We live full-time in San Francisco but it doesn’t feel like it because we spend three to four months a year in Europe, mostly in France, mostly in Paris, but with visits to some other places from time to time.
We’ll be back in September of 2014, back in the 5th arrondisement. We’re trying to stay in Paris, or at least in France, this time, not running around a lot to other places (althugh there will be a short trip to Edinburgh in November, to receive an honorary degree from the University of Edinburgh. Otherwise, we plan to stay put.
We’ve been involved in some interesting events related to Do You Know . . . ? The Jazz Repertoire in Action, the book about the music business Rob Faulkner and I published in 2009. Here’s what’s happened since. In 2010 (this seems like a distraction but really isn’t), Dianne and I met Franck Leibovici, a conceptual artist and poet who lives in Paris. He was organizing a project in which he asked artists and others to make something which showed the “form of life” which supported the work they did. He invited us to participate and we did. The results of this project were published in a “Panini,” or “Sticker book,” the kind kids paste stickers of sports figures in, after trading with others. We both said yes and you can see the results in (des forms de vie): une écologie des pratiques artistiques. I wasn’t sure what to do until Dianne reminded me that Faulkner and I wrote our entire book without meeting in person for more than very brief periods and, really, the whole thing was done by e-mail, which thus was the form of life that supported that work. So Rob and I pasted all the e-mails together into a long document, which Dianne edited meticulously, and Franck wrote a Preface for. Of course, no conventional publisher would publish such a thing, but Larry Gross, who among other things is the head of the Annenberg Press, agreed to publish it as an e-book. And so Thinking Together: An E-Mail Exchange and All That Jazz is available now from Amazon, the Apple Store, and other places that handle e-books. And, to top it off, a printed version (yes, on paper! and, yes, in English only) is available from Questions Théoriques. And—a late development—a review by Marc Perrenoud of Thinking Together on the web site of La vie des idées, both the original version and an English translation found on the English language version of the site, Books and Ideas.
And, a second update, the University of Chicago Press will publish What About Mozart? What About Murder? Reasoning from Cases for publication in time for the American Sociological Association meetings here in San Francisco in 2014. This is a book I’ve thought about for years and worked on sporadically, but finally buckled down and finished
Less recently, I participated in two events which have been commemorated in books. Both took place in France. In 2010, Pierre-Jean Benghozi and Thomas Paris organized a colloque (big conference) at Cerisy, a conference center in Normandie, where a bunch of us stayed for five days, enjoying the hospitality of this wonderful institution, and talking about me and my work. The results have now appeared in a book they edited, titled Howard Becker & les Mondes de l'Art Colloque de Cerisy. This book includes a forty-five minute film of the doings made by Giuseppe Viecchi, which contains, among other things, some clips of the musicians who were there, me included, playing during the evenings.
In 2011, Marc Perrenoud organized a meeting in Lausanne around my ideas about the sociology of work, and those papers have appeared, edited by Marc, as Le travail sociologique de Howard Becker (Paris: La Découverte, 2013).
I’ve twice participated in the activities of a group of doctorants at the École des Hautes Études in Paris, doing a question-and-answer session with a pretty big crowd. The people involved have put the results up on the web for people to enjoy at their leisure (the 2011 event and the one in 2012).
Here’s something for the curious. There once was another sociologist named Howard Becker, who was quite famous in his day (roughly the 30s to the 60s). Learn more about him, why we aren’t related, and who he was related to by clicking here.