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"Opera At It's Finest"

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Beethoven: Fidelio, Pizarro
Bizet: Carmen, Escamillo
Catalani: La Wally, Gellner
Cilèa: L'Arlesiana, Baldassare
Donizetti: Lucia di Lammermoor, Enrico
Floyd: Susannah, Olin Blitch
Henze: The Bassarids (Die Bassariden), Pentheus
Humperdinck: Die Königskinder,
Der Spielmann
Janáček: Z Mrtvého Domu
(From The House Of The Dead), Šiškov
Leoncavallo: I Pagliacci, Tonio
Mascagni:
Cavalleria Rusticana, Alfio
Guglielmo Ratcliff, Douglas
Menotti:
Amahl and the Night Visitors, Melchior
The Consul, John Sorel
Mozart:
Don Giovanni, Don Giovanni
Le Nozze di Figaro, Conte Almaviva
Prokofiev: The Love of Three Oranges, Chélio
Puccini:
La Bohème, Marcello, Schaunard
Gianni Schicchi, Gianni Schicchi
Madama Butterfly, Sharpless
Il Tabarro, Michele
Tosca, Scarpia
Turandot, Ping
Strauss: Ariadne auf Naxos, Harlequin
Ullmann: Der Kaiser von Atlantis,
Kaiser Overall
Verdi:
Don Carlo, Rodrigo
Falstaff, Ford
Otello, Jago
La Traviata, Germont
Wagner:
Das Rheingold, Donner
Götterdämmerung. Gunther
Tristan und Isolde, Melot
Ward: The Crucible, John Proctor

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As Marcello in Puccini's La Bohème:
"The most impressive vocalism of the evening came from the Marcello, Brian Davis-a big voiced baritone who should be destined for a major career."
Robert Croan, Pittsburgh Post-Gazette

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In the title role of Mozart's Don Giovanni:
"Brian Davis uses his rich baritone voice, physical stature and dramatic flair to give us a convincing Don Giovanni."
Michael Salzman, El Paso Times

Diamonds 3

As Baldassare in Cilèa's L'Arlesiana:
"Stealing the show was Brian Davis as the old shepherd, Baldassare. His solid, vibrant sound, beautifully judged phrasing and affecting portrayal elevated the entire performance a significant notch."
Tim Smith, Opera News

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Operabase

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MET Opera Synopses

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Don Giovanni

Enrico in Lucia di Lammermoor

Scarpia in Tosca

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