colin Stetson | baritone saxophone saxophone | A Summary of Possible Events Story of the Bunk | 09/21/2002 | tween deck bunk room | |
| Disc 42 | Jacob Lindsay | |||||
| Disc 43 | Aurora Josephson | voice | for voice, barefooted walker /;runner | 09/21/2002 | second deck passageways | |
| Disc 44 | Scott Looney | electronics/processing | This recording is samples of actual sounds made by the ship, processed and manipulated live using a custom Max/MSP setup, then amplified live within the ship. | 09/21/2002 | first platform machine shop | |
| Disc 45 | Sara Schoenbeck | bassoon | ...pausing to reflect in front of the officer's room window while taking a walk on the decks of the ARTSHIP... | 07/18/2002 | observation deck | |
| Disc 46 | William Roper | Chef, Spoken Word, Tuba, Ship | Still Bill's Culinary Engineering with Hugh Livingston: spoken word/guest chef | 10/05/02 | ||
| Disc 47 |
Chris Brown Guillermo Galindo | multichannel, live radio performance Transmission Temescal | installation of 20 boomboxes and clock radios on the decks, with laptop computers, small percussion and voice, recorded in motion in binaural stereo sound | 09/22/2002 | observation and embarcation decks | |
| Disc 48 | Pauline Oliveros | |||||
| Disc 49 |
marchetti noetinger | |||||
| Disc 50 |
Alvin Curran Cenk Ergun | |||||
| Disc 51 |
Fred Frith Uchihashi | |||||
| Disc 52 |
Brett Larner Toshimaru Nakamura | |||||
| Disc 53 | Paolo Angeli | |||||
| Disc 54 | Kazue Sawai | |||||