The colcha stitch is similar to the basma stitich, an embroidery
stitch used by Jewish women making fine silk altar cloths, and to
the bokhara stitch, an embroidery stitch used in Turkey prior to
the Muslim conquest. Roland F. Dickey describes the colcha stitch
as:
a long, coarse stitch in wool yarn, caught in the middle by a
short, horizontal ( or diagonal) stitch. The needle is pushed
through from the underside of the fabric, passed across the top
of the design, and pulled through, leaving a long straight line.
Then the needle is brought to the middle of the stitch and passed
over it at right angles in a short "step-over"
(tie-down stitch) to hold the long stitch flat. Sometimes more
than one "step-over" is used to fasten very long
stitches.
There are many theories as to how colcha embroidery evolved. The
colonists may have been inspired by the flowers and leaves they
saw on East Indian chintz, or indianilla. Such was the case in
Spain, according to Mildred Stapely, who claims:
"The floral designs of almost any Spanish spread can be
easily traced to the printed Indian cotton hangings that came
into the country in the late seventeenth century."
It is also possible that the Oriental silk shawls imported to
isolated outposts of Spain's new kingdom inspired the settlers to
imitate the pretty floral shapes using available, albeit coarser,
materials. Many of the designs used in New Mexican colchas,
including the double-headed Hapsburg eagle, are found in Spanish
and Mexican embroideries. In design and function, the linen and
silk embroidery of Spain and Mexico is closely related to the
colcha embroidery found in the American Southwest.

Link to the above article
with photographs of old colcha on the Spanish Colonial Arts
Society Web Page.
Link to a charming article about Colcha Embroidery
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