Home | Back Issues | Current Issue
The Centrifugal Eye's Archives
Poems: Davies


              gram   Davies

"Knell"
knell.jpg
E. A. Hanninen - 2006

 

                               



A Reading From the Book of Change
            Duration and The Well




Wells city calls to me - its lowing, cathedral bells submerged,
the pregnant toll of whales - draws me along, as if water,
through narrow streets like caves. I stir,
lifted from a loam of wont, become aware
of an ambulance ululating on the Glastonbury bypass;
somnambulance propels me to gaze at piebald night,

a cavernous well I must never fall into, but may draw divinations from.
Floating on the moor, road-lights are creamy fish-eyes,
squirming in prehistories of lime beneath Chedder Caves.
Church-masons of times past used the stone to cast suggestions upward,
seashell fingers pointing to an emptiness of sky. Likewise
for the warning lights strung on the telecom mast, red

devil-marks suspended, weightless in a pencil-scaffold,
poised between cats-cradle cables, thrumming in freezing fog.
Trains ran across those watery levels once, you said,
iron behemoths in harness, drawn by the daemon
Progress, hungry for more than coal; purpose
is revealed within the lay of changing lines.

Whatever possessed you to move your houseboat
half-across England to Bath, when, over the Lee,
the view onto Hackney marsh, a flat-block horizon,
felt the same? Overhead wires, electric trains and distant sirens
with the charge of moving us, even in that hardened blister,
London. Walking home, tawny owls in cemetery yews

make hoax-calls to fool their rivals, older males. I grew up
believing people live in houses. Now, awoken by the pounding
blip, a Nokia cell-phone near the stereo, I turn around to read
your message, gazing from the hollow window of my single
room. Outside, distant floodlights wash over shell-cone spires,
frozen tallow candles; nothing stirs, entropy is held at bay.

You texted me your dream, a warning of consuming,
owl-eyed engines, only saved by knowing trains
cannot climb stairs. I am neither fooled nor swayed, but well-
aware the lines are changing. Fallen yarrow tells why stars
resound with such a cadence of importance: they remain
a ceaseless reassurance of a deeper source that will not ever cave.




A Reading From the Book of Change – Duration and The Well
was nominated for a Pushcart Prize in 2007.


 


Insoluble



He loved her, he hated her

schizophrenia, un-spooled
himself like film to catch

her spitting mind, insoluble
nova, caesium dissolved
in a watery crucible; her sweat-

soaked hands. He clutched
her like a cut across the gut,

terrified he loved her
the same way a camera
loves old photographs.


 


Euthanasia of the Big Yew



When the surgeon goes in, who decides?
I cried as they chopped down the big yew -
callous yet careful, chainsaw for scalpel -
every crooked elbow to the nook, each knuckle,
dropped against the mildew, bucked and shook
one hallowed second, lingered until standstill.

Home now, light a candle, stay the night up
doing vigil; anger spills like amber resin, setting
recollection: snaking brontosaurus necks,
their heads of teal needles, dotted ember-red;
thick-rutted flesh, split-hollowed chest,
smooth, ruby tears of glue; embedded
roots, asleep beneath a sheet of cast-bronze darts;
wrenching as I wept and watched them take apart the yew.


 


You Mummers of Lounge and Parlour



Role-Play Gamers, charmed
by magical, cast-plastic dice; strolling
players on your sofas, pastoral
fancies, tinged by nightmare, passed
like biscuits over coffee tables. Brave
enough to take the extra slice—
while other men and women laugh
in the right places, wear their rictus-masks
and train for adulthood's dark hood
—you dare to differ, lose face, don
the rigours of a visage not your own.
Solve problems unrelated to taxation,

pensions, matrimonial vexations, homes.
You, optimist, you, wish-smith, dungeon-
delver, fantasist, naïve and sly.
Arrival is as nothing to the travel;
you smile at dilemma – tousled, matted luck,
at misdirection – twisted, gnarly death.
You love like sisters, brothers, templar
knights and heralds of bardic justice;
fair as physicists and passionate as priests,
you ward-against gangrenous undeath with faith
in fables, shared and interactive mythos.
Even life's cold, burning riddles hold
a grail of lust.


Gram Davies was born and lives in England, where he survives on a low income in the relatively affluent vale of Taunton Deane, Somerset. He is twenty-seven years old, and grew up in a rural location near Sedgemoor, on the edge of the levels. Poetry and music have been integral to his life since childhood. He has few aspirations toward fame or fortune, preferring the close-knit community of the internet and a few carefully chosen friends. His career-path has continually suffered in favor of his "spiritual path", a term he abhors except with reference to direct experience of nature and the people he loves. He feels that poetry means nothing until shared.
 

Return to The Poems: February 2006

Return to Back Issues Index



Copr. 2005-2009 The Centrifugal Eye - Collected Works. All Rights Reserved.