Beethoven: Fidelio, Pizarro Bizet: Carmen, Escamillo Catalani: La Wally, Gellner Cilèa: L'Arlesiana, Baldassare Donizetti: Lucia di Lammermoor, Enrico Floyd: Susannah, Olin Blitch Henze: The Bassarids (Die Bassariden), Pentheus Humperdinck: Die Königskinder, Der Spielmann Janáček: Z Mrtvého Domu (From The House Of The Dead), Šiškov Leoncavallo: I Pagliacci, Tonio Mascagni: Cavalleria Rusticana, Alfio Guglielmo Ratcliff, Douglas Menotti: Amahl and the Night Visitors, Melchior The Consul, John Sorel Mozart: Don Giovanni, Don Giovanni Le Nozze di Figaro, Conte Almaviva Prokofiev: The Love of Three Oranges, Chélio Puccini: La Bohème, Marcello, Schaunard Gianni Schicchi, Gianni Schicchi Madama Butterfly, Sharpless Il Tabarro, Michele Tosca, Scarpia Turandot, Ping Strauss: Ariadne auf Naxos, Harlequin Ullmann: Der Kaiser von Atlantis, Kaiser Overall Verdi: Don Carlo, Rodrigo Falstaff, Ford Otello, Jago La Traviata, Germont Wagner: Das Rheingold, Donner Götterdämmerung. Gunther Tristan und Isolde, Melot Ward: The Crucible, John Proctor

	As Marcello in Puccini's La Bohème: "The most impressive vocalism of the evening came from the Marcello, Brian Davis-a big voiced baritone who should be destined for a major career." Robert Croan, Pittsburgh Post-Gazette
	In the title role of Mozart's Don Giovanni: "Brian Davis uses his rich baritone voice, physical stature and dramatic flair to give us a convincing Don Giovanni." Michael Salzman, El Paso Times
	As Baldassare in Cilèa's L'Arlesiana: "Stealing the show was Brian Davis as the old shepherd, Baldassare. His solid, vibrant sound, beautifully judged phrasing and affecting portrayal elevated the entire performance a significant notch." Tim Smith, Opera News

Operabase	House of Opera	MET Opera Synopses

Don Giovanni

Enrico in Lucia di Lammermoor

Scarpia in Tosca