Cynthia Toops & Dan Adams
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Cynthia Toops - A Quick Biography

Cynthia has been working with polymer clay since the 1980s. While she is known for her figurative micromosaic pieces, in the last few years she has been concentrating on thin sheet work, creating the cone and claw necklaces and the rolodex series. Most of her work is inspired by ethnic jewelry and ancient beads which she and her husband collect. Cynthia has a BFA in printmaking from the University of Washington and a BA in Biology from Drake University. She spends long hours researching and planning work with Dan Adams, her husband and collaborator. Besides her jewelry work and teaching, she enjoys sushi .

Dan Adams - A Quick Biography

Dan began collecting beads and working with polymer clay in the 1980s before switching to glass in 1990. Most of his lampworked glass beads are created with a piece of jewelry in mind rather than as individual beads. His interest in old beads is often reflected in his own work - the Warring State bead series, the artifact and spindle whorl necklace series. Although he and Cynthia often collaborate on pieces, in recent years they have worked more independently. His latest interest is in enamelled glass beads. Dan graduated from the University of Washington with a degree in Anthropology and also has an AA in Histotechnology. Besides making jewelry and teaching, Dan works full time as a laboratory technician and department supervisor.


















Joint Resume

Cynthia Toops



BA. Biology, Drake University, Des Moines, IA. Summa Cum Laude, Phi Beta Kappa, 1979

The Factory of Visual Arts, Seattle WA., 1980-1981

BFA. Printmaking, University of Washington, Seattle, WA., 1983

Pratt Fine Arts, Seattle WA., 1989-1990



Daniel Adams



BA. Anthropology, University of Washington, Seattle, WA., 1988

Pratt Fine Arts, Seattle, WA., 1990

AAAS. Histotechnology, Shoreline Community College, Seattle, WA. Phi Theta Kappa, 1995



Museum Shows



- Trajectories, The Bead Museum, Glendale, AZ. 2006-2007

- Kobe-Seattle Sister City Exhibition, Kobe Lampwork Glass

Museum, Kobe, Japan, 2006

- Building Traditions: Gifts in Honor of the Northwest

Collection, Tacoma Art Museum, Tacoma, WA. 2003-2004

- Convergence/Divergence, Goldstein Museum of Design, St.

Paul, MN, 2004

- An Exploration of Polymer Clay, Kentucky Museum of Arts &

Design, Louisville, KY, 2004

- Obsession: A Ten Year Affair With The Bead, The Bead

Museum, Glendale, AZ; The Studio - The Corning Museum of

Glass, Corning, NY. 2002

- The Ring, Wustum Museum, Racine, WI. 2001

- Fantasies In Glass, Loveland Museum, Loveland, CO. 2001

- Incredible Clay: Feats of Polymer, Bead Museum, Glendale,

AZ. 2000-1

- Under The Influence, Tacoma Art Museum, Tacoma, WA 2000

- The Beaded Universe: Strands of Culture, American Craft

Museum, New York, NY. 2000

- Bohemia to America-20th Century Glass Beads, The Bead

Museum, Washington DC 1999

- In Praise of Plastic, Ohio Craft Museum, Columbus, OH.

1999

- Contemporary American Glass Beads, Glasmuseum, Ebeltoft,

Denmark, 1998-1999; The Finnish Glass Museum, Riihimaki,

Finland Feb 4 – Aug 10, 2000

- The Contemporary Glass Bead and Jewelry Show, Rockwell

Museum, Corning, NY. 1998

- The World Glass Bead Exhibit, Ceramics and Folk Craft

Museum, Toyota City, Japan 1998

- The Beaded Universe, Mingei International Museum of Folk

Art, San Diego, CA. 1997

- Sampler Art, The American Museum of Quilts and Textiles,

San Jose, CA. 1996; The Charles A. Wustum Museum, Racine,

WI. 1996

- The Ubiquitous Bead II, Bellevue Art Museum, Bellevue,

WA. 1996



Gallery Shows



- It's All About Beads, PISMO Glass, Denver, CO. 2006

- The Beautiful Bead, Symmetry, Saratoga Springs, NY. 2005,

2006

- The Beautiful Bead, Symmetry, Saratoga Springs, NY. 2005

- 100 Brooches, Velvet da Vinci, San Francisco, CA.;

Bellagio Gallery, Ashville, NC.; East Carolina University

School of Art and Design, Greenville, NC.; - Pacini Lubel, Seattle, WA., 2005-6

- 200 Rings, Velvet Da Vinci, San Francisco, CA.; Obsidian

Gallery, Tucson, AZ.; Gallery M, Cleveland, OH.; Shaw

Gallery, Northeast Harbor ME.; Facere, Seattle, WA.,

2004-6

- Blue, Mobilia Gallery, Cambridge, MA. 2004

- Connections, Mobilia Gallery, Cambridge, MA. 2004

- Faculty Show, Arrowmont, Gatlinburg, TN. 2003

- All Mixed Up, Facere, Seattle, WA. 2003

- Seeing Spots: New Work in Polymer Clay, Florida Craftsmen

Gallery, St. Petersburg, FL.; Houston Center for

Contemporary Craft, Houston, TX., 2002

- Jewelry From Painting, Mobilia, Cambridge, MA. 2002

- Passion Afire, Facere, Seattle, WA. 2001

- Millenial Metal: The Art of PMC, Lynn Tendler Bignell

Gallery, Brookfield Craft Center, Brookfield, CT. 2001

- Quinta Essentia, Facere, Seattle, WA. 2001

- The Ring, Mobilia, Cambridge, MA. 2001

- Illuminating A Medium: A Retrospective On Polymer Clay,

National Polymer Clay Guild Conference, Bryn Mawr

College, Philadelphia, PA. 2001

- Attitude and Action: North American Figurative Jewelry,

Atrium Gallery, University of Central England,

Birmingham, England, 2000; Design Yard, Dublin, Ireland

2000

- Glass/Metal Connection, Facere, Seattle, WA. 2000

- Bullseye's 3rd Bead Annual, Bullseye Gallery, Portland,

OR. 2000

- Millenium Material: The Fine Art of Polymer, Suburban

Fine Arts Center, Highland Park, IL. 2000

- Glass Beads 2000, Glass Gallery Karanis, Tokyo, Japan,

2000

- Beadwork in America 2000, Haydon Gallery, Lincoln, NE.

2000

- Triptych, Facere, Seattle, WA. 2000

- New Century Exhibition, Vespermann, Atlanta, GA. 2000

- 50 Years of Studio Jewelry, Mobilia, Cambridge, MA.

1999-2000

- Sculptural Jewelry, Mobilia, Cambridge, MA. 1999

- The Teapot Redefined, SOFA, Chicago, IL. 1999

- Icons of the 20th Century, Nancy Sachs, St. Louis, MO.

1999

- Book Art, SOFA, New York, NY. 1999

- 8 x 10 in Polymer Clay 99, Elise Winters; Studio

Show, Haworth, NJ. 1999

- Dan Adams/Cynthia Toops: New Work, Mobilia, Cambridge,

MA. 1999

- Polymer Clay Update, Sandusky Cultural Center, Sandusky,

OH. 1999

- New Traditions, Worcester Center for Crafts, Worcester,

MA. 1999

- Faculty Exhibit, Arrowmont Gallery, Gatlinburg, TN. 1999

- Holiday Show, Facere, Seattle, WA. 1998

- Joyce Scott and Friends, Mobilia Gallery, Cambridge, MA.

1998

- Triptych, Facere, Seattle, WA. 1998

- New Material/New Forms: Artists Working in Polymer Clay, - The Lynn Tendler Bignell Gallery, Brookfield Craft

Center, Brookfield, CT. 1998

- Jewelry Without Jewels: Alternatives Materials in -

Contemporary Jewelry, Elsa Mott Ives Gallery, New York,

NY. 1998

- Color, Nancy Sachs Gallery, St. Louis. MO. 1998

- Combined Visions, Obsidian Gallery, Tucson, AZ. 1998

- Light Hearted II, A Valentine Show, Facere, Seattle, WA.

1998

- 8 x 10 in Polymer Clay, Elise Winters’ Studio Show,

Haworth, NJ. 1998

- First Bullseye Bead Annual, The Bullseye Connection,

Portland, OR. 1997

- Polymorphes, Montreal Visual Arts Center, Montreal,

Canada 1997

- Tokyo Polymer Clay Art 97, Tokyo, Japan 1997

- Essentially Beads, Tempe Arts Center, Tempe, AZ. 1997

- Making History - Pushing the Craft of Polymer Clay,

Arrowmont School of Art, Gatlinburg, TN. 1997

- Faculty Exhibit, Bellevue Community College, Bellevue,

WA. 1997

- The Teapot Redefined, SOFA, Chicago, IL. 1997

- Artifacts, Mobilia, Cambridge, MA. 1997

- The Big Bead Show, Facere, Seattle, WA. 1997

- Alternative Materials, Nancy Sachs, St. Louis, MO. 1997

- Masters in Polymer Clay Exhibirion, Old Church Cultural

Center, Demarest, NJ. 1997

- Beads 97, Worcester Center for Crafts, Worcester, MA.

1997

- Light Hearted: A Valentine Show, Facere, Seattle, WA.

1997

- Northwest Polymer Clay Guild Exhibition, Washington State

Convention Center, Seattle, WA. 1997

- Jaha, Facere, Seattle, WA. 1996

- Tokyo Polymer Clay Art, Kamiji Kakimoto Paper Store,

Tokyo, Japan 1996

- Color Show, Facere, Seattle, WA. 1996

- Tested Compatible, Mobilia, Cambridge, MA. 1996

- Talking Beads, Facere, Seattle, WA. 1996

- Farenheit 96, Anderson Glover Gallery, Kirkland, WA. 1996

- Polymer Beads, The Shepherdess, San Diego, CA. 1996

- Vespermann Annual Jewelry Invitational, Vespermann

Gallery, Atlanta, GA. 1996

- Journey of the Heart, The Art Store Gallery, San Diego,

CA. 1995

- Beads 95, Facere, Seattle, WA. 1995

- National Invitational Bead Show, Artisans on Taylor, Port

Townsend, WA. 1995

- Glass and Polymer Clay Jewelry, Mobilia, Cambridge, MA.

1995

- National Jewelry Art Competition, Facere, Seattle, WA.

1994

- Washington Beadmakers Exhibition, Seattle, WA. 1994

- Absolutely Beads, Beads and Beyond, Bellevue, WA. 1994

Society of Glass Beadmakers Exhibition, San Anselmo Art

Glass Gallery, San Anselmo, CA., 1994; Beadworks, Boston,

MA. 1994

- Society of Glass Beadmakers Exhibition, Madrid Supply

Company, Madrid, NM. 1993

- A Wealth of Beads, Portland, OR. 1993



Publications



- Art Jewelry,"A Rarefied Medium"; September 2006

- Beadwork,"Polymer Unlimited", June/July 2006

- Teapots: Makers & Collectors by Dona Meilach, 2005

- 500 Brooches by Lark Books, 2004

- The Complete Book of Glass Beadmaking by Kimberly Adams,

2005

- 1000 Rings, ed. Marthe Le Van, 2004

- 1000 Glass Beads, ed. Valerie Shrader, 2004

- 400 Polymer Clay Designs, ed. Suzanne Tourtillot, 2004

- Bead & Button, "Revisiting Old Friends", No. 58, 2003

- Beads of Glass by Cindy Jenkins, 2003

- Art jewelry Today by Dona Meilach, 2003

- Obsession: A Ten Year Affair With The Bead Catalogue,

2002

- American Style, "Rounded to Perfection", Summer 2000

- AJM, "Beads and Beyond", April 2000

- Beadwork in America 2000 Catalogue, 2000

- Foundations in Polymer Clay Design, by Barbara McGuire,

1999

- Ocean Realm, "Inspired by the Sea", Autumn 1999

- Lapidary Journal, "A Blend of Influences", October 1999

- Lapidary Journal, "Engraved Enamel Beads", October 1999

- American Style, "Cutting Edge Polymer Clay", No.17, 1999

- Bead And Button, "Capturing The Perfection of Pure Form",

No.31, 1999

- Glass, Portfolio: "Beads Across America", No.73 Winter

1998

- Lapidary Journal, "Echos of the Past, Visions of the

Future", October 1998

- Glas Pa Kropen: Contemporary American Glass Beads by

Torben Sode, 1998

- JCK, "Jewelry Without Jewels", September 1998

- Bead And Button, "What Are They Doing Now", No.28, 1998

- The Contemporary Glass Bead and Jewelry Show at the

Rockwell Museum Catalogue, 1998

- The International Glass Bead Exhibition at the Toyota

Folk Craft Museum Catalogue, 1998

- Ornament, "Dan Adams and Cynthia Toops: A Marriage of

Media", Winter 1997

- Polymer Clay by Pierette Ashcroft and Lindly Haunani,

1997

- Bead And Button, "One-of-a-Kind Polymer Clay", No.16,

1996

- Creating With Polymer Clay by Leslie Dierks and Steven

Ford, 1996

- Ornament, "Museum News - Bellevue Art Museum", Spring

1996

- Collectible Beads by Robert Liu, 1995

- Ornament, The Collectors Sourcebook, Special Issue, 1995

- The Bead Directory by Linda Benmour, 1995

- Bead And Button, "People Beads", No.6, 1994

- Ornament, "Master Class: Photographing Your Work", Summer

1994

- Washington Beadmakers Exhibition Catalogue, 1994

- A Gathering - Contemporary Hand Made Glass Beads, 1994

- Color Trends by Michelle Wipplinger, 1992

Our Studio

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