Edward H. Bart IV
Detective Fiction
Dr. Johanna Smith
9/29/02

Falkenstein: or The Modern Pandora

        In Caleb Williams, William Godwin examined the consequences of many actions as one of his guiding themes. Each character in his novel typified a particular aspect that Godwin wanted to examine. Curiosity guided Caleb Williams, much like an 18th Century Pandora. Though much attention was paid to the evils in existence, it should not be forgotten that curiosity was the instigator of Caleb’s troubles, and the means in which Godwin began his examination of the evils of the world. Falkland’s systematic persecution sprung from Caleb’s following the dictates of his curiosity, regardless of the road’s end. Godwin painstakingly detailed the steps that led Caleb from his comfortable existence to his descent into slavery to curiosity; and the consequences thereof. Caleb’s curiosity foreshadowed and paralleled the physical tyranny that Godwin sought to illuminate in the novel.
        Caleb told us in the beginning of the novel, “I had an inquisitive mind” (59). Since he was born to “humble parents” (59), he was given little. So he learned from a young age to use his mind as a means of entertainment and education. During the period Godwin wrote this novel, several philosophical movements were emerging. Today we know one of them as the ‘Age of Enlightenment,’ which prized reasoning above all. Caleb started out as an almost prototypical Enlightened Hero. He overcame his lack of social status through self-education. “My improvement was greater than my condition in life afforded room to expect,” Caleb said (59), establishing his ‘heroic’ credentials. Caleb listed other qualities of his character and person, but the most significant characteristic was curiosity. Caleb himself told the reader, “[t]he spring of action which... characterised the whole train of my life, was curiosity” (60).
        However, early warning signs were planted in the novel, telling the reader that Caleb’s “inquisitive” nature may not uphold Enlightened ideals. Caleb’s appetite for knowledge was nearly limitless. No less than the sum of all knowledge seemed to be enough for Caleb since he said, “I could not rest till I had acquainted myself with the solutions that had been invented for the phenomena of the universe” (60). While this might seem admirable, it lacks the practicality that characterized Enlightenment. What did a young man from a poor family living on a nobleman’s country estate need with the sum of all human knowledge?
        Still, his curiosity propelled him on to gather information and learn more and more. Describing the experience of reading, Caleb said it was as if books “took possession of my soul” (60). This is one of the first instances that the reader sees Caleb’s thirst of knowledge as a powerful force larger than Caleb himself. Upon moving into Falkland’s home, Caleb made the transition from feeding his curiosity on books to feeding on living beings, in particular, on Falkland. The reader sees that the force of Curiosity in Caleb was easily provoked, because he “was excited by every motive of interest and novelty to study” Falkland’s nature (62).
        Soon, Caleb was presented with his ‘Pandora’s Box,’ a mysterious trunk which Falkland kept locked most of the time. One could say that the trunk represented Falkland himself, making him into a living ‘Pandora’s Box.’ Falkland’s strange behavior could not escape Caleb’s curious eye. After encountering Falkland by accident in a private chamber, and hearing him lock his trunk, Caleb’s curiosity was stoked further. “My mind was too much disposed to meditate upon what I had heard and seen” (64), Caleb said. In spite of his original intent to maintain secrecy, as well as in spite of proper decorum, Caleb shared his knowledge with Mr. Collins, a longtime servant of Falkland’s. In a later situation, where Caleb discovered a private letter of Falkland’s, he said, “another time perhaps my curiosity might have given away to the laws of decorum” (188), but Caleb instead reads the letter. His curiosity pushed him in directions that should have not been taken, and Caleb said it only “inflamed his curiosity” (66), to learn more. Much like a Greek tragedy, events began moving towards an single unavoidable end.
        After Mr. Collins told Caleb more about Falkland’s earlier years, Caleb
“brooded over” (179) the new knowledge. Amazingly, Caleb’s curiosity transforms a “sufficiently distinct and satisfactory” account of Falkland’s past into something “mysterious” (179-180). Later Caleb said, “[t]he mind is urged by a perpetual stimulus” (199), which if taken in conjunction with the transformation of Falkland’s history, the reader sees that Curiosity becomes a force that sustains its own existence. What Caleb says only supports this idea:

                “[I]t seems as if it [the mind] were continually approaching to the end of its race; and as it promises itself in that satisfaction an unknown gratification, which seems as if it were capable of fully compensating any injuries that may be suffered in the career” (199).

In other words, Curiosity holds out a carrot in front of Caleb, forcing him to seek and devour more knowledge. Here, Curiosity transforms into a tyrant. “The curiosity which,” Caleb said, “constitutes my ruling passion, stimulated me to make it [Falkland’s mystery] my perpetual study” (194). Caleb used the words “ruling passion” making it impossible to avoid drawing any parallels to human rulers such as kings, barons, or wealthy landowners. All of these comparisons equaled tyrants in Godwin’s eyes.
        Later in the novel, when Caleb was setting out to escape from Falkland’s household, he pondered the state of life. “[M]an is fated to be, more or less, the tyrant or the slave,” Caleb believed (238). If a reader asked whether Caleb was the tyrant or the slave, in regards to his curiosity, the answer is obvious. On more than one instance, Caleb answered that question explicitly. For instance, curiosity, he said, was the “principle that ruled me with absolute dominion” (191). Falkland himself even answered this question, as he finally revealed his long held secret to Caleb. “To gratify a foolishly inquisitive humour, you have sold yourself,” into slavery, Falkland said (215). It is interesting to see that Falkland used the same word Caleb described himself in the first page of the novel, “inquisitive.” What once appeared to be an admirable characteristic turned out to be a tragic flaw.
        Caleb’s curiosity was so powerful it even controlled Caleb’s own physical acts. In addition to the conscious acts of spying done in order to sate his curiosity, Caleb found himself completely taken over by Curiosity. Caleb was lying when he said, “I know not what infatuation instantaneously seized me” (210), making him grab a prying tool and seek out Falkland’s secret trunk. “[U]ncontrollable passion was added to my bodily strength” (211), Caleb said when he described breaking open the trunk. The whole act was described as “an act of insanity” by Caleb (211). Curiosity had displaced his own sense, and controlled his body.
        The reader can apply the myth of Pandora’s box to this particular ‘insane act.’ Caleb’s act of opening Falkland’s trunk precipitated the calamities that hounded him for the rest of the novel, much like Pandora’s opening of her box faciliated the release of evils into the world. Also, Falkland took advantage of Caleb’s actions to accuse him of theft. Falkland showed an impartial witness the “trunk standing in the apartment with its locks and fastenings broken” (250), with the intention to use this against Caleb. In the myth, the last thing trapped and locked away was Hope. Caleb, in writing to Mr. Collins, ventured a guess on the contents of Falkland’s trunk. “[T]he secret it encloses, is a faithful narrative of that [Tyrrel’s murder]” but like Hope locked away, the “narrative will probably never see the light” (423).
        Though the events that recounted Caleb’s insatiable curiosity take up only a small part of the entire novel, it is significant enough to be established as a major concept. Godwin explained that he wrote the novel in reverse order. “I invented first the third volume of my tale, then the second, and last of all the first” (445). This gives more weight to the early parts of the novel, in which we are introduced to Caleb, and his curiosity. Godwin had been intimate with Caleb for a long time before we were introduced to him. In writing of tyranny and the consequences thereof, Godwin instilled his ideas into the form of Curiosity in Caleb, which set off the whole chain reaction that resulted into the first book he wrote, Volume Three. With this in mind, the opening paragraph of Caleb Williams take on new meaning.

                “I have been a mark for the vigilance of tyranny, and I could not escape. My fairest prospects have been blasted. My enemy has shown himself inaccessible to entreaties, and untired in persecution. My fame, as well as my happiness, has become his victim” (59).

        The superficial explanation is that Falkland is the enemy spoken of in the opening lines of the novel. However, when the importance of Curiosity is gauged, it becomes clear that Godwin very well could be speaking of Caleb’s own curiosity as he started Caleb’s memoirs. Caleb couldn’t escape this tyranny because it was part of himself. The force of Curiosity resisted common sense, the laws of decorum and Caleb’s own conscience. It was tireless in its persecution of Caleb, not allowing him to do anything but dig further and further. If it were not for his curiosity, Caleb would have never learned Falkland’s secret, and Falkland wouldn’t have needed to use his powers to discredit Caleb’s reputation. The obvious tyrants in this novel were Tyrrel and Falkland, but it must not be forgotten that the tyranny of Caleb’s curiosity was the prelude to the tyranny of Falkland.
        Caleb had resolved to “never fill the part of either the oppressor or the sufferer” (239), but he failed to realize he was both the tyrant and the slave. Caleb could do nothing else but pry open Falkland’s trunk and Falkland’s own soul to satisfy Curiosity, just the same as Pandora couldn’t resist opening her gift box. As Caleb and Pandora opened their boxes, the evils of the world manifested themselves, dooming them both.

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WORKS CITED

Godwin, William. Caleb Williams. Ed. Gary Handwerk & A.A. Markley. Orchard Park: Broadview Literary Texts, 2000.