Craig D. Forrest: Producer-Director-Writer
Workshops
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A PASSION FOR TEACHING, INSPIRING & MOTIVATING

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Cartagena Lighting Workshop

Craig Forrest is available to speak at your next bootcamp, seminar, conference or class on film & video storytelling. With a 30 year career as an award-winning television and documentary producer-director-writer, Craig can lead discussions and workshops on specific aspects of visual and sonic presentation, successful production techniques, current media trends and cultural relevance in a digital age.

His speciality is in international/global on-location filmmaking. On-assignment travel has taken him to 95 countries and 6 continents. His seminar "Commando Tactics for Successful Overseas Production" is a popular topic for young filmmakers armed with lightweight digital cameras, an Apple laptop to edit their footage, a box of videcassettes and a plane ticket to a faraway, exotic location.

APPROACH TO STORYTELLING

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The Amazing Race (CBS)

Dear Dean, Professor, Workshop Leader or Media Conference Organizer,

CNN senior correspondent, Christiane Amanpour, once said, "If you tell a compelling story, they will watch." That's very true. But the larger questions for fledgling filmmakers are a) what is your story? and b) who are you telling it to? My forte is in single camera, non-fiction storytelling. Today, this can encompass unique elements in documentary filmmaking, newsgathering or visual communication. Recent influences in cinematic storytelling range from direct cinema, cinema verite and the British Documentary movement to modern day political segs, bios, profiles, reality television and cutting-edge video blogs.
 
Despite having been introduced rather late to film in the 1970s, my appreciation ranges across a vast spectrum: early cinema, Silent film, German Expressionism, Russian film, Italian neo-realism, Third cinema and Celtic film. I love equally the works of the classic Hollywood directors, the "movie brats" and many of today's cutting-edge, avante garde filmmakers. From art house to action flick, I'm a true film aficionado. Plus a "boomer" who grew up with great 60s tv. A bowl of popcorn & Dick Van Dyke? I'm there.

Genre study - whether comedy, westerns, suspense or film noir - has had an enormous impact in my approach to current cinematic storytelling and tv production, both secular & spiritual. If you don't know what your story is, understand audience expectations and receptivity, or perceive the normative conventions of your chosen genre, then you're like a traveler without a road map: Be prepared from the start to get lost.

So, how can I help your aspiring students, artists or filmmakers tell their stories?

Craig


EDUCATION/SPEAKING/WRITING

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EDUCATION:
Master of Arts, Film Studies
Conservatory of Motion Pictures, Dodge College of Film & Media,
Chapman University, Orange, CA (magna cum laude)
Bachelor of Science, Biblical & Theological Studies / Ministry,
Bethany University, Santa Cruz, CA
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CLASSROOM GUEST SPEAKER:
Biola University, Pepperdine University, Vanguard University, Bethany University, Fuller Theological Seminary, Continental Theological Seminary, 
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WORKSHOP PRESENTER: 
IGNITE Media Conference (2007), Latin America School For Correspondents + COICOM Conference - Cartagena, Columbia (2007), Biola Media Conference (2005/2006)
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AUTHOR: 
"7 COMMANDO TACTICS FOR SUCCESSFUL OVERSEAS TELEVISION & VIDEO PRODUCTION" - NRB Magazine - Jan/Feb 2002
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AUTHOR: 
"The Influence of Alexander Mackendrick on the Kailyard Film Sub-Genre" Chapman University Master's Thesis - May 22, 2008, pp 181.
Synopsis: A heavily researched, in-depth exploration of American-Scot film director, Alexander Mackendrick, and his role in influencing a pocket genre of Celtic film. The thesis successfully argued that Mackendrick - through Whisky Galore! and The Maggie - forever influenced future "kailyard" films such as Local Hero, The Wicker Man, The Englishman, Saving Grace and Waking Ned Devine. Mackendrick introduced dark comedy, insider conspiracy, foreigner humiliation and grown-up children to Celtic village storytelling on film.