" "Development of Peking Opera: Greeting the opening of The Festival of Peking Opera on Contemporary Themes," (Renmin Ribao Editorial, June 6, 1964). Foreign Languages Press (Peking: 1965) p.97-103
"Carry the Socialist Revolution in Literature and Art Through to the End: cheering the triumphant conclusion of The Festival of Peking Opera on Contemporary Themes," (Renmin Ribao Editorial, August 1, 1964). P.104-114
"The Asian Language," Asiaweek. (February 17, 1995) v.21 n.7 p.58
Arlington, L.C. The Chinese Drama. Benjamin Blom (Bronx: 1966)
Barnstone, Willis. The Poems of Mao Tse-Tung. Harper & Row (New York: 1972) p.99
Brandon, James R. "Chinese Opera," Traditional Asian Plays. Hill and Wang (New York: 1972) p.273-276
Brick, Susan Holme. "Changing Images of Women in the Chinese Popular Theater, 1942-1956)," Literature East and West: Images of Women in Asian Literature. Literature East and West (Austin: 1990) p.74-90
Buckley, Michael. China. Lonely Planet Publications (Singapore: 1994)
Buss, Kate. Studies in Chinese Drama. The Four Seas Company (Boston: 1922)
Cao Xueqin. The Story of the Stone. [Volumes 1-5] Penguin Books (England: 1982)
Chang, Lulu. "Chinese Opera as Music Drama," Asia Culture Quarterly. (Spring 1989) v.17 n.1, p.15-21
Ch|n Chao. Interview. Professor at Fudan University, Shanghai. July 10, 1994
Ch|n Cho H"ng. Lecture at Fudan University, Shanghai. Retired opera performer. July 15, 1994
Chung-Wen Shih. The Golden Age of Chinese Drama. Princeton University Press (Princeton: 1976)
Denton, Kirk. A. "Model Drama as Myth: A Semiotic Analysis of Taking Tiger Mountain by Strategy," Drama in the People's Republic of China. State University of New York Press (Albany: 1987) p.119-136
Dernberger, Robert F. (Ed.) The Chinese. Center for Chinese Studies (Ann Arbor: 1991)
Dolby, William. A History of Chinese Drama. Barnes & Noble (New York: 1976)
Doran, Valerie. "U-nique Journey," Free China Review. (February 1992) v.42 n.2, p.64-73
Esherick, Joseph W. and Jeffrey N. Wasserstrom. "Acting Out Democracy: Political Theater in Modern China," Journal of Asian Studies. (November 1990) v.49 n.4. p.835-65
Feldman, Edmund Burke. Varieties of Visual Experience. Prentice-Hall, Inc. (Englewood Cliffs: 1987)
Findlay, Ian. Shanghai. Guidebook Company Limited (Hong Kong: 1994)
Harding, Harry. China's Second Revolution. The Brookings Institute (Washington, DC: 1987)
Howard, Roger. Contemporary Chinese Theatre. Heinemann Educational Books (Hong Kong: 1978)
Hung, Josephine Huang. "The Price of Wine: A Peking Opera Comedy," Traditional Asian Plays. Hill and Wang (New York: 1972) p.277-308
Judd, Ellen R. "Prescriptive Dramatic Theory of the Cultural Revolution," Drama in the People's Republic of China. State University of New York Press (Albany: 1987) p.94-118
Jung Chang. Wild Swans. Doubleday (New York: 1991)
Ko Ching-Shih. "Energetically Develop and Foster a Socialist Theater, the Better to Serve the Socialist Economic Base [Speech given at The East China Modern Drama Festival]," A Great Revolution of the Cultural Front. Foreign Languages Press (Peking: 1965) p.21-77
Lin Chen. "Hai Rui Dismissed from Office and China's
Opposition Movement, 1958-1959," Drama in the People's Republic of China.