The Daughters and Sons of
the Sun
Sámi
Yoik Artists Visit Native/Sámi America
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The Native American and Sámi American community enjoyed a visit from the Ante Mikkel Gaup family from Gouvdageaidnu (KautokeinoBNorwegian side of Sápmi). Ante Mikkel and three of his six children, Lena Susanne, Sara Marielle, and Lars Ailo were invited to be the featured international indigenous guest artists at the United Tribes International Powwow, September 4-7, 2008. A regular feature of the powwow in recent years has been to have an indigenous cultural exchange group from outside North America and has included groups from the Maori, Aborigine and Inuit, among others. The powwow has had as many as 20,000 spectators and generally has 1,500 dancers and drummers representing tribes from all over North America. They performed with the name "Daughters and Sons of the Sun," derived from the Sámi creation story which says that we are descendants of the children of the Son of the Sun. Lars Ailo was on hand to help out and sell doudji (Sámi handicrafts), answer questions about handicraft exhibit pieces on loan from the Doudji Insitute (Duodjeinstituhtta), as well as field questions of The Gaups spent some days in Minneapolis where they had a cultural exchange evening with the Mendota Mndewakanton Dakota Community. There was yoik, Dakota and Mexican (Aztec) singing, a lavvu and a tipi, stories and a feast. Several Sámi Americans attended this event and the Gaups had the opportunity to visit the seedlings of the Four Grandfather Oaks, which were destroyed after the long battle against the highway 55 re-route. Ante Mikkel and Lars Ailo had an engagement in New York City at the Scandinavia House, and afterwards Ante Mikkel returned to Minneapolis for one day where he was invited to a sweat lodge held in his honor by the Mendota Mndewakanton Dakota Community. He was also given a tour of Northland Native American Products in the Ancient Traders Market and visited Camp Coldwater and Pike Island B both of historic importance to Native people locally. |
From #52/53, Fall/ Winter 2009-09
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